Adele Burkhart, a controversial scientist privy to pivotal secrets that could spell doom for America! It's up to G.I. Joe to infiltrate Cobra's island base and rescue Dr. Burkhart before it is too late. Will they make it in time or will Cobra succeed? Find out in the issue that started it all!

    With influences ranging from 19th century atrocity prints to the Sex Pistols, and obsessions with horror, scatology and human freaks, Maruo has taken this sado-erotic art form to its ultimate extreme. ULTRA-GASH INFERNO is the ultimate compendium of Suehiro Maruo's most shocking and graphically precise work, containing nine psycho-nightmares never before translated and published in English. With a translation by James Havoc and Takako Shinkado, and an introduction by Romain Slocombe.

    A perfect Mother's Day and Father's Day gift, as well as an absolute must-have for new and seasoned parents. 120 illustrations. of color cartoons.

    . . right at the beginning of their careers. This gorgeous, high-energy graphic novel is an intimate peek into the early years of the world's greatest rock band.The heart of Baby's In Black is a love story. The "fifth Beatle," Stuart Sutcliffe, falls in love with the beautiful Astrid Kirchherr when she recruits the Beatles for a sensational (and famous) photography session during their time in Hamburg. When the band returns to the UK, Sutcliffe quits, becomes engaged to Kirchherr, and stays in Hamburg. A year later, his meteoric career as a modern artist is cut short when he dies unexpectedly.The book ends as it begins, with Astrid, alone and adrift; but with a note of hope: her life is incomparably richer and more directed thanks to her friendship with the Beatles and her love affair with Sutcliffe. This tender story is rendered in lush, romantic black-and-white artwork.Baby's In Black is based on a true story.

    Mark Beyer was breathing delirious, heartbreaking, otherworldly life into it by means of Amy and Jordan. Obviously, you weren’t reading New York Press. But I sure was. Voraciously. Back in 1989, when I discovered that Beyer’s strips were appearing regularly in this new “alternative weekly” paper, I quickly became hooked, and a thought seized me: I had to clip and save them–they were exquisite poems of urban despair, dreamy and nightmarish. I was already a fan of Beyer’s talent based on his book Agony (Pantheon, 1988), but these new strips revealed, week by week, a whole new dimension to his work–an ingenious reinvention of panel-design that redefined what a comic strip could be. As with Peanuts, it helps to try and picture these in the context which they first appeared in order to appreciate just how profoundly they emerged from anything else on the newspaper page. Even the “outré” NYP ads and listings which often ran alongside them were hopelessly dull by comparison. One of its most impressive aspects was the way Form served the Content–no matter how eccentric the layout got, it somehow never confused the narrative. And what narrative: it was as if Candide had been transported to the East Village and split in two like an amoeba and holed up in a squat on Avenue C. Along with giant bugs from outer space. So I did clip and save them, and put them into an envelope, which was then placed in a shoebox with a lot of other envelopes (receipts, receipts!), which was shoved to the back of the closet of my sixth-floor walk-up studio apartment, which I moved out of three years later and in the process I unwittingly threw them all away. Which frankly is just the sort of thing that Amy and Jordan would do. Drat. “Oh well,” I thought, once I’d realized it, “at some point someone will collect and publish them, and I’ll get them back that way.” And that was that. Fast forward more than ten years, to the spring of 2002. During a panel of cartoonists I was chairing in Philadelphia, a member of the audience asked what Mark was working on and where he was. No one seemed to know. The discussion was transcribed and published in The Comics Journal that summer, and in the fall Mark contacted me with the best possible news: He’d read the panel transcript and wanted to publish again. And the Amy and Jordan strips had never been comprehensively collected. So now, as an editor, I was able to grant my own wish. Amy and Jordan ran from 1988 through early 1996. After that, Beyer put cartooning aside to pursue other projects. This book signals his return to the realm of comics, which he says he wants to start making again. We can only hope he does. For now, I’m just thankful I finally have my Amy and Jordan collection back. –Chip Kidd, NYC, 10/03

    Set in an exotic atmosphere of a by-gone era, Pistolwhip is a marvelous tale crafted with a crime noir feel and an artistic style reminiscent of the best European graphic novelists.

