She wants to be beautiful, adores her charm bracelet and has a crush on a boy from school. There's one big difference though – Susie is dead.Now she can only observe while her family manage their grief in their different ways. Her father, Jack is obsessed with identifying the killer. Her mother, Abigail is desperate to create a different life for herself. And her sister, Lindsay is discovering the opposite sex with experiences that Susie will never know. Susie is desperate to help them and there might be a way of reaching them…Alice Sebold's novel The Lovely Bones is a unique coming-of-age tale that captured the hearts of readers throughout the world. Award-winning playwright Bryony Lavery has adapted it for this unforgettable play about life after loss.

    Any bounty hunter worth the title knows three rules:Collect half the money up front.Never get emotionally attached.Don’t ask nosy questions.But with a heart of gold and her companion Kubu by her side, Esper sets out to make the galaxy a better place, preferably making enough money to pay for the fuel to get from one job to the next. But just because she’s not cut out to be ruthless doesn’t mean the galaxy is going to eat her alive.After all, Esper is also a wizard.Mission 1: Wayward SaintA runaway teen needs protection and Esper takes the job. But a simple rescue and recovery turns ugly when Esper finds herself in the middle of a custody battle with a vicious pirate who’s hired a bounty hunter of his own.Mission 2: Behind Blue SkiesOn the run from troubles of her own, Esper tries to lie low on a suspiciously Utopian colony planet. Unable to keep out of other people’s troubles, Esper gets a terrifying look into justice on a world where truth is a matter of who you know.Mission 3: House of the Orion SunEsper’s mission to protect the galaxy’s most vulnerable takes a turn for the seedy when she tracks a trafficking victim. How long can she hold out when her morals are tested at every turn?Mission 4: Break the ChainEsper’s own dark past catches up with her when bounty-hunting wizards corner her. Esper has faced down the galaxy’s worst criminals. Now, she’s going to be forced to stand up to one of the galaxy’s most esteemed institutions—Convocation of Arcane Practitioners.

    And it’s armed. Plum Kettle does her best not to be noticed, because when you’re fat, to be noticed is to be judged. Or mocked. Or worse. With her job answering fan mail for a popular teen girls’ magazine, she is biding her time until her weight-loss surgery. Only then can her true life as a thin person finally begin. Then, when a mysterious woman starts following her, Plum finds herself falling down a rabbit hole and into an underground community of women who live life on their own terms. There Plum agrees to a series of challenges that force her to deal with her past, her doubts, and the real costs of becoming “beautiful.” At the same time, a dangerous guerrilla group called “Jennifer” begins to terrorize a world that mistreats women, and as Plum grapples with her personal struggles, she becomes entangled in a sinister plot. The consequences are explosive.Dietland is a bold, original, and funny debut novel that takes on the beauty industry, gender inequality, and our weight loss obsession—from the inside out, and with fists flying.

    She’s six feet tall, self-conscious and posh. And is frequently mistaken for a man. She’s also invested her inheritance in a joke shop that she runs with her friend Stevie (Sarah Hadland) while trying to deal with her outrageously embarrassing mother (Patricia Hodge). Though surrounded by chocolate willies, Miranda is determined to suss out what it takes to be a girly girl and to not look a complete idiot every time she meets the gorgeous Gary (Tom Ellis). Miranda Hart’s Joke Shop – first broadcast on BBC Radio 2 – is written by Miranda Hart (Hyperdrive, Absolutely Fabulous, Lead Balloon), with James Carey (My Family, Think the Unthinkable) and Simon Dean (Not Going Out).2 CDs. 2 hrs.

    Taking place only months before the outbreak of World War One (and written during the conflict) it focuses on Hannay’s attempts to warn the government of an unfolding plot to steal Great Britain’s military plans. Throughout the book Hannay must escape from German spies and the British police, who falsely believe that he has murdered the very man who revealed the plot to him. The book would prove incredibly popular upon its release and has been cited as the first “man-on-the-run” style story which has been re-used in films in literature ever since. The novel itself has been adapted for the screen no less than four times.

    Away from the rest of the world, this perfect escape is interrupted by a motley parade of misfits who show up and change his plans. A hired beauty, a fireman, and an eccentric British real estate agent desperately trying to stay in the country all suddenly find themselves tangled together in a beach house where the mood is anything but sunny.This pithy piece portrays a scenario of attempted suicide with mordant humour, where a basis of social alienation leads to unexpected connections. The richly-drawn characters are quick-witted and narcissistic yet self-aware and the dialogue is fluid and witty."All New People" is centred around a clever concept which works as a catalyst for both angst-fuelled scrutiny and morbid humour.

    A play by the creator of the "West Wing" about the invention of television, "The Farnsworth Invention" focuses on the battle between Philo Farnsworth, the Mormon from who came up with the concept as a teenager, and David Sarnoff, the escapee from Russian pogrom who had become the ruthless head of the Radio Corporation of America (RCA) and its subsidiary, the National Broadcasting Company (NBC).

