This is the interview with the horror author Stephen King from the June 1983 issue.

    These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.

    Special Edition:The special edition is signed by James, and includes a colour bookplate on the inside cover with the edition number as well as a dediction or note inside the book.

    

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Petruchio calms the stormy temper of his beautiful wife. A group of noblemen find wisdom and love on the island of Prospero, the magician. The noble Brutus agrees to stop the greed and ambition of Julius Caesar - by murder. Too late, a proud king recognises which of his daughters truly loves him. When his wife persuades Macbeth to kill Duncan and become king, guilt and violence pursue them.The stories have been abridged and simplified by E. F. Dodd

    "The Forerunner" and "The Madman" (1932).

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    There she would receive the gift of foretelling. But when that call never comes, Ryber finds herself the only Sister without the Sight.Years pass and Ryber’s misfit pain becomes a dull ache, until one day, Sisters who already possess the Sight are summoned into the mountain, never to return. Soon enough, Ryber is the only Sister left. Now, it is up to her to save her Sisters, though she does not have the Sight—and though she does not know what might await her inside the mountain.On her journey underground, she encounters a young captain named Kullen Ikray, who has no memory of who he is or how he got there. Together, the two journey ever deeper in search of answers, their road filled with horrors, and what they find at the end of that road will alter the fate of the Witchlands forever.Set a year before Truthwitch, Sightwitch is a companion novella that also serves as a set up to Bloodwitch, as well as an expansion of the Witchlands world.

    'I've stayed in one place, ' she says, and 'it's become the source of the information that stirs my imagination'. Her distinctive voice and wry observations are rooted in the southern conversational tradition. The stories in this volume, from the first two collections she published, range in tone from the quietly understated and psychologically subtle to the outrageously grotesque.

    This is a newly-reprinted classic by the most extraordinary anointed woman of her time. Each chapter contains another person's story. Each of these ordinary people, having nowhere left to turn, experienced the willingness of God to touch them right where they where! Read these amazing testimonies by God's extraordinary servant, Kathryn Kuhlman, and know that God can do it again¿for you!

    John Mortimer died in 2009, but will never be forgotten. While still a practicing barrister, Mortimer took up the pen, and the rest is literary history. His stories featuring the cigar-chomping, cheap- winetippling Rumpole and his wife, Hilda (aka "She Who Must Be Obeyed"), have justly earned their place in the pantheon of mystery fiction legends. The stories became a very successful PBS television series starring Leo McKern as Rumpole.Forever Rumpole brings together fourteen of Rumpole's most entertaining adventures, together with a fragment of a new story. Rumpole is never less than delightful and this new collection is a fitting tribute to an indelible character and his remarkable creator.

    The case of the sulky girl -- The case of the careless kitten -- The case of the fiery fingers.

    No other contemporary humorist knew the South so well, loved it so passionately, or wrote about it so vividly.

    By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to the most important poets in our literature.She walks in beauty, like the night Of cloudless climes and starry skies; And all that's best of dark and bright Meet in her aspect and her eyes: Thus mellowed to that tender lightWhich heaven to gaudy day denies.-- She Walks in Beauty