Not out here. We never have. In Iain Reid’s second haunting, philosophical puzzle of a novel, set in the near-future, Junior and Henrietta live a comfortable, solitary life on their farm, far from the city lights, but in close quarters with each other. One day, a stranger from the city arrives with alarming news: Junior has been randomly selected to travel far away from the farm...very far away. The most unusual part? Arrangements have already been made so that when he leaves, Henrietta won't have a chance to miss him, because she won't be left alone—not even for a moment. Henrietta will have company. Familiar company. Told in Reid’s sharp and evocative style, Foe examines the nature of domestic relationships, self-determination, and what it means to be (or not to be) a person. An eerily entrancing page-turner, it churns with unease and suspense from the first words to its shocking finale.

    With contributions from such favorites as Ramsey Campbell and Kim Newman, along with the talented likes of Neil Gaiman, China Mieville, Graham Joyce, Paul McCauley, Stephen Gallagher, Caitlin R. Kiernan, Jay Russell, Glen Hirshberg and many more, the hairraising tales in this edition hold nightmares for travelers in alien lands, unveil the mystery and menace lurking in our everyday reality, explore the terrors of the supernatural, and honor horror's classic tradition. As always, editor Stephen Jones provides an illuminating and engaging overview of the past year in horror fiction, as well as an affecting necrology and a guide to contacts among publishers, organizations, booksellers, and magazines in the eerier fields of fiction.Contents:AcknowledgementsIntroduction: Horror in 2002 by Stephen JonesOctober in the Chair by Neil GaimanDetails by China MiévilleThe Wretched Thicket of Thorn by Don TumasonisThe Absolute Last of the Ultra-Spooky, Super-Scary Hallowe'en Horror Nights by David J. SchowStandard Gauge by Nicholas RoyleLittle Dead Girl Singing by Stephen GallagherNesting Instincts by Brian HodgeThe Two Sams by Glen HirshbergHides by Jay RussellThe Unbeheld by Ramsey CampbellIll Met By Daylight by Basil CopperCatskin by Kelly Link20th Century Ghost by Joe HillEgyptian Avenue by Kim NewmanThe Boy Behind the Gate by James Van PeltNor the Demons Down Under the Sea by Caitlín R. KiernanThe Coventry Boy by Graham JoyceThe Prospect Cards by Don TumasonisThe Cage by Jeff VanderMeerDr. Pretorius and the Lost Temple by Paul J. McAuley (as by Paul McAuley)Necrology: 2002 (essay) by Stephen Jones and Kim NewmanUseful Addresses (essay) by Stephen Jones

    But despite 14B's astonishingly low rental price, the recent tragedy within its walls has frightened away all potential tenants... except for Audrey Lucas.No stranger to tragedy at thirty-two—a survivor of a fatherless childhood and a mother's hopeless dementia— Audrey is obsessively determined to make her own way in a city that often strangles the weak. But is it something otherworldly or Audrey's own increasing instability that's to blame for the dark visions that haunt her... and for the voice that demands that she build a door? A door it would be true madness to open...

    The offer on her desk from Corporate Financial Consultants included a high five figure salary, generous benefits and cushy perks. Finally, after a escaping the psychological abuse of an emotionally cold mother and a series of dead-end jobs she could start planning a future with her fiancé, Donald.However, Michelle forgot the cardinal rule for any job offer; always read the fine print. She really should have gotten more detail about her overtime hours,company policies, and exactly what they meant when they said “Welcome to the Corporate Financial family”.Michelle isn’t afraid of hard work. She’s a dedicated employee,the kind any manager would want for his firm. But this Corporation requires much more than just dedication...

    Two previous expeditions to investigate its secrets met with disaster, the participants destroyed by murder, suicide or insanity. Now a new investigation has been mounted - four strangers, each with his or her own reason for daring the unknown torments and temptations of the mansion...

    . . until it swallows her up.Noah Turner sees monsters. But, unlike his family, Noah chooses to let them in .

    A woman offers colonizer blood to the Mother of Chaos. A boy joins corpse destroyers to seek vengeance for the death of his father.These stories intertwine with those of a vengeful spirit and a hungry creature to paint a timely, compelling, pulpy portrait of revenge, family, and hope.