    Huizenga fuses the most banal aspects of modern culture with its most looming questions in a consistently genial style. Lighthearted, but with a healthy dose of nineteenth-century spine tingling, the narratives presented in Curses are insightful portrayals of reality. Huizenga's central character in his comics is Glenn Ganges, a seemingly middle-class man living in the suburbs whose blank-eyed wonderment at everyday experiences brings together such diverse aspects of our world as golf, theology, late-night diners, parenthood, politics, Sudanese refugees, and hallucinatory vision, into a complete experience as multifaceted as our own lives.Huizenga is regarded by many as one of the most promising young cartoonists of his generation, whose artistic talent, singular writing, and studied substance prove the versatility of his skill. Curses collects his work from Kramer's Ergot and The Drawn & Quarterly Showcase, his award-winning and nominated comic-book series Or Else, and Time magazine; it is the most extensive selection of his comics to date in a single volume.

    After living her whole life on a small space station orbiting the planet, the cultural norms and rules of her Californian parents are just history to her. In between work shifts at the station air farm, Rigo explores her own desires, developing openly polyamorous relationships with her friends and crewmates. When she starts to feel one of those relationships change, however, Rigo must balance her new feelings with the stability of her other relationships, as well as the hard-earned camaraderie of a small crew floating in the vastness of space. But, as the ship motto goes, "Honesty keeps us alive."A heartfelt, positive, and erotic look at one woman's adventure in love and sex, as a new generation learns to make their own rules and follow their own hearts

    A boy who has been breast fed all his life finally decides he wants more from his ultra-gorgeous mom than a drink of milk. She's happy to oblige and the two of them quickly break every taboo in the book . Plus other tales of terrific, totally tubular ta-tas.

    In The Book of Jones, Steadman captures the special grace of cats and the strange power that they possess to enchant us. Line art throughout.

    Considered an early masterpiece of the genre, the Canadian cult comic has been out of print for decades. The new edition includes an introduction by Canadian comics master and Lemony Snicket collaborator Seth (Palookaville; It's a Good Life, If You Don't Weaken).Cryptic and disturbing, like Dave Gibbons (Watchmen) illustrating a film by Ozu, The Cage spurns narrative for atmosphere, guiding us through a series of disarrayed rooms and desolate landscapes, tracking a stuttering and circling time and a sequence of objects: headphones, inky stains, bedsheets. It's not about where we're going but how – if – we get there.

    might be the best choice." This first book by C.F. (also known in the East Coast underground music scene as Kites) is perhaps the most anticipated graphic novel debut of the year. Coming out of the fabled Providence, Rhode Island, art and noise scene, "Powr Mastrs" is an intense fantasy story projected to run to 10 volumes. In it, C.F. narrates the story of a tribe of mystical warriors whose power relations are constantly in flux. As power shifts, so do physical and psychological identities. In this first volume, we are introduced to the central characters and the complex geographies in which they wander. Overflowing with graphic ideas, from the intricately designed costumes each character wears to C.F.'s exacting architectural detail, "Powr Mastrs" is rendered in a distinctive pencil line that has already attracted much attention in sources like the groundbreaking comics anthology, "Kramers Ergot,"

    Many of us know that hypnosis doesn't really have the kind of mind-melting power we see in movies. Still, we can't help but get turned on at the thought of either controlling someone, or being controlled by someone, into doing things we've been told we shouldn't do ... but really, inside, kind of want to.In this book, Mark Wiseman (Wiseguy) will teach you how to put your partner into a hypnotic trance safely and effectively. Then the fun begins as you learn how to:Create or intensify arousal and desire Turn their entire body into an erogenous zone eager for your touch Get kinky with hypnotic bondage, flogging, or tickling Give them intense pleasure using his Five-Point Palm Exploding Orgasm technique and more! Whether you are new to hypnosis or have already learned the basics, Mind Play will give you the tools you need to become a skilled, responsible erotic hypnotist.

    The entire run has been collected in nine trade paperback editions. The final monthly issue, number 66, was published in July 2000.Preacher follows the story of Preacher Jesse Custer, his best friend, and his girlfriend, as they explore a world that fuses Southern culture and supernatural elements, especially religious ones, in a way that is highly provocative, exploratory, and controversial.Preacher draws on movies, particularly Westerns, for many of its stylistic elements.

    His pal Houndu treats him to wine, women and song, but there's no forgetting the lost Persu. The thousand humiliations of youth are poured upon Catsby, who feels far too much to begin with, and whose prospects go from bad to worse.