In I Would Leave Me If I Could, she reveals never-before-seen poetry of longing, love, and the nuances of bipolar disorder.

    It must be puppy love! It's doubly embarrassing since she's a professional dog trainer. Of course, the neighbor would have to be hot, hot nightclub owner bad boy Owen McKay, just the kind of man Callie is determined to avoid.Owen’s comfortable with his playboy status and the hype in the media. But the ground moves beneath his feet when he gets an eyeful of the girl next door. The Dog Whisperer never looked this good! How can he convince this wholesome honey that his player days are behind him? Maybe Jill, his Great Dane can help him with this dilemma now that she’s pregnant and Callie’s dog is to blame.Is this bad boy a bad bet?Beware of dogs, romance and deep belly laughs!Going to the Dogs is a romp through the urban jungle of New York City to find true love, the perfect cocktail, and expensive heels. Dog is a man’s best friend, but sometimes a woman just needs a hot man in the city. This series will appeal to a mature crowd, especially fans of Sex in The City.

    In November of 2010, I read at the ‘Ear Eater’ reading series in Chicago. Ana was another reader. She was reading via Skype. There were a lot of people at the reading. After I read, I walked out of the room and stood in a hallway, staring at the floor. After a few difficult conversations with people in the hallway, I heard the host of the reading talking to someone on the computer. It was Ana. Ana started reading. I laughed a lot and enjoyed her reading. Seemed like other people weren’t enjoying it as much as me but I was enjoying it a lot. I stood in the hallway laughing and shaking my head ‘Yes’ and people looked at me. I kept thinking, ‘I want to go into the room and watch her face reading’ but then I would think, ‘No, don’t do that, just listen.’ Not sure why I kept telling myself not to go into the room where she was reading but I stood in the hallway and listened and enjoyed it a lot. Two years later, Ana emailed me Baby Babe. I opened the PDF just to skim a few poems but then I read the whole book. When I was done reading the book, I thought, ‘I’ll be glad to have this book so I can look at it whenever I want.’” — Sam Pink

    Slug is about the human condition: of birth and death and how we manage the possibilities in-between.

    the integrity of vision coruscating; the whole driven by the author's restless experimentation with form. And at least two stories, "Blood" itself and "Fearless", will certainly end up in anthologies: not Best Scottish Writers, or Best Women Writers, but quite simply, Best." - New Statesman and Society"I remember reading a story by Janice Galloway for the first time; its urgency of voice, that certainty of expression, I wondered why I hadn't heard of her before; then discovered that she was altogether new to writing. It was some debut. She really is a fine writer." - James Kelman"A salutary collection... a marvelous revelation. A writer of passion and virtuosity shines through." - Scotland on Sunday"Genuinely unnerving... she is a fierce, troubling new writer." - Observer"Galloway flecks her hard-edged realism with impressionist grace-notes, a potent mixture that confirms her... as one of Scotland's best young writers." - Sunday Telegraph"There is ample proof in Blood of Galloway's unassailable talent. Marvellously funny and beautifully paced." - Glasgow Herald

    This stunning new collection, A Woman Without a Country, looks at how we construct one another and how nationhood and history can weave through, reflect, and define the life of an individual. Themes of mother, daughter, and generation echo throughout these extraordinary poems, as they examine how—even without country or settled identity—a legacy of love can endure.From “Talking to my Daughter Late at Night”We have a tray, a pot of tea, a scone.This is the hourWhen one thing pours itself into another:The gable of our house stored in shadow.A spring planet bending iceInto an absolute of light.Your childhood ended years ago. There isNo path back to it.

    The short stories included in this selection are representative not only of Tagore's range, but they also enable us to revise the conventional view of Tagore as a short story writer. Writing them at a time when the form was not yet popular, Tagore eschewed the romantic strain prevalent in his day. His stories are fables of modern man, where fairy tale meets hard ground, where myths are reworked, and the religion of man triumphs over the religion of rituals and convention, where the love of a woman infuses the universe with humanity. He writes with concern about such issues as the Hindu revivalism in the late nineteenth century and the bondage of women. The rhythms of daily life, his rural encounters and childhood reminiscences, unfold in his tales, as does a sense of history, the reality of the political situation and its impact on individual lives. Tagore wishes to see the world of humanity not only reflected in his own life but also actualized in Bengali literature. His profound sensibility led him beyond the merely regional, his humanity stretching across east and west, fulfilling the purpose of his Jibandebata, his life's deity, Edited by Sukanta Chaudhuri, a well-known scholar and translator, this is an authoritative and readable translation of Tagore's short stories. An essential Tagore for the collector, it is one that will find its place on every discerning reader's shelf.

    At a deluxe medical spa on a nameless Caribbean island, a middle-aged woman hopes to revitalize her fading youth with grotesque rejuvenating therapies that combine cutting-edge medical technologies with holistic approaches and the pseudo-religious dogma of Zen-infused self-help. And in a rinky-dink mill town, an adolescent girl is unexpectedly inspired by the ravings and miraculous levitation of her fundamentalist friend’s weird grandmother. These are only a few of the scenarios readers encounter in Julia Elliott’s debut collection, The Wilds. In these genre-bending stories, teetering between the ridiculous and the sublime, Elliott’s language-driven fiction uses outlandish tropes to capture poignant moments in her humble characters’ lives. Without abandoning the tenets of classic storytelling, Elliott revels in lush lyricism, dark humor, and experimental play.

