In months Europe will be Hitler's, and Badenheim, a resort town vaguely in the orbit of Vienna, is preparing for its annual summer season. Soon the vacationers arrive, as they always have, a sample of Jewish middle-class life. The story unfolds as a matter-of-factly as a Chekhov play, its characters so deeply held by their defensive trivia that they manage to misconstrue every signal of their fate, until these signals take on the lineaments of disaster."The writing flows seamlessly...a small masterpiece." Irving Howe, NEW YORK TIMES BOOK REVIEW"As real as Kafka's unnamed Prague...imbued with a Watteau-like melancholy." Gabriel Annan, NEW YORK REVIEW OF BOOKS"Magical...gliding from a kind of romantic realism into universal allegory." Peter Prescott, NEWSWEEK"The sorcery of Badenheim 1939 [lies in] the success with which the author has concocted a drab narrative involving rather ordinary characters and made their experienced profoundly symbolic yet never hollow." Christopher Lehmann-Haupt, NEW YORK TIMES

    Set against the backdrop of the decade that changed the world forever, The Sweetest Dream is a riveting look at a group of people who dared to dream-and faced the inevitable cleanup afterward -- from one of the greatest writers of our time.

    Bruno, the older, has become a raucously promiscuous hedonist himself, while Michel is an emotionally dead molecular biologist wholly immersed in the solitude of his work. Each is ultimately offered a final chance at genuine love, and what unfolds is a brilliantly caustic and unpredictable tale.

    Translated from the French by Eric Sutton.

    It is the story of an ignorant Castillian peasant and multiple murderer, and it tells of the savage impulses behind his crimes and his redeeming characteristics.

    Perec's spellbinding puzzle begins in an apartment block in the XVIIth arrondissement of Paris where, chapter by chapter, room by room, like an onion being peeled, an extraordinary rich cast of characters is revealed in a series of tales that are bizarre, unlikely, moving, funny, or (sometimes) quite ordinary. From the confessions of a racing cyclist to the plans of an avenging murderer, from a young ethnographer obsessed with a Sumatran tribe to the death of a trapeze artist, from the fears of an ex-croupier to the dreams of a sex-change pop star to an eccentric English millionaire who has devised the ultimate pastime, Life is a manual of human irony, portraying the mixed marriages of fortunes, passions and despairs, betrayals and bereavements, of hundreds of lives in Paris and around the world.But the novel is more than an extraordinary range of fictions; it is a closely observed account of life and experience. The apartment block's one hundred rooms are arranged in a magic square, and the book as a whole is peppered with a staggering range of literary puzzles and allusions, acrostics, problems of chess and logic, crosswords, and mathematical formulae. All are there for the reader to solve in the best tradition of the detective novel.

    Krúdy conjures up a world that is entirely his own—dreamy, macabre, comic, and erotic—where urbane sophistication can erupt without warning into passion and even madness.In Sunflower young Eveline leaves the city and returns to her country estate to escape the memory of her desperate love for the unscrupulous charmer Kálmán. There she encounters the melancholy Álmos-Dreamer, who is languishing for love of her, and is visited by the bizarre and beautiful Miss Maszkerádi, a woman who is a force of nature. The plot twists and turns; elemental myth mingles with sheer farce: Krúdy brilliantly illuminates the shifting contours and acid colors of the landscape of desire.John Bátki’s outstanding translation of Sunflower is the perfect introduction to the world of Gyula Krúdy, a genius as singular as Robert Walser, Bruno Schulz, or Joseph Roth.

    From Zaita the cripple-maker to Kirsha the café owner with a taste for young boys and drugs, to Abbas the barber who mistakes greed for love, to Hamida who sells her soul to escape the alley, these characters vividly evoke the sights, sounds and smells of Cairo. Long after one finishes reading, the smell of fresh bread lingers, as does the image of the men gathering at the café for their nightly ritual. The universality and timelessness of this book cannot be denied.

