By the end, he's not so sure he isn't!

    Children, he said, were like starlings, and one was better off without them.But the children who lived under the bridge recognized a true friend when they met one, even if the friend seemed a trifle unwilling at the start. And it did not take Armand very long to realize that he had gotten himself ready-made family; one that he loved with all his heart, and one for whom he would have to find a better home than the bridge.Armand and the children's adventures around Paris -- complete with gypsies and a Santa Claus -- make a story which children will treasure.

    The octopus turns out to be a very neighborly sort of octopus, helping the residents to wash their cars or weed the window boxes, and Nora makes fast friends with him. But one morning, the octopus is nowhere in sight. Has he moved on already? And just when Nora wanted to bring him for Show and Tell!

    This abridged version uses the original words of John Bunyan as selected by Oliver Hunkin to present a gripping narrative. Filled with intricately detailed illustrations, this handsome, large-format book makes an ideal gift.

    This four book set includes: Beezus and Ramona, Ramona and her Mother, Henry and Ribsy, and Henry and Beezus.

    Meg is a cute well-meaning witch who lives with Mog and her owl. In Meg and Mog, we are introduced to a witch wardrobe and a witch's breakfast. Later Meg flies off to meet her witch friends for some spell-making at a Halloween Party. Unfortunately the spell does not go exactly to plan... The illustration is simple and with very bold, deep colours. Designed specifically to appeal to very young children, Meg and Mog has short simple sentences on each page, allowing the illustration to play an important part in the storytelling. If you enjoy the first Meg and Mog, enjoy more adventures in Meg on the Moon and Mog at the Zoo. (Ages 1 to 3 years.) --Victoria MacKenzie

    Who will rescue the balloon when it starts to float away?A new adventure featuring Peppa and George.

    But at its core, Margery Williams’s classic story is about stark realities: humans are brusque and unreliable, toys wear out, and—above all—one is either real or one is not. “He hasn’t got any hind legs!” sneers a real rabbit in the original version’s woodland scene. “ ‘Fancy a rabbit without any hind legs!’ And he began to laugh.” In Sakai’s (In the Meadow) retelling, those cruel truths are considerably softened and pared down—where Williams sometimes seemed to prolong the afflictions of her hero, Sakai touches on them only long enough to give her story some emotional heft before moving on. Sakai’s illustrations, richly textured paintings done in acrylic and oil pencil, retain the original’s Edwardian setting, while cushioning the story’s sharp edges with blankets of smudgy, luminous color. Throughout, Sakai emphasizes the rabbit’s stiff, toylike unreality, showing him lying forgotten in the garden beside a shovel or propped up against a tree. It’s an elegant condensation, but in the process, much of the emotional power has been dialed down. Ages 4–up.