    Or not missing–perhaps she has fled, abandoned her family. Or perhaps she's been kidnapped, and set loose to wander in the dense woods of the north. Alone and possibly lost, she meets another woman in the forest. Then everything changes.On a journey that will take her through a wolf-haunted wood, down a deep well, and onto a living ship made of human bones, our heroine is forced to confront her past and may find that the evil she flees has been inside her all along. Eerie and disturbing, In the House in the Dark of the Woods is a novel of psychological horror and suspense told in Laird Hunt's acclaimed lyrical prose style. It is the story of a bewitching, a betrayal, a master huntress and her quarry. It is a story of anger, of repression, of revenge and redemption. It is a story of a haunting, one that forms the bedrock of American mythology, told in a vivid voice you will never forget.

    When Johnny invents a clean reactor that could eliminate fossil fuels and change the world, she awakens primal, evil Ancient Ones set on subjugating humanity.From the oldest library in the world to the ruins of Nineveh, hunted at every turn, they will need to trust each other completely to surviveAll the Birds in the Sky meets Lovecraft Country in this whimsical coming-of-age story about two kids in the middle of a war of eldritch horrors from outside spacetime.

    But we weren’t witches. We were five Chicanas living in San Antonio, Texas, one year out of high school.” One hot summer night, best friends Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. It’s all fun and games at first, but their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, shy, modest Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes begins to suspect it’s something else—something far more ancient and powerful. As Father Moreno's obsession with Fernanda grows, Lourdes enlists the help of her “bruja Craft crew” and a professor, Dr. Camacho, to understand what is happening to her friend in this unholy tale of possession-gone-right.

     A woman searching for a sister lost at sea. A man bent on finding lost treasure. A mother who has lost all hope. A maniac who believes all life exists for his pleasure. The man who would keep them all safe. Together, they will all seek below the waves for treasures long buried, and riches beyond belief. But those treasures hide something. Something ancient, something dark. A creature that exists only to feed on those that would enter into its realm. A creature... of The Deep.

    It also has a very, very old one.   Pepper is a rambunctious big man, minor-league troublemaker, working-class hero (in his own mind), and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He’s not mentally ill, but that doesn’t seem to matter. He is accused of a crime he can’t quite square with his memory. In the darkness of his room on his first night, he’s visited by a terrifying creature with the body of an old man and the head of a bison who nearly kills him before being hustled away by the hospital staff. It’s no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic who’s been on the ward for decades and knows all its secrets; Coffee, an African immigrant with severe OCD, who tries desperately to send alarms to the outside world; and Loochie, a bipolar teenage girl who acts as the group’s enforcer. Battling the pill-pushing staff, one another, and their own minds, they try to kill the monster that’s stalking them. But can the Devil die?  The Devil in Silver brilliantly brings together the compelling themes that spark all of Victor LaValle’s radiant fiction: faith, race, class, madness, and our relationship with the unseen and the uncanny. More than that, it’s a thrillingly suspenseful work of literary horror about friendship, love, and the courage to slay our own demons.

    At its decaying core is the Goddess Kali: the dark mother of pain, four-armed and eternal, her song the sound of death and destruction. Robert Luczak has been hired by Harper's to find a noted Indian poet who has reappeared, under strange circumstances, years after he was thought dead. But nothing is simple in Calcutta and Lucsak's routine assignment turns into a nightmare when he learns that the poet is rumoured to have been brought back to life in a bloody and grisly ceremony of human sacrifice.

    . . until now.But the journals of resident Kate Holland, recovered from the town’s bloody wreckage, capture a tale too harrowing—and too earth-shattering in its implications—to be forgotten. In these pages, Max Brooks brings Kate’s extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into the massacre and the legendary beasts behind it. Kate’s is a tale of unexpected strength and resilience, of humanity’s defiance in the face of a terrible predator’s gaze, and inevitably, of savagery and death. Yet it is also far more than that. Because if what Kate Holland saw in those days is real, then we must accept the impossible. We must accept that the creature known as Bigfoot walks among us—and that it is a beast of terrible strength and ferocity. Part survival narrative, part bloody horror tale, part scientific journey into the boundaries between truth and fiction, this is a Bigfoot story as only Max Brooks could chronicle it—and like none you’ve ever read before.

    All alone in this pious and patriarchal society, Abitha fights for what little freedom she can grasp onto, while trying to stay true to herself and her past.Enter Slewfoot, a powerful spirit of antiquity newly woken… and trying to find his own role in the world. Healer or destroyer? Protector or predator? But as the shadows walk and villagers start dying, a new rumor is whispered: Witch. Both Abitha and Slewfoot must swiftly decide who they are, and what they must do to survive in a world intent on hanging any who meddle in the dark arts.