    Impulsive, reckless and heroic, Meaulnes embodies the romantic ideal, the search for the unobtainable, and the mysterious world between childhood and adulthood.

    As one claustrophobic day follows another, he wonders why no one has found him yet, whether his wife has given him up for dead, and how he'll get by in this society that looks so familiar, yet is so strange. In a vision of hell unlike any previously imagined, Budai must learn to survive in a world where words and meaning are unconnected. A suspenseful and haunting Hungarian classic. Translated by George Szirtes.Ferenc Karinthy was born in Budapest in 1921. He obtained a PhD in linguistics and went on to be a translator and editor, as well as an award-winning novelist, playwright, journalist and water polo champion. He is the author of over a dozen novels. Metropole is the first to be translated into English.

    "The Quiet Don") is 4-volume epic novel by Russian writer Mikhail Aleksandrovich Sholokhov. The 1st three volumes were written from 1925 to '32 & published in the Soviet magazine October in 1928–32. The 4th volume was finished in 1940. The English translation of the 1st three volumes appeared under this title in 1934. The novel is considered one of the most significant works of Russian literature in the 20th century. It depicts the lives & struggles of Don Cossacks during WWI, the Russian Revolution & Russian Civil War. In 1965, Sholokhov was awarded the Nobel Prize for Literature. The authorship of the novel is contested by some literary critics & historians, who believe it wasn't entirely written by Sholokhov. However, following the discovery of the manuscript, the consensus is that the work is, in fact, Sholokhov’s.

    Playing cards and getting drunk, he uses all his cunning and genial subterfuge to deal with the police, clergy, and officers who chivy him toward battle.Cecil Parrott's vibrant translation conveys the brilliant irreverence of this classic about a hapless Everyman caught in a vast bureaucratic machine.

    It’s a perfect fit, and as he leaves the restaurant Daniel begins to feel somehow … different.

    In it he captures the Isherwood-like atmosphere of Nazi Germany while telling a satiric story about the rise to power of one man - a thinly veiled caricature of his own brother-in-law. The man is Hendrik Hofgen, a character actor who in his own life plays a bizarre part in the elite circle of the Third Reich. Hofgen is publicly a revolutionary, but secretly he is a man driven by an obsessive need for power and fame. Although he benefits from the prestige of being married to the daughter of an eminent politician, he endangers his rise in Nazi society by his compulsive involvement with ‘a black Venus.’ His brilliant success as Mephisto in FAUST brings him the support of the Führer’s prime minister, who appoints him head of the State Theater. His dreams are finally realized, but the story ends on a note of despair as Hofgen is forced to confront the emptiness of his life. Mann weaves his tale with amazing skill. The result is a fascinating novel of decadence and evil.Klaus Mann, the second child of Thomas Mann, was born in Munich in 1906. He began writing short stories and articles in 1924, and within a year was a theatrical critic for a Berlin newspaper. In 1925 both a volume of short stories and his first novel, THE PIOUS DANCE, were published. His sister, Erika, to whom he was very close, was in the cast of his first play, ANJA AND ESTHER. Mann left Germany in 1933 and lived in Amsterdam until 1936, during which time he became a Czechoslovakian citizen, having been deprived of his German citizenship by the Nazis. He moved to America in 1936, living in Princeton, New Jersey, and New York City. He became a U.S. citizen in 1943. He died at the age of forty-two in Cannes, France. Robin Smyth was a European correspondent for the London Observer.

    It would be silly to lose my mind now. 'After the deportation of her husband to Auschwitz, Izolda Regenberg, alias Maria Pawlicka, has only one aim: to free her husband. Her race to beat fate might appear absurd to others, but not to her. In times of war and destruction she learns to trust herself.Why Peirene chose to publish this book:'This is a beautiful love story. A story which makes one weep for mankind. While Hanna Krall's terse prose is designed to convey the utter desperation of war, her deft touch evokes hope and a sense of homecoming.' Meike Ziervogel