In the magical fens wood, Adair meets a pair of sister witches who turn out to be more—much more—than he bargained for in this short story, a prequel to the third book in The Taker Trilogy, THE DESCENT.

    Mai Sunsaye, the hero of the story, is afflicted with the sokugo, wandering sickness.

    

    Add to it a close set of friends and love for arts and her life was complete. She was beautiful inside out, with her doe-like olive green eyes mature beyond their years. Her life was not perfect but she was not the one to complain for she lived it to the fullest. She made the best out of the situations and believed in moving on. Her smiles and chitter-chatter were the life of Raizada Mansion. Everyone loved her dearly.Everyone, but Avish Singh Raizada. He arrived in her world claiming his stake on two things that Khushi held very dear to her heart. Her home and her bade papa's love. Sharing was an alien concept to that cynical arrogant man, who was unhappy with pretty much everything around him. And unfortunately Khushi became one more reason of his displeasure. Forgetting her own sadness, she tried to be reasonable and friendly towards him but he refused to warm up to her. So like any other intelligent being she decided to pretend that he does not exist and went on with her life.It worked, but not for long. The people and the ties binding them were very important, very strong, whether they liked it or not. Their lives touched each other's on daily basis. So overtime, living under the same roof, sharing the same family forced them into an understanding, a friendship of the sorts.But like it happened with other people, Avish too found his life revolving around Khushi one fine day. She was not someone you can resent for long and he had understood that slowly. They way she saw his pain through the facade of anger broke his resolve to stay away from her. Her heart warming smiles that he had started discreetly capturing in his camera, thawed his frozen heart bit by bit. But his silent admiration and complex nature did not help the matter. To add to his woes, Khushi was obliviously happy in her own world, where Avish was her friend, just a friend. She sincerely believed in love, but for others not herself. He had always mocked the idea of love, but it was his only salvation now.Second chances are rare in life but he got one, and thus began his quest to bridge the distances between himself and her, distances created by the society, distances created by the age difference, but most importantly distances created by themselves. To make her his for eternity, only his.

    Douye aka Doughboy the career militant responsible for the crime. Amaibi the gentle university professor / eco-warrior accused. Kaniye the lawyer turned restaurateur who tries to get him off and Tubo an amoral oil company executive. Against a backdrop of corrupt practises, failed systems and injustice, these four friends tell the story of oil in a region and its effects on local communities and the Nigerian larger society.Chimeka Garricks in his extraordinary debut novel has written a frank and moving story about the realities of contemporary Nigeria. The evil long term effects of military rule resulting in the fragmentation and break down of moral values. His story paints a realistic picture of the very high price corruption exacts on a society and how no one is immune from its consequences.Chimeka has written a remarkable book; honest, insightful and tragic – Jude Dibia author of Blackbird.The book is absolute genius. Well researched, crisp lines, excellent and vivid dialogue, well developed characters. - Jekwu Ozoemene, author of The Anger of Unfulfillment.Tomorrow Died Yesterday is a chronicle of a region in turmoil, of a generation caught between the expectations of their parents and the depreciations of the Nigerian situation, each of these four men navigate their issues in different ways, and in their own voices. Mr Garricks is a new literary voice; unheralded, fresh, honest, unshorn of superficial flourish. Well worth the read. – Eghosa Imasuen, author of Fine Boys.Tomorrow Died Yesterday is a story of action and consequence, lies and love, greed and lust, the power of the truth and most poignantly, redemption. In a John Grisham-esque storytelling style, Chimeka Garricks carries the reader from the present to the past and back again in a seamless blend of storytelling, from the swamps of the Niger Delta to its courtrooms with some action, humour, suspense and just the right amount of romance thrown in. Tomorrow Died Yesterday is a novel by a Nigerian about Nigeria for the entire world. All in all, it is an impressive debut for a writer. - Seun Odukoya, reviewer www.naijastories.com

    Under the watchful gaze of his young assistant and the threatening presence of a new generation of artists, Mark Rothko takes on his greatest challenge yet: to create a definitive work for an extraordinary setting.A moving and compelling account of one of the greatest artists of the twentieth century, Mark Rothko, whose struggle to accept his growing riches and praise became his ultimate undoing.

    The thorough introduction discusses the tragicomedy as a genre, the writers thought to have collaborated on this play and the question of its authorship, and the significance of collaboration and censorship in the era when the play was written, as well as other notes on historical context. The editor goes on to address the public, literary, and theatrical contexts within and surrounding the play; the play's afterlife in theatrical adaptation and academia; and technical notes on editing the drama. Six appendices follow the text of The Two Noble Kinsmen. They are: "John Fletcher, 'Upon An Honest Man's Fortune'"; "The Portrait--Frontispiece of John Fletcher, 1647"; "Francis Beaumont, The Masque of the Inner Temple and Gray's Inn"; "Beaumont's 1613 Masque and The Two Noble Kinsmen"; "The Morris"; and "The Music." Finally, a reference section provides a list of abbreviations and references, a catalog of Shakespeare's works and works partly by Shakespeare, and citations for the modern productions mentioned in the text, other collated editions of The Two Noble Kinsmen, and other related reading.The Arden Shakespeare has developed a reputation as the pre-eminent critical edition of Shakespeare for its exceptional scholarship, reflected in the thoroughness of each volume. An introduction comprehensively contextualizes the play, chronicling the history and culture that surrounded and influenced Shakespeare at the time of its writing and performance, and closely surveying critical approaches to the work. Detailed appendices address problems like dating and casting, and analyze the differing Quarto and Folio sources. A full commentary by one or more of the play's foremost contemporary scholars illuminates the text, glossing unfamiliar terms and drawing from an abundance of research and expertise to explain allusions and significant background information. Highly informative and accessible, Arden offers the fullest experience of Shakespeare available to a reader.

    John was half-white, and the law said he had to be educated in a mission school to learn the ways of white people. But John never forgot his real home - or his mother, who dared to trick the men from the welfare department by darkening him with a burnt stick to hide his light skin. A poignant tale of painful separation, abiding love, and enduring memory.

    It relates the political development of that age with current geography in a very interesting way. It also brings out a new perspective on Ravana, his rise and his fall.

    Will he be high church or low? And - for there are numerous unmarried ladies in Carlingford - will he be a bachelor? After fifteen years at All Souls, the Rