Among these guilty pleasures, almost-masterpieces, and undeniable classics in need of revival are unsung noirs (Murder by Contract), famous flops (Can’t Stop the Music, Joe Versus the Volcano), art films (L’ange), theatrical adaptations (The Iceman Cometh), B-movies (Killer Klowns from Outer Space), and even a few Oscar-winners (Some Came Running). In these conversations, the filmmakers defend their choices. These films, they argue, deserve a larger audience and for their place in movie history to be reconsidered. But the conversations’ tangents, diversions, and side trips provide as much insight into the directors’ own approach to moviemaking as into the film they’re discussing. The filmmakers are the perfect hosts, often setting the tone, managing expectations, and giving advice about how you should watch each movie. They’re often brutally honest about a film’s shortcomings or the reasons why it was lost in the first place. The Best Film You’ve Never Seen is not only a guide to some badly overlooked movies but a bold attempt to rewrite film history.

    Green's agile imagination constantly wrong-foots the reader. A delight."-Peter Ingham, The Telegraph"The work of a talented writer having lots of very smart fun"-- S F Winser, Booksquawk.comLittlestar hugely expands on the universe established in Smallworld, with an astounding story arc that follows troopers Beguiled-of-the-Serpent and Only-Begotten as they become embroiled in the second star-spanning war against the Made.Man, a bigoted species brooking no other intelligent life but him- and herself, is spread across a thousand worlds, ruled with a designer-gloved fist by Leader Ottilia Vos. The Made, intelligences both biological and technological, were engineered by human beings, then betrayed and hunted down by them. Now they are back, and this time, it's the Made who have the numbers.Some have no choice in being caught up in events - troopers Beguiled-of-the-Serpent and Only-Begotten, who took Leader Vos's shilling in order to avoid murder charges. Some don't think twice about choices - the tramp trader *Prodigal Son*, unhesitatingly ferrying war refugees back to Earth, mankind's only remaining stronghold. Some people's choices have to be thought through very well indeed - the outlawed dictator Button Humpage, wondering whether to assist the species that betrayed him.Humanity has some surprising allies, many of whom it formerly counted as its fiercest enemies. The biggest question, however, is - what is Littlestar? How did Button Humpage come to control it? And is it the secret weapon that can win the war?

     This is a delightfully sweet romance box set from Holly Rayner. It’s filled with enthralling tales of sheikhs, billionaires, and most of all, their sometimes accidental, at times secret, but always beloved babies! The Sheikh’s Twin Baby Surprise: Sheikh Omar Fakim Al-Daqqa has a problem: as presumptive heir to the throne of Al-Thakri, the Middle-Eastern nation’s constitution demands that he must have a child in order to accede to the throne. Knowing that his power-hungry brother is desperate to usurp his throne and have a baby before him, Omar knows he must act quickly, and he already has a potential mother in mind… The Sheikh’s Triplet Baby Surprise: Career-minded Amity Winters has no time for love and marriage; a respected public relations executive, and one of the best in Los Angeles, she’s never put much thought to starting a family. Yearning for a fresh challenge, she accepts an unusual offer… The Sheikh’s Quadruplet Baby Surprise: Sensing an unmissable opportunity to advertise his company’s new treatment, the Sheikh agrees, and before long, Maddy is pregnant. What Maddy didn’t consider, however, is that the treatment might be overly effective. Four times too effective, in fact! The Sheikh’s Quintuplet Baby Surprise: The next morning, however, Nicole is shocked to discover that the Sheikh is engaged to be married to a woman he’s never met, and faces going back to work as though nothing happened between them. Little does she know that five precious reminders grow larger inside her every day… The Sheikh’s Sextuplet Baby Surprise: Rachelle is heartbroken by Darian’s disappearance, but her attempts to contact him prove fruitless. When her doctor confirms that she’s carrying a little something – or rather, six little somethings – to remember him by, however, she knows what she must do… The Tycoon’s Triplet Baby Surprise: As the legal case picks up steam, Charlotte receives some shocking news: she’s pregnant, with not one, not two, but three of Sean Lawson’s babies! With the court case in jeopardy, and their fledgling romance on the line, can they overcome the forces that seek to drive them apart, and become the united, loving parents they never expected to be? The Sheikh’s Borrowed Baby: As Karim falls deeper into his lie—and as Hallie falls ever deeper for her fake husband—it soon becomes clear that neither party will walk away unscathed. Can Karim figure out that this little family isn’t just a prop in his spun fiction, but a warm and precious treasure, that’ll finally make him whole? The Prince’s Triplet Baby Surprise: As a paparazzo journalist Lisa Garcia is used to meddling in other people’s business, so her plot to get closer to the handsome and alluring Prince Francesco of Aluzzi seems almost too easy. Tasked with snapping pictures of him and his infamously difficult fiancée, Princess Rose, her plan goes off without a hitch, but when she witnesses the Princess storm off after a bitter row, Lisa is quickly thrust into a royal drama! The Tycoon’s Temporary Twins: Sophia is horrified that Jed thinks of the baby only as a short-term convenience, and sets out to prove him otherwise.

    at its peak it surpassed nearly all western countries in number of films released, ruled th e east Asian market, and produced movies (ranging from John Woo's action pictures to the comic adventures of Jackie Chan) that have thrilled global audiences an attained cult status in the West. This book offers an informed and engaging look at how Hong Kong cinema has become one of the success stories of film history, and how it has influenced international film culture and the development of film as a medium.

    In interviews with Hollywood screenwriters from across the board—Oscar winners and novices alike—Cohen explores what sets apart the blockbuster successes from the downright disasters.Tracing the fortunes of twenty-five films, including Troy, Erin Brockovich, Lost in Translation, and The Aviator, Cohen offers insider access to back lots and boardrooms, to studio heads, directors, and to the over-caffeinated screenwriters themselves. As the story of each film evolves from the drawing board to the big screen, Cohen proves that how a script is written, sold, developed, and filmed can be just as dramatic and intriguing as the movie itself—especially when the resulting movie is a fiasco.Covering films of all kinds—from tongue-in-cheek romps like John Waters's A Dirty Shame to Oscar winners like Monster's Ball and The Hours—Screen Plays is an anecdote-filled, often inspiring, always revealing look at the alchemy of the movie business. With Cohen as your expert guide, Screen Plays exposes how and why certain films (such as Gladiator) become "tent poles," those runaway successes every studio needs to survive, and others become train wrecks. Full of critical clues on how to sell a script—and avoid seeing it destroyed before the director calls Action!—it's the one book every aspiring screenwriter will find irresistible.

    This provocative book undertakes a new and challenging reading of recent semiotic and structuralist theory, arguing that films, novels, and poems cannot be studied in isolation from their viewers and readers.

    Many people have told his story incorrectly, and many rumors have surfaced about his life. After years of research we can present this telling of his life story, setting the record straight and giving you a warm, funny and even tragic insight in to the man behind Albert Steptoe.

    But are they really ready for the wild ride ahead?Featured Books in this collection: The Shifter's Shadow (Shifters Of The Seventh Moon #1)Jack Warren doesn't expect Thea Redgrave to come striding into his life. And damn, if he's prepared for it. Or for the paranormal transformation that's in store for him when he attempts to save her life.The Shifter's Embrace (Shifters Of The Seventh Moon #2)With a demon on their tails, the group finds themselves in the spooky swamps of the Everglades, fighting for their lives. Jean Luc and Celia find themselves fighting their unlikely desire for one another, fearful of a love that will change both of them irrevocably.The Shifter's Seduction (Shifters Of The Seventh Moon #3)Tre has told himself a million times that he’d never be good enough for Caroline, that is, until Arturo takes an interest in her himself. Tre finds himself having to rise to the occasion and see if he can make Caroline love him before she falls in love with the evil Arturo.The Shifter's Desire (Shifters Of The Seventh Moon #4)The group of the Seventh Shifter series are all present and racing the clock and racing the demon. It’s all they can do to fight against the darkness and tumble hard into love.This steamy paranormal shifter romance collection contains strong sexual themes/language and is not intended for readers under the age of 18.

    Raymond Chandler's screenplay for The Blue Dahlia is a valuable addition to the published canon for the writer who has been called "the Shakespeare of hard­boiled fiction." Converted from a never-completed novel, this screenplay is all that survives of the novel Chandler worked on between The Lady in the Lake and The Little Sister. In 1944 Paramount Pictures, where Chandler was under contract, needed a rush script for Alan Ladd. Chandler agreed to cannibalize his novel-in-progress, but-as detailed in producer John Houseman's memoir-he became stuck and decided that he could only complete his screenplay drunk. The Blue Dahlia was completed on schedule and was well received, earning Chandler his second Academy Award nomination. Although the writer's screenplay is metamorphosed by other hands in the movie-making process, the screenplay as written has an independent existence, and may be read and judged as a literary work. Indeed, the movie studio archives are a valuable literary resource; and it is inevitable that many screenplays will be published as the study of movies ex­pands. The Blue Dahlia is the story of a war hero who is suspected of having mur­dered his unfaithful wife. Although it does not involve a private-eye, the work utilizes familiar elements of Chandler's world: the loner hero, the quest for jus­tice, the sense of a corrupt society, and- above all-the theme of personal honor.

    1946) is perhaps the best known of all cult directors, whose Mulholland Drive marks cinema's arrival to the 21st century. His career began more than 30 years ago, with the groundbreaking, mystifying "Eraserhead" (1977). With "Blue Velvet" (1986), "Wild at Heart" (1990) and "Lost Highway" (1997) Lynch breathed new life into the sensory experiences of film audiences and disrupted narrative logic to mysterious and mystifying effect. In the early 1990s, he invented a new TV series genre with "Twin Peaks". Although he is a Hollywood director, Lynch works at the edges of the studio system, exploring the many facets of his artistic talent, whose creations, including photography, painting and music, are now making their way into museums and galleries.

    In Pornocracy, a beautiful woman wanders through a gay disco and engages a man, confident that he will follow her. Perversely and dispassionately, she offers her body as the ground of a ritualistic game in which, over the course of three evenings, the two will explore the numbing mechanics of sexual brutality. What follows is an exchange between a man and a woman that is both frankly sexual and deeply philosophical. Adapted and directed for film in France by Breillat as Anatomy of Hell (2004), Pornocracy leads the reader through an undulating and atmospheric exploration of the criminal and the erotic, finally climaxing in a place well beyond more familiar moral terrain. Although Breillat's films—most recently Fat Girl (2001) and Romance (1999)—are well known to international audiences, this publication marks her literary debut in America. It will demonstrate that Breillat's famous films are but one aspect of her strikingly original poetic and philosophical vision.

    The film tells the story of an African American sea-island family preparing to come to the mainland at the turn of the century. In her richly textured, highly visual, lyrical portrayal of the day of the departure, Julie Dash evokes the details of a persisting African culture and the tensions between tradition and assimilation. Daughters of the Dust: The Making of an African American Woman’s Film, which includes Dash’s complete screenplay, describes the story of her extraordinary sixteen-year struggle to complete the project.

    Fully illustrated with great photographs.

    Now in its second edition, the text has been completely revised and expanded to meet the needs of today's students and film enthusiasts. Some 150 key genres, movements, theories and production terms are explained and analyzed with depth and clarity. Entries include: * auteur theory* Blaxploitation* British New Wave* feminist film theory* intertextuality* method acting* pornography* Third World Cinema* Vampire movies.

     Breathing new life into a story that has been rife with controversy and prejudice for over two centuries, the film follows the rise of the visionary Virginian slave, Nat Turner. Hired out by his owner to preach to and placate slaves on drought-plagued plantations, Turner eventually transforms into an inspired, impassioned, and fierce anti-slavery leader. Beautifully illustrated with stills from the movie and original illustrations, the book also features an essay by writer/director, Nate Parker, contributions by members of the cast and crew, and commentary by educator Brian Favors and historians Erica Armstrong Dunbar and Daina Ramey Berry who place Nat Turner and the rebellion he led into historical context. The Birth of a Nation reframes the way we think about slavery and resistance as it explores the passion, determination, and faith that inspired Nat Turner to sacrifice everything for freedom.