The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian—and was last translated fully into English in 1932—this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars.Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is a modern translation that preserves the distinctive character of Basile’s original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work’s unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile’s words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is also lushly illustrated and includes a foreword, an introduction, an illustrator’s note, and a complete bibliography.The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated “authored” fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history.

    In Saul Bellow’s masterly translation, the title story follows the exploits of Gimpel, an ingenuous baker who is universally deceived but who declines to retaliate against his tormentors. Gimpel and the protagonists of the other stories in this volume all inhabit the distinctive pre–World War II ghettos of Poland and, beyond that, the larger world created by Singer’s unforgettable prose.

    Ranging from the prophetic to the surreal, these stories demonstrate Stanislaw Lem's vast talent and remarkable ability to blend meaning and magic into a wholly entertaining and captivating work.

    Scott Fitzgerald is known for his novels, but in his lifetime, his fame stemmed from his prolific achievement as one of America's most gifted story writers. "The Curious Case of Benjamin Button," a witty and fantastical satire about aging, is one of his most memorable stories. In 1860 Benjamin Button is born an old man and mysteriously begins aging backward. At the beginning of his life he is withered and worn, but as he continues to grow younger he embraces life -- he goes to war, runs a business, falls in love, has children, goes to college and prep school, and, as his mind begins to devolve, he attends kindergarten and eventually returns to the care of his nurse. This strange and haunting story embodies the sharp social insight that has made Fitzgerald one of the great voices in the history of American literature.

    Writing about his native Sicily and its culture of secrecy and suspicion, Sciascia matched sympathy with skepticism, unflinching intellect with a street fighter's intransigent poise. Sciascia was particularly admired for his short stories, and The Wine-Dark Sea offers what he considered his best work in the genre: thirteen spare and trenchant miniatures that range in subject from village idiots to mafia dons, marital spats to American dreams. Here, in unforgettable form, Sciascia examines the contradictions—sometimes comic, sometimes deadly, and sometimes both—of Sicily's turbulent history and day-to-day life.

    Written in Soviet Moscow in the 1920s—but considered too subversive even to show to a publisher—the seven tales included here attest to Sigizmund Krzhizhanovsky’s boundless imagination, black humor, and breathtaking irony: a man loses his way in the vast black waste of his own small room; the Eiffel Tower runs amok; a kind soul dreams of selling “everything you need for suicide”; an absentminded passenger boards the wrong train, winding up in a place where night is day, nightmares are the reality, and the backs of all facts have been broken; a man out looking for work comes across a line for logic but doesn’t join it as there’s no guarantee the logic will last; a sociable corpse misses his own funeral; an inventor gets a glimpse of the far-from-radiant communist future.

    Since childhood, Knecht has been consumed with mastering the Glass Bead Game, which requires a synthesis of aesthetics and philosophy, which he achieves in adulthood, becoming a Magister Ludi (Master of the Game).

    Forster also wrote remarkable short stories. He referred to his stories as ‘fantasies’ and his attraction to myth and magic is apparent in many of them. Like his novels, the stories – whether they are set in Italy, Greece, India, and other places Forster visited, or in England itself – contrast the freedom of paganism with the restraints of English civilization, the personal, sensual delights of the body with the impersonal, inhibiting rules imposed by society. Rich in irony and alive with sharp observations on the surprises life holds, the stories often feature violent events, discomforting coincidences, and other disruptive happenings that throw the characters’ perceptions and beliefs off balance. This volume includes all twelve stories published during Forster’s lifetime.

    In stories written in the gothic tradition, narrators recount their descent into madness and despair. Through their investigations into the unexplained, they tug at the thin threads that separate our world from another of indescribable horror. ‘“ Great God! I never dreamed of THIS!”’ screams occultist Harley Warren in ‘The Statement of Randolph Carter’, as he begs his companion to bury him alive. Another early piece, ‘The Outsider’ – a tragic and emotive evocation of loneliness and desolation – follows a man’s escape from his castle in a desperate search for human contact, but the loathsome truth he discovers destroys his mind.In later tales, such as the iconic ‘The Call of Cthulhu’ and ‘The Whisperer in Darkness’, Lovecraft reaches into the cosmos, bridging the divide between horror and science fiction. The extra-terrestrial ‘gods’ and cursed histories that would emerge from these stories now form the cornerstones of Lovecraft’s unique mythology: the Cthulhu Mythos. This fictional universe, built in large part by his friend and most ardent supporter August Derleth, has in the years since been reimagined in myriad forms, and continues to act as a haunted playground for countless illustrators, fans and authors.This edition, based on its sister limited edition, marries Lovecraft’s best-known fiction with two modern masters of the macabre, the acclaimed artist Dan Hillier and author Alan Moore. In his beautifully crafted new preface, Moore finds Lovecraft at once at odds with and integral to the time in which he lived: ‘the improbable embodiment of an estranged world in transition’. Yet, despite his prejudices and parochialisms, he ‘possessed a voice and a perspective both unique in modern literature’.Hillier’s six mesmerising, portal-like illustrations embrace the alien realities that lurk among the gambrel roofs of Lovecraft’s landscapes. By splicing Victorian portraits and lithographs with cosmic and Lovecraftian symbolism, each piece – like the stories themselves – pulls apart the familiar to reveal what lies beneath.The edition itself shimmers with Lovecraft’s ‘unknown colours’, bound in purple and greens akin to both the ocean depths and mysteries from outer space. The cover is embossed with a mystical design by Hillier, while a monstrous eye stares blankly from the slipcase.Content:1. Dagon2. The Statement of Randolph Carter3. Facts Concerning the Late Arthur Jermyn and His Family4. Celephaïs5. Nyarlathotep6. The Picture in the House7. The Outsider8. Herbert West -- Reanimator9. The Hound10. The Rats in the Walls11. The Festival12. He13. Cool Air14. The Call of Cthulhu15. The Colour Out of Space16. The Whisperer in Darkness17. The Shadow Over Innsmouth18. The Haunter of the Dark

