But when Isaacson, a lifelong horseman, rode their neighbor's horse with Rowan, Rowan improved immeasurably. He was struck with a crazy idea: why not take Rowan to Mongolia, the one place in the world where horses and shamanic healing intersected? THE HORSE BOY is the dramatic and heartwarming story of that impossible adventure. In Mongolia, the family found undreamed of landscapes and people, unbearable setbacks, and advances beyond their wildest dreams. This is a deeply moving, truly one-of-a-kind story--of a family willing to go to the ends of the earth to help their son, and of a boy learning to connect with the world for the first time.

    Assuming no prior science knowledge, this book supports main concepts with clinical applications, making them more relevant to students pursuing careers in the allied health field.

    Focusing on the 1999 Derby winner Charismatic, Mitchell traces this horse's amazing and ultimately tragic story, from the birth of a foal through its surprising rise to fame. Mitchell also follows the major players in Charismatic's life, including the family who bred him, the trainer, the owners, and the famed jockey Chris Antley, whose own story is more tragic than that of his horse. Through these interlocking stories a sense of familiarity with the key players in the industry evolves, as well as a greater understanding of the heart and soul of a sport that has fascinated human beings for centuries.

    From the top of the hill, she watched helplessly as the heavy oil truck swung around the curve in the road.She heard the crunch of metal, and the screech of terrified horses as the truck slammed into the horse trailer.Tears streaming down her cheeks, she raced down the hill. Her horse- the beautiful chestnut Arab that she dreamed of owning- was trapped inside the trailer!

    He dreams of riding not just any horse, but the spirit horse of the Snake people -- a majestic and wild white stallion. But Running Crane is young, and an unskilled rider - unlike the great warriors of his new band, the Kainaa. When Running Crane joins the Kainaa warriors in a horse raid on the Snake People, he is separated from the rest of his party. He discovers the beautiful spirit horse alone on the prairie. Finally he has the chance to prove his worth to the Kainaa band and to make his dream of taming a magnificent horse come true.

    Joelle has a very special relationship with her Thoroughbred mare, Dance Away. Then Dancer dies giving birth to her first foal, and Joelle swears that no horse, not even Dancer's filly, will ever replace Dancer in her heart. But Joelle's parents insist she take care if the orphaned filly--it needs her help to survive. Joelle does as little as she can to groom and train the foal. All she can think about is Dancer--that they won't be riding together in the big fall show where Joelle was sure they'd win a trophy. Joelle's convinced that Dancer's filly will never be a winner like her mother. Then something happens that will make Joelle change her mind forever...

    His owner compared him to "chain lightning." His jockeys found their lives transformed by him, in triumphant and distressing ways. All of them became caught in a battle for honesty.Born in 1917, Man o' War grew from a rebellious youngster into perhaps the greatest racehorse of all time. He set such astonishing speed records that The New York Times called him a "Speed Miracle." Often he won with so much energy in reserve that experts wondered how much faster he could have gone. Over the years, this and other mysteries would envelop the great Man o' War.The truth remained problematic. Even as Man o' War---known as "Big Red"---came to power, attracting record crowds and rave publicity, the colorful sport of Thoroughbred racing struggled for integrity. His lone defeat, suffered a few weeks before gamblers fixed the 1919 World Series, spawned lasting rumors that he, too, had been the victim of a fix.Tackling old beliefs with newly uncovered evidence, Man o' War: A Legend Like Lightning shows how human pressures collided with a natural phenomenon and brings new life to an American icon. The genuine courage of Man o' War, tribulations of his archrival, Sir Barton (America's first Triple Crown winner), and temptations of their Hall of Fame jockeys and trainers reveal a long-hidden tale of grace, disgrace, and elusive redemption.

    He comes from the Gates of Death—and if he can, he will destroy the Dancer.Between them stands Duchess, last true mare of the Appaloosa line. With the Dancer, she runs away from the barns of men—but is stalked by Anor and his Harrier Hounds. If they can kill her and her foal, the Appaloosa breed will be ended.

    This unique form of therapy blends horse sense with common sense. Wyatt uses the horse as a metaphor, explaining that how you relate to this animal will tell how you relate to all living things, hence the title "It's Not About The Horse". Using this analogy and case studies Wyatt shows the reader how to understand what they have learned over the course of their lifetime and explains how to examine what works for or against them. Wyatt then goes on to explain, drawing from his own life experience how anyone that wants to grow and really know who they are must travel through uncharted territory, the only place where you learn anything.

    Journey through the equine mind with Hill as she explores what makes a horse tick. How do his basic needs dictate his behavior and mood? What touches and tastes appeal to his senses? How does his "flight or fight" instinct dictate his response to sudden movements? If horses are treated respectfully with methods they understand, everyone involved -- animal and human -- will be happier, safer, and more productive.

    At thirteen she finds herself skeptic and suspicious, with no family, no friends, and forced to participate in horse therapy. Horse therapy “will teach trust, perseverance, respect and the value of teamwork,” or so says the program’s instructor. Tara is unconvinced. Trust only got her heart broken, perseverance only gets her put down, and no one respects or wants to team up with the misfit foster kid. At the stable, Tara meets Trouble, an angry horse bent on destroying everything and everyone around him. When Tara realizes he’s just as misunderstood and untrusting as she is, she pushes aside her fear and a special relationship is formed. Trouble trusts Tara, and Tara in turn finds hope and acceptance as well as the will to love and trust again herself. But Tara’s confidence is shaken as a great challenge looms ahead. Trouble’s manipulative owner is determined to have him destroyed because of his ‘dangerous’ nature. Tara must overcome her own limitations and fight to save the horse that has freed her heart and given her life value and meaning.

    For the next one hundred and fifty days, the cries of stallions and the vigorous encouragement of their handlers echo through breeding country, from the gentle hills of Kentucky to the rich valleys of California.First appearing as an article in The New Yorker, Stud takes you into this strange and seductive world. We move from Lexington's Overbrook Farm, where the world's leading sire, Storm Cat, a lightly raced eighteen-year-old, brings in around thirty million dollars a year; to the auction halls, where sheiks and bookies (known more casually as the Doobie Brothers and the Boys) bid millions for Storm Cat's well-bred offspring. We visit Three Chimneys, where the twenty-seven-year-old Triple Crown winner Seattle Slew, a senior citizen by equine standards, makes a rousing return to active duty after spinal surgery, and stroll through Running Horse Farm, on the banks of the Rio Grande, where a nearly unmanageable colt, Devil Begone, has found peace and prosperity servicing desert mares like Patty O'Furniture.Cheap stud, top stud, old stud, wild stud, from the Hall of Fame horse to the harem stallion with his feral herd, Stud looks at intimate acts in idyllic settings (and the billion-dollar business behind them), providing a voyeuristic glimpse of just how human the equine world can be.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    This year, five girls from different backgrounds will challenge the Chestnut Hill stereotype. There's witty, spunky Dylan; secretive Malory; western tomboy Lani; Honey, the soft-spoken Brit; and polished New Yorker Razina. None is prepared for the social or riding rigors, and they all doubt they will fit in -- certainly not if queen bee Lynsey and her clique have any say. But if this unlikely fivesome can band together, they may prove themselves the true stars of Chestnut Hill.

    Addressed to copyeditors in book publishing and corporate communications, this thoughtful handbook explains what copyeditors do, what they look for when they edit a manuscript, and how they develop the editorial judgment needed to make sound decisions.This revised edition reflects the most recent editions of The Chicago Manual of Style (15th ed.), the Publication Manual of the American Psychological Association (5th ed.), and Merriam-Webster's Collegiate Dictionary (11th ed.).