Pegged on the general elections that shaped today's India, Mandate: Will of the People tells the story of Indian politics in a gripping, page-turning style.Vir Sanghvi, the well-known journalist and TV anchor, draws on his personal experiences and memories as well as scores of interviews to piece together an incisive and candid account of what went on behind the scenes. Peppered with little-known details and insider information, this book tells the stories behind the story and brings alive the men and women behind the headlines.Mandate: Will of the People contains the real story of the declaration of the Emergency, the rise and fall of Sanjay Gandhi, the Punjab insurgencies, the assassination of Indira Gandhi and the bloody riots that followed her death. It tracks the emergence of Rajiv Gandhi and explains the Bofors scandal that contributed to his defeat.Many of the questions that linger over Indian politics are answered here: how did Narasimha Rao become Prime Minister? Why did he liberalise the economy? What was the Ram Mandir agitation really about? Why didn't Sonia Gandhi agree to be PM? And how did Manmohan Singh's weakness clear the way for Narendra Modi.If you have to read one book about Indian politics - then this is it.

    But all that changes when she meets Shaurya Rajpoot. Fascinated and intrigued by him, Myra is drawn by his loyalty, silent strength and quiet reserve. She yearns to get to know him better, however his past, his family and their bitter history keeps getting in the way of them being together.He never expected to run into her…SHAURYA RAJPOOT is a man of many secrets. A sudden meeting with Myra changes the course of his life. Bound by a vow to his family Shaurya keeps her at a distance…until she shatters all the barriers between them. Staying away from her soon becomes impossible, resisting her…unimaginable.But when the past collides with the present and secrets are revealed, will love be enough? Or will one lie–the biggest deception of all–destroy Myra and Shaurya forever?

    Kesavadev, one of the prolific writers of 20th century Kerala. In the “introduction” to this book, the author contemplates on the social progress to which Kerala was slowly waking up in the beginning of twentieth century. His analyses of these developments often give birth to his literary works, as what happened in this book too, the author says. Dev, as the writer has been popularly known in Kerala, recalls that there were three main aspects for the social progress witnessed by Kerala in the first half of twentieth century (the introduction written in 1963 takes into account half a century preceding it to make this inference). The destruction of matrilineal system (marumakkathayam), which had a tint of feudal character in it, the social mobility of Ezahvas, who had witnessed backwardness in a caste-ridden society, and the progress of Christian community in the economic and education front were the three aspects.

    The popular tellings of the Mahabharata are about Duryodhana'sdeviousness, obstinacy and greed for power that would bring about thebattle of Kurukshetra between the Kauravas and the Pandavas, and hisown downfall. But was there more to him? Was he all black, or was it a matter ofshades of grey? What was he? True heir or pretender to the throne?Arch villain or brave prince defending his rajadharma?Ace strategist or wicked schemer? History, they say, is written by the victors. So we have never heard theside that Duryodhana presents. The epic's enigmatic villain finally hashis say -- on people, their motives and their machinations. For the firsttime we read a different meaning into episodes we may be familiar with --be it the attempted killing of Bhima, the burning of the wax house, thefamous game of dice or even Draupadi's vastraharan -- and get insightsinto the story we may not have come across before. Here is the crownprince of Hastinapura as we have never known him, adding yet anotherdimension to the labyrinth that is the Mahabharata.

    And, by cleverly manipulating the hand fortune has dealt her, she has even found love with Manik Deb—a man betrothed to another. All were minor miracles in India that spring of 1943, when young women's lives were predetermined—if not by the stars, then by centuries of family tradition and social order.Layla's life as a newly married woman takes her away from home and into the jungles of Assam, where the world's finest tea thrives on plantations run by native labor and British efficiency. Fascinated by this culture of whiskey-soaked expats who seem fazed by neither earthquakes nor man-eating leopards, she struggles to find her place among the prickly English wives with whom she is expected to socialize, and the peculiar servants she now finds under her charge.But navigating the tea-garden set will hardly be her biggest challenge. Layla's remote home is not safe from the powerful changes sweeping India on the heels of the Second World War. Their colonial society is at a tipping point, and Layla and Manik find themselves caught in a perilous racial divide that threatens their very lives.

    Ghias Beg isn’t traveling light; he has with him a pregnant wife and three small children. When his family stops at Qandahar—which is today in modern-day Afghanistan, at that time was on the outer fringe of the Mughal Empire—his wife gives birth to a baby girl named Mehrunnisa. Thirty-four years later, this winter child will become an Emperor’s wife and the most powerful woman in that Mughal dynasty. Mehrunnisa is The Twentieth Wife of Emperor Jahangir, Akbar’s son, a woman so beloved of her husband that he grants her most of the powers of sovereignty. She signs on imperial documents called farmans and mints coins in her name and truly comes into power during the sixteen years of her marriage to Jahangir in The Feast of Roses . Mehrunnisa’s niece (her brother’s daughter and Ghias’ granddaughter) marries one of Jahangir’s sons, Prince Khurram who becomes Emperor Shah Jahan after his father’s death. When this niece dies in childbirth in June of 1631, Shah Jahan builds the Taj Mahal in her memory. But it is Mehrunnisa’s grand-niece (and Ghias’ great-granddaughter) Princess Jahanara who takes center stage in the third novel of the trilogy, Shadow Princess . She’s seventeen years old when her mother dies and her father, in his grief, leans upon her to the extent that she’s never allowed to marry. Throughout her life, Jahanara has to pacify warring brothers who each want the throne after their father, and engages in a rivalry with a sister, Roshanara—in supporting differing brothers politically, and in falling in love with the same noble at court, Najabat Khan. Powerful in her father’s harem, immensely rich with half her mother’s estate bestowed upon her and all of her mother’s yearly income, Jahanara still fails to turn the course of India’s history and has to find love with Najabat Khan in unconventional ways.

    Through an astute and devastating critique of Hinduphobia in today’s academia, media and popular culture, Vamsee Juluri shows us that what the Hinduphobic worldview denies virulently is not only the truth and elegance of Hindu thought, but the very integrity and sanctity of the natural world itself. By boldly challenging some of the media age’s most popular beliefs about nature, history, and pre-history along with the Hinduphobes' usual myths about Aryans, invasions, and blood-sacrifices, Rearming Hinduism links Hinduphobia and its hubris to a predatory and self-destructive culture that perhaps only a renewed Hindu sensibility can effectively oppose. It is a call to see the present in a way that elevates our desa and kala to the ideals of the sanathana dharma once again. “For a civilization is not just buildings and machines, but its people, their thought, and their culture. It is a way of knowing the world, a way of giving meaning and value to the contents of life. It is a resource, most of all, for living intelligently.”

    Saved by his sister in a terrible bargain struck with their leader, Wyn dedicates his life to finding her. He becomes a legend in a time when the country was wild and free, and full of bad men as well as pioneer spirit. As the lonely cowboy metes out justice to the men responsible for changing the course of his life, he meets a girl, and begins to ponder over a life which might have been. Filled with beauty and complexity, with plenty of action for western fans, The Wild Country is a rip-roaring tale in the best tradition of legends told over a campfire.

    The stranger claims to be the child of a lost Mughal princess, the youngest sister of Akbar's grandfather Babar: Qara Koz, 'Lady Black Eyes', a great beauty believed to possess powers of enchantment and sorcery, who is taken captive first by an Uzbek warlord, then by the Shah of Persia, and finally becomes the lover of a certain Argalia, a Florentine soldier of fortune, commander of the armies of the Ottoman Sultan. When Argalia returns home with his Mughal mistress the city is mesmerized by her presence, and much trouble ensues. The Enchantress of Florence is the story of a woman attempting to command her own destiny in a man's world. It brings together two cities that barely know each other - the hedonistic Mughal capital, in which the brilliant emperor wrestles daily with questions of belief, desire and the treachery of sons, and the equally sensual Florentine world of powerful courtesans, humanist philosophy and inhuman torture, where Argalia's boyhood friend "il Machia" - Niccolo' Machiavelli - is learning, the hard way, about the true brutality of power. These two worlds, so far apart, turn out to be uncannily alike, and the enchantments of women hold sway over them both. But is Mogor's story true? And if so, then what happened to the lost princess? And if he's a liar, must he die?

    Follow the lives of Pastor Dan and Anna as they meet, get engaged and begin their lives together. This anthology combines the short stories: A Bride for Pastor Dan, Ready Made Family, The Bridesmaid, Riley’s Song and Heartbreak.