    Dick was a master of science fiction, but he was also a writer whose work transcended genre to examine the nature of reality and what it means to be human. A writer of great complexity and subtle humor, his work belongs on the shelf of great twentieth-century literature, next to Kafka and Vonnegut. Collected here are twenty-one of Dick's most dazzling and resonant stories, which span his entire career and show a world-class writer working at the peak of his powers.In "The Days of Perky Pat," people spend their time playing with dolls who manage to live an idyllic life no longer available to the Earth's real inhabitants. "Adjustment Team" looks at the fate of a man who by mistake has stepped out of his own time. In "Autofac," one community must battle benign machines to take back control of their lives. And in "I Hope I Shall Arrive Soon," we follow the story of one man whose very reality may be nothing more than a nightmare. The collection also includes such classic stories as "The Minority Report," the basis for the Steven Spielberg movie, and "We Can Remember It for You Wholesale," the basis for the film Total Recall. Selected Stories of Philip K. Dick is a magnificent distillation of one of American literature's most searching imaginations.» Introduction by Jonathan Lethem1. Beyond Lies the Wub (wikipedia)2. Roog (wikipedia)3. Paycheck (wikipedia, imdb)4. Second Variety (wikipedia, imdb)5. Imposter (wikipedia)6. The King of the Elves (wikipedia, imdb)7. Adjustment Team (wikipedia, imdb)8. Foster, You're Dead! (wikipedia)9. Upon the Dull Earth (wikipedia)10. Autofac (wikipedia)11. The Minority Report (wikipedia, imdb)12. The Days of Perky Pat (wikipedia)13. Precious Artifact14. A Game of Unchance15. We Can Remember It for You Wholesale (wikipedia, imdb)16. Faith of Our Fathers (wikipedia)17. The Electric Ant (wikipedia)18. A Little Something for Us Tempunauts (wikipedia)19. The Exit Door Leads In (wikipedia)20. Rautavaara's Case (wikipedia)21. I Hope I Shall Arrive Soon (wikipedia)

    Elvis on an epic time-travel journey - the Presliad. Buddhavision - a network bigger than God (and more powerful, too). Nasty nuclear leftovers. Naughty sex habits. Dalai Dan (the 153rd reincarnation of the Lama of that ilk) and Barry, the talkative Time Sprout. Even with all this excitement, you wouldn't think a backwater planet like Earth makes much of a splash in the galatic pond.But the soap opera called The Earthers is making big video bucks in the intergalactic ratings race. And alien TV execs know exactly what the old earth drama needs to make the off-world audience sit up and stare: a spectacular Armageddon-type finale. With a cast of millions - including you! DON'T TOUCH THAT DIAL - IT'S GONNA BE A HELLUVA SHOW!

    That single tragedy set off a whole series of events, resulting in the Spanish Armada's defeat of England and subsequent demise of Protestantism. Now it's the 20th century, and the Church of Rome reigns supreme. People live a pastoral existence of guilds and farming, with technology held back to the level of the steam locomotive and primitive radio. Still, science cannot be held back forever...a revolution is building.

     Good Bones is a cornucopia of good things — precise, witty, wise, and sometimes offbeat Atwood writing, with the funny and the sidelong view of the world which her readers recognize at once.

    It tells of young Giovanni Drogo, who is posted to a distant fort overlooking the vast Tartar steppe. Although not intending to stay, Giovanni suddenly finds that years have passed, as, almost without his noticing, he has come to share the others' wait for a foreign invasion that never happens. Over time the fort is downgraded and Giovanni's ambitions fade until the day the enemy begins massing on the desolate steppe...

    Set in the idyllic Salinas Valley in California, where simple people farm the land and struggle to find a place for themeselves in the world, these stories reflect many of the concerns key to Steinbeck as a writer; the tensions between town and city, labourers and owners, past and present. Included here are the celebrated tales, THE MURDERER and THE CHRYSANTHEMUMS.