A Texas Ranger, relegated to deskwork due to past recklessness, petitions to regain custody of his five-year-old daughter, and his case is assigned to a family court judge who is as attractive as she is ambitious. When a masked gunman barges in during the custody hearing with his sights on the judge, the Ranger reacts instinctually and goes after him. But authorities apprehend the wrong man, and the real gunman remains unknown, at large, and a threat. Will this take-charge lawman jeopardize his chances of custody by going after the would-be assassin? And will this unlikely pair be able to deny the forbidden attraction building between them?

    Something worth killing for. Something that will cost Professor Agnar Haraldsson his life.Untangling murder from myth is Iceland-born, Boston-raised homicide detective Magnus Jonson. Seconded to the Icelandic Police Force for his own protection after he runs afoul of a drug cartel back in Boston, Magnus also has his own reasons for returning to the country of his birth for the first time in nearly two decades - the unsolved murder of his father.And as Magnus is about to discover, the past casts a long shadow in Iceland.Binding Iceland's landscape and history, secrets and superstitions in a strikingly original plot that will span several volumes, Where the Shadows Lie is the first in a thrilling new series from an established master.

    A brutal murder. A secret hidden in the past . . .In the middle of the North Sea, between the UK and Denmark, lies the beautiful and rugged island nation of Doggerland.Detective Inspector Karen Eiken Hornby has returned to the main island, Heimö, after many years in London and has worked hard to become one of the few female police officers in Doggerland.So, when she wakes up in a hotel room next to her boss, Jounas Smeed, she knows she's made a big mistake. But things are about to get worse: later that day, Jounas's ex-wife is found brutally murdered. And Karen is the only one who can give him an alibi.The news sends shockwaves through the tight-knit island community, and with no leads and no obvious motive for the murder, Karen struggles to find the killer in a race against time.Soon she starts to suspect that the truth might lie in Doggerland's history. And the deeper she digs, the clearer it becomes that even small islands can hide deadly secrets . . .

    Examining the dolls, forensics makes a shocking discovery—a fingerprint belonging to a young girl, a government minister’s daughter who had been kidnapped and murdered a year ago.A tragic coincidence—or something more twisted?To save innocent lives, a pair of detectives must put aside their differences to piece together the Chestnut Man’s gruesome clues.Because it’s clear that the madman is on a mission that is far from over.And no one is safe.

    They share walks, meals, wine, and dangerous memories. Includes 11 page reader's guide for literature teachers and students.

    even as his father is diagnosed with cancer.Reeling in grief, Tom finds himself wrestling with endless paperwork and indecipherable diagnoses, familial misunderstandings and utter exhaustion while trying simply to comfort his loved ones as they begin to recede from him.But slowly, amidst the pain and fury, arises a story of resilience and hope, particularly when Tom finds himself having to take responsibility for the greatest gift of them all, his newborn daughter.Written in an unforgettable style that dives deep into the chaos of grief and pain, yet also achieves a poetry that is inspiring, In Every Moment We Are Still Alive is slated to become one of the most stirring novels of the year.

    She is dressed in strange doll's clothes. Around her neck is an airline tag that says "I'm traveling alone." A special homicide unit in Oslo re-opens with veteran police investigator Holger Munch at the helm. Holger's first step is to persuade the brilliant but haunted investigator Mia Krüger to come back to the squad--she's been living on an isolated island, overcome by memories of her past. When Mia views a photograph of the crime scene and spots the number "1" carved into the dead girl's fingernail, she knows this is only the beginning. She'll soon discover that six years earlier, an infant girl was abducted from a nearby maternity ward. The baby was never found. Could this new killer have something to do with the missing child, or with the reclusive Christian sect hidden in the nearby woods?Mia returns to duty to track down a revenge-driven and ruthlessly intelligent killer. But when Munch's own six-year-old granddaughter goes missing, Mia realizes that the killer's sinister game is personal, and I'm Traveling Alone races to an explosive--and shocking--conclusion.

    One of her sources has been caught lying, and she could lose her job over it. And then she receives the first in a series of cryptic and ominous letters from an alleged killer.Wanted in connection with the fatal stabbing of a young lawyer three years earlier, Anna Kiel hasn't been seen by anyone since she left the crime scene covered in blood. The police think she's fled the country and have zero clues as to her motive. But homicide detective Erik Scháfer comes up with the first lead when the reporter who first wrote about the case is found murdered in his apartment. Has Anna Kiel struck again, or is there more than one killer at large? And why does every clue point directly to Heloise Kaldan?Meanwhile, the letters keep coming, and they hint at a connection between Anna and Heloise. As Heloise starts digging deeper, she realizes that, to tell Anna's story, she will have to revisit the darkest parts of her own past--confronting someone she swore she'd never see again.

    Here Jansson takes a darker look at the subjects that animate the best of her work, from her sensitive tale of island life, The Summer Book, to her famous Moomin stories: solitude and community, art and life, love and hate. Snow has been falling on the village all winter long. It covers windows and piles up in front of doors. The sun rises late and sets early, and even during the day there is little to do but trade tales. This year everybody’s talking about Katri Kling and Anna Aemelin. Katri is a yellow-eyed outcast who lives with her simpleminded brother and a dog she refuses to name. She has no use for the white lies that smooth social intercourse, and she can see straight to the core of any problem. Anna, an elderly children’s book illustrator, appears to be Katri’s opposite: a respected member of the village, if an aloof one. Anna lives in a large empty house, venturing out in the spring to paint exquisitely detailed forest scenes. But Anna has something Katri wants, and to get it Katri will take control of Anna’s life and livelihood. By the time spring arrives, the two women are caught in a conflict of ideals that threatens to strip them of their most cherished illusions.

    She is promised a nicely furnished apartment inside the Unit, where she will make new friends, enjoy the state of the art recreation facilities, and live the few remaining days of her life in comfort with people who are just like her. Here, women over the age of fifty and men over sixty-single, childless, and without jobs in progressive industries--are sequestered for their final few years; they are considered outsiders.In the Unit they are expected to contribute themselves for drug and psychological testing, and ultimately donate their organs, little by little, until the final donation. Despite the ruthless nature of this practice, the ethos of this near-future society and the Unit is to take care of others, and Dorrit finds herself living under very pleasant conditions: well-housed, well-fed, and well-attended. She is resigned to her fate and discovers her days there to be rather consoling and peaceful.But when she meets a man inside the Unit and falls in love, the extraordinary becomes a reality and life suddenly turns unbearable. Dorrit is faced with compliance or escape, and...well, then what?

    Restless and unable to sleep, she wanders through her parents' house, revisiting the scenes of her childhood. In a cupboard drawer, folded and pushed away from sight, she finds a sepia photograph of her grandmother, Hanna, whom she remembers as old and forbidding, a silent stranger enveloped in a huge pleated black dress. Now, looking at the features Anna recognises as her own, she realises she is looking at a different woman from the one of her memory. Set against the majestic isolation of the Scandinavian lakes and mountains, this is more than a story of three Swedish women. It is a moving testament of a time forgotten and an epic romance in every sense of the word.

    She fled after her father's murder conviction and returns to make peace with her shame. She has a new job with the local police and a nosy new partner. A fifteen-year-old's death catapults her into a murder investigation that resurrects ghosts from her previous life. As she hunts for the truth, she must confront the people she abandoned. Not all are pleased to see her back home, and she soon learns that digging through the past comes with consequences.Author Johanna Mo crafts a breakneck island noir where secrets linger, guilt stains, and collective memory is long and unforgiving. Propulsive and poignant, The Night Singer explores the fallout of when good people do bad things.