    A missing professor. Some nefarious men in gray suits. And a dreamworld called the Troposphere? Ariel Manto has a fascination with nineteenth-century scientists--especially Thomas Lumas and The End of Mr. Y, a book no one alive has read. When she mysteriously uncovers a copy at a used bookstore, Ariel is launched into an adventure of science and faith, consciousness and death, space and time, and everything in between. Seeking answers, Ariel follows in Mr. Y’s footsteps: She swallows a tincture, stares into a black dot, and is transported into the Troposphere--a wonderland where she can travel through time and space using the thoughts of others. There she begins to understand all the mysteries surrounding the book, herself, and the universe. Or is it all just a hallucination?

    

    But his past life is a recurring nightmare—filth, desperation, and blackouts. And more trouble is only a hundred miles away. Darren and Alastair leave Liverpool, heading south in a rickety old car. They have been sent by their gang boss to wreak violent revenge, but they have only a rough idea of their quarry: a one-armed man.Interspersed between the scabrous banter and a pitch-perfect street dialect, Niall Griffiths offers stunning descriptions of the Welsh landscape and a dark, knowing humor. Despite the ever present drugs, violence, and anger, he reveals a fragile humanity. Graywolf is proud to introduce this striking, distinctive voice to American readers.

    It tells the woeful tale of a group of 'fallen' women who have had their babies snatched from them at birth to be given up for adoption, and their wretched lives of drudgery earning their keep in the laundry.

    It makes the blood rush."Olivier-award winning actor Adrian Lester plays Ira Alridge in the world premiere of Lolita Chakrabarti's new play, Red Velvet, which launches Indhu Rubasingham's reign as the Tricycle Theatre's new Artistic Director. The play is set in the Theatre Royal, Covent Garden, in 1833. Edmund Kean, the greatest actor of his generation, has collapsed on stage whilst playing Othello. A young black American actor, Ira Aldridge, has been asked to take over the role. But, as the public riot in the streets, how will the cast, critics and audience react to the revolution taking place in the theatre?Written by the 2012 Most Promising Playwright (Evening Standard Awards) Lolita Chakrabarti, Red Velvet uses imagined experiences based on the often-forgotten, but true, story of Ira Aldridge, an African-American actor who, in the nineteenth century, built an incredible reputation on the stages of London and Europe.

    Three and a half years later, guided by a series of visions and dreams, James Twyman was mystically drawn to a barn deep in the Nevada wilderness where Heaven and Earth collide and magic changes lives.If you’ve ever wondered if we really can communicate with our loved ones who have passed to the other side, this book is your answer. If you’ve ever thought that Heaven and Earth never meet, then this story will reveal a world you never imagined . . . a world where love never ends and life goes on forever. Once you pick up this amazing book, you won’t want to put it down, and your life will never be the same.

    This sidesplitting play, a testimony to David’s great writing talent, is also his first time on Broadway—in fact, his first time acting on stage since eighth grade. In Fish in the Dark Larry David stars as Norman Drexel, a man in his fifties who is average in most respects except for his hyperactive libido. As Norman and his family try to navigate the death of a loved one, old acquaintances and unsettled arguments resurface with hilarious consequences.Fish in the Dark has its world premiere at the Cort Theatre on Broadway on March 5, 2015, starring Larry David.

    Author of the New York Times bestsellers “Let the Great World Spin” and “Transatlantic,” McCann has been called “a giant among us” (Peter Carey), “dazzlingly talented” (O: The Oprah Magazine), and “that rare species in contemporary fiction: a literary writer who is an exceptional storyteller” (The Independent). He’s received a National Book Award, an Oscar nomination, and a slew of international prizes. His talents are on full display in his new short story, “Gone,” a deeply affecting literary thriller about a mother and son, alone in a cottage on the west coast of Ireland, and the search that ensues when the boy—whom she adopted years before, deaf and with “already a whole history written in him”—goes missing. He slips away in early morning, down to the cold sea with his new Christmas wetsuit, and as the hours and days drag on, the coast guard, police, dogs, fishermen, farmers, and schoolchildren holding hands search the sea and walk the fields while the television crews and detectives come and go, the police at the cottage seeming to “ghost into one another: almost as if they could slip into one another’s faces.” The mother, Rebecca, now under suspicion, is racked with guilt over the decisions that led to her son’s disappearance, and tormented by the judgment of others: "You bought what? A wetsuit? Why in the world? What sort of mother? How much wine did you drink?" For Rebecca, “every outcome was unwhisperable.” “Gone” is a charged narrative that propels you forward, heart in your throat, and a moving, intimate look at life’s struggles toward grace and a kind of redemption.