    The light draws you in where you will find Caitlyn there digging. When you get close enough, she'll lean in & whisper, Baby, buried things will surface no matter what, get to them before they get to you first. Her unbounded love will propel you to pick up a shovel & help- even though the only thing you want to do is kiss her lips, kiss her hands, kiss every one of her stretch marks & the fire that is raging in pit of her stomach. She'll see your eyes made of devour & sadness, she'll hug you & say, Baby, if you eat me alive, I will cut my way out of your stomach. Don't let this be your funeral. Teach yourself to navigate the wound.

    From the author of the award-winning novel Let the Great World Spin and TransAtlantic comes an eponymous novella and three stories that range fluidly across time, tenderly exploring the act of writing and the moment of creation when characters come alive on the page; the lifetime consequences that can come from a simple act; and the way our lives play across the world, marking language, image and each other.Thirteen Ways of Looking is framed by two author’s notes, each dealing with the brutal attack the author suffered last year and strikes at the heart of contemporary issues at home and in Ireland, the author’s birth place.Brilliant in its clarity and deftness, this collection reminds us, again, why Colum McCann is considered among the very best contemporary writers.

    . .Taking as its starting point the classic 'wheel of balance' life-coach model, this beautifully packaged collection of extracts and short poems gathers wisdom old and new in a perfect gift for anyone who needs comfort in this f**ked up world of ours.'This is not a poetry book as you know it, this is a life raft.' Emerald Street on Poems for a World Gone to Sh*t.

    Novak's One More Thing: Stories and Other Stories is an endlessly entertaining, surprisingly sensitive, and startlingly original debut collection that signals the arrival of a welcome new voice in American fiction.Across a dazzling range of subjects, themes, tones, and narrative voices, Novak's assured prose and expansive imagination introduce readers to people, places, and premises that are hilarious, insightful, provocative, and moving-often at the same time.In One More Thing, a boy wins a $100,000 prize in a box of Frosted Flakes - only to discover that claiming the winnings may unravel his family. A woman sets out to seduce motivational speaker Tony Robbins - turning for help to the famed motivator himself. A school principal unveils a bold plan to permanently abolish arithmetic. An acclaimed ambulance driver seeks the courage to follow his heart and throw it all away to be a singer-songwriter. Author John Grisham contemplates a monumental typo. A new arrival in heaven, overwhelmed by infinite options, procrastinates over his long-ago promise to visit his grandmother. We meet a vengeance-minded hare, obsessed with scoring a rematch against the tortoise who ruined his life; and post-college friends who debate how to stage an intervention in the era of Facebook. We learn why wearing a red t-shirt every day is the key to finding love; how February got its name; and why the stock market is sometimes just... down.Finding inspiration in questions from the nature of perfection to the icing on carrot cake, from the deeply familiar to the intoxicatingly imaginative, One More Thing finds its heart in the most human of phenomena: love, fear, family, ambition, and the inner stirring for the one elusive element that might make a person complete. The stories in this collection are like nothing else, but they have one thing in common: they share the playful humor, deep heart, inquisitive mind, and altogether electrifying spirit of a writer with a fierce devotion to the entertainment of the reader.

    Divided into four chapters—waking up, growing pains, crushing realities, and disappointing beginnings—this collection covers everything from self-discovery and heartbreak to chronic illness and fresh starts.

    Ten years ago, I started writing this for you. I wrote it for you and only you. Since then, millions of other people have read it, but none have understood it the way you understand it. I set out to find you a long time ago and today, I'm so glad I finally have. Thank you for reading these words.***I Wrote This For You is a collaborative photography and prose project. (Almost) every day, the photographer sends the writer a new photograph from wherever he is in the world. The writer creates a poem or short piece of prose inspired by the photograph and focused on whoever might be reading the work, or "you." The writer and the photographer have never met.  I Wrote This For You: 2007-2017 is a collection of the best poetry and photography from the first 10 years of the best-selling project. It contains new work, old work, work that's never been seen before and a selection of fan-made work inspired by the project. With hundreds of thousands of copies sold, millions of interactions and spanning three existing books, I Wrote This For You has forged a remarkable relationship to its readers over the first 10 years.

    far away from your husband? Helen is almost forty and her boobs are starting to go south. She's also happily married to Mark. But why, then, can't she stop staring at ex-fianc�e Rob's big blue eyes from the minute she finds him on Facebook? And why does she agree to go to a mutual friend's wedding in Rome-accompanied by her very loud and touristy mom and even louder gin & tonic drinking friend, Lori-when she knows he will be there? It can only mean one thing: Trouble. Things don't get less complicated when Helen finds out that Mark is going on a business trip with his perfect ex-girlfriend (with perfect perky boobs) at the same time somewhere in Germany. Or when he suddenly shows up in Rome unannounced. A fun, warmhearted, and compelling story, The One That Got Away is a novel about a lot of what if's, how we often take love for granted, and how life doesn't always have to be picture perfect. "If you love a fast-paced story, with snappy dialogue and lots of humor and heart, this is the book for you."