    Each of Jethro’s boys has their own character and stubborn ways, but they are no match for Jethro’s quest to get each of them married off to a good and godly young lady. Jethro enlists the help of one of the marvellous Mrs. Molly White, the proprietor of the Cozy Bridal Agency. To Jethro’s delight, Molly helps him find suitable mail order brides for each of his sons, but she also has a big surprise up her sleeve that will forever change Jethro’s world too! Every story in the 8 book series is a satisfying standalone read, but I am certain that once you are introduced to Jethro’s rambunctious household, you will want to read them all. IN THIS EDITON YOU GET 2 BOOKS IN 1!!! BOOK 1: THE SEVEN SONS OF JETHRO Jethro and Miriam Knerr decide to move their young family west, in the hopes offinding a new freedom. Five years go by and their family has swelled – Miriam and Jethro have been blessed with seven healthy sons. Anthony, the youngest, and his mother both love fishing. Despite Jethro’s warning not to go to the river one day, Miriam takes Anthony. A sudden, torrential rain swells the river in moments and Anthony and Miriam are swept away by the current. Ten more years pass and Jethro remains unmarried and faithful to his one love. But he is concerned that not one of his growing sons has yet found a wife. Taking matters into his own hands he secretly calls upon the services of one Molly White, proprietor of the Cozy Bridal Agency, to find godly wives for each of his boys. With that request, and Molly’s dedication, a family wide romantic adventure begins that leads to more weddings than old Jethro bargained for! BOOK 2: THE FLIGHT OF LOVE - The Story of Alan & Cynthia Cynthia Knowles fears for her young brothers. Ever since their parentǯs death the boys have been led astray by unsavory company. Cynthia seeks the advice of an older friend, Molly White, who has a brilliant idea –head west, away from the gangs and the unemployment and poverty of Philadelphia. Molly encourages Cynthia to accept the invitation of Jethro Knerr, to join one of his sons on their ranch. Alan, the eldest of the Knerr boys, has other ideas. The last thing he wants is the responsibility of a wife. After all, since his mother's death he has felt responsible for his aging father and younger brothers. But his father and siblings know that his stubbornness hides a deep hurt, one that has been dammed and needs to burst. Can Cynthia reach beyond Alan's grief and fear, and allow his huge heart to one again celebrate a bright and hopeful future? Or will his dismissal and rejection of her turn her away forever? The Seven Sons of Jethro is a delightful series that follows the trail of long-suffering father, Jethro's quest to marry each of his sons to a good Christian wife. The Seven Sons of Jethro is a delightful series that follows the trail of long-suffering father, Jethro’s quest to marry each of his sons to a good Christian wife. Each story is a wonderful tale in itself, and can be read as a satisfying standalone, but be warned, once you read one, you won’t be able to resist finding out what became of the other sons and their stories.

    Gopal Hosur, Rtd. IPS at Bengaluru ; Mr. Ramana, National Award Nominee and Scientist at Hyderabad ; Dr. Col. Prakash & Dr. Khan at International Conference of Medical Sciences and Social Sciences, Mysuru ; Sri. Somaraju, Prl District and Sessions Judge,Vijayapura ; Dr. M. S. Dayanandaswamy (Principal of Sri Siddhartha Institute of Management Studies), Dr Muddesha B T (Director of Sri Siddhartha Center for Media Studies), Dr B. Azmathulla (Professor and Placement Officer of Sri Siddhartha Institute of Management Studies) at TumkurInvited Speaker - Prajati TV & Community Radio Media coverage - Leading regional (Kannada) newspaper, The Covai PostSet in the backdrop of 1990 Calcutta, She is a story about finding one’s own identity in spite of all odds. The story spins around the life of Kusum, a brave heart whose identity is often untitled and blurred; it does not belong anywhere, definitely not under the ‘he’ or ‘she’ bracket, thanks to our social conditioning. Will she be successful in her mission? Find out in She, an utterly absorbing read that derives inspiration from Tagore’s “Ekla Cholo Re” song, which urges everyone to move on despite the fear of abandonment from others. "She is one of the finest book to read" - Sujeeth Kumar, Project Manager, MNC Bengaluru "A story often untold. Appreciate the team for presenting She in the best possible harmonious way!" - N K Narasimhan, CEO and Co-Founder, Nascor Technologies, Bengaluru "Don't miss the ending!" - Raghunath Babu Are, Employee at Microsoft, Bengaluru

    The cosmopolitan fabric of a vibrant trading society - with its Jewish and Arab merchants, Chinese pirate heroes and masterful Hindu Zamorins - was ripped apart, heralding an age of violence and bloodshed. One prince, however, emerged triumphant from this descent into chaos. Shrewdly marrying Western arms to Eastern strategy, Martanda Varma consecrated the dominion of Travancore, destined to become one of the most dutiful pillars of the British Raj. What followed was two centuries of internecine conflict in one of India's premier princely states, culminating in a dynastic feud between two sisters battling to steer the fortunes of their house on the eve of Independence. Manu S. Pillai's retelling of this sprawling saga focuses on the remarkable life and work of Sethu Lakshmi Bayi, the last - and forgotten - queen of the House of Travancore. The supporting cast includes the flamboyant painter Raja Ravi Varma and his wrathful wife, scheming matriarchs of 'violent, profligate and sordid' character, wife-swapping court favourites, vigilant English agents, quarrelling consorts and lustful kings. Extensively researched and vividly rendered, The Ivory Throne conjures up a dramatic world of political intrigues and factions, black magic and conspiracies, crafty ceremonies and splendorous temple treasures, all harnessed in a tragic contest for power and authority in the age of empire.