Jack, a possible paranoid schizophrenic with a Messiah complex, inherits the title of the 14th Earl of Gurney after his father passes away in a bizarre accident. Singularly unsuited to a life in the upper echelons of elite society, Jack finds himself at the centre of a ruthless power struggle as his scheming family strives to uphold their reputation.Bubbling with acerbic wit and feverish energy, Olivier Award-winning and Oscar-nominated-writer Peter Barnes's razor-sharp satire combines a ferocious mix of hilarity and horror whilst mercilessly exposing the foibles of the English nobility.This edition of the play is published to coincide with the first-ever revival of this classic cult comedy at the Trafalgar Studios, London, on 16 January 2015.

     In April 2011, Lucy Rocca woke up in a hospital bed with no memory of how she had ended up there. After accepting that her drinking had spiralled out of control, she made the decision there and then to never touch alcohol again. However, the early days were a challenge, and Lucy began recording her journey in a blog as a way of helping herself move forward to a happy and sober future. For someone who defined herself by her love of drinking for over twenty years, letting go of the booze crutch was initially a challenge, but over time, Lucy began to realise how much happier she was living alcohol-free. Glass Half Full is the story of her journey from hopelessly devoted wine fiend to sober and truly happy for the first time in her adult life. As the founder of Soberistas.com, Lucy’s blog also provides motivational and inspirational support for those seeking an alcohol-free life.

    Thirty-five-year-old Felix Humble is a Cambridge astro-physicist in search of a unified field theory. Following the sudden death of his father, Felix returns to his middle England home and his difficult and demanding mother, where he soon realises that his search for unity must include his own chaotic home life.Humble Boy premiered at the Royal National Theatre, London, in August 2001, and transferred to the Gielgud Theatre, London, in 2002. The play was the winner of the Susan Smith Blackburn Award 2001, the Critics' Circle Best New Play Award 2002, and the People's Choice Best New Play Award 2002.

    On his journey, Parsifal—a wise fool if there ever was one—encounters several librarians, a therapist, numerous blind people, and Misty, a beautiful woman who may well be under the influence of recreational drugs.Head-spinning and hilarious, Parsifal is a book like no other about the entanglement of the past and present, as well as the limitations of the future.

    Grey Gardens is based on the 1975 Albert and David Maysles film about Jacqueline Kennedy Onassis's eccentric aunt and cousin. The touching and sometimes heart-wrenching musical adaptation explores the dysfunctional relationship between former socialite Edith Bouvier Beale and her daughter, Little Edie, as they languish in a derelict East Hampton manor, Grey Gardens. Propelled by Christine Ebersole's tour-de-force performance, the gorgeous score, and intricate lyrics, the Broadway musical has garnered much critical praise. "An experience no passionate theatergoer should miss." Ben Brantley, The New York Times

    A masterful poet of the downtrodden, his plays portray life on New York's hardscrabble streets in a manner both tender and unflinching, while continually exploring the often startling gulf between who we are and how we perceive ourselves. Gathered in this volume is his current off-Broadway hit, Our Lady of 121st Street, a comic portrait of the graduates of a Harlem Catholic school reunited at the funeral of a beloved teacher, along with his two previous plays: the philosophical jailhouse drama Jesus Hopped the A Train and In Arabia, We'd All Be Kings, an Iceman Cometh for the Giuliani era that looks at the effect of Times Square's gentrification on its less desirable inhabitants.

    Reeling from shock, Lang realizes all of her perfect arrangements (from the caramel cake in the freezer for his first Christmas without her to love letters for his first anniversary alone) are in utter disarray. A mute stray dog posts itself on her front porch and a grammar-butchering fashion plate posts herself in Lang's kitchen, regularly revealing too much information. Lillian, Lang's long-lost mother, reappears for the funeral and is as obnoxious as ever. Her son, Teddy, has his own ideas of how she should manage her life, and they don't include cavorting about with a veterinarian who resembles Wimpy. Lang's granddaughter is a bright spot in her life, and Lang can't imagine life without her.With her historical family estate in jeopardy, Lang discovers her husband wasn't as perfect as she thought. Is she strong enough to keep her husband's secret from destroying her life?

    Moliere's farcical, tragic, anarchic Don Juan (1665) is the inspiration for Patrick Marber's new play in which the action of the original is relocated to present day Soho, London.Whereas Moliere condemned his anti-hero to a literal Hell, Marber condemns him to a hell of his own making.Don Juan in Soho premiered at the Donmar Warehouse in December 2006.

    The evening consisted of six Durang one act plays. It was directed by Walter Bobbie; set was by Derek McLane, costume by David C. Woolard, lighting by Brian Nason, sound design by Tony Meola; production stage manager was Perry Cline, stage manager was Greg Fletcher. Durang/Durang is an evening of six one acts. It is thus not a full length play, but it is a full evening.

    Enchantment and reality collide at a 1932 meeting between Alice Liddell Hargreaves, the original Alice in Wonderland, and Peter Llewelyn Davies, the original Peter Pan. Peter and Alice, which opened on London's West End in March 2013, stars Judi Dench and Ben Whishaw.

    Her mother, Nancy, retreats into a state of frozen hope. Agnetha, an academic, comes to England to research a thesis entitled Serial Killings: A Forgivable Act? Then there's Ralph, a loner with a bit of a record who's looking for some distraction . . . Drawn together by horrific circumstances, these three embark upon a long, dark journey that finally curves upward into the light.

    It is "one of the most brilliantly original and entertaining new plays I have seen in years: wild, weird and funny, serious, compassionate and shocking, blasphemous and reverential, intellectual and frivolous, a factual fantasy, a demented farce, a black nightmare." (Sunday Times)

    She hatches an audacious plan--free a thief from a prison planet from which no one has ever returned, and use them to help steal back a priceless artifact.But Ingray and her charge return to her home to find their planet in political turmoil, at the heart of an escalating interstellar conflict. Together, they must make a new plan to salvage Ingray's future and her world, before they are lost to her for good.

    

    But when Lady Clifton dies soon after giving birth, Sir George hands the child over to be brought up on Beeswing Farm. John Hoverton and Laurie Clifton are raised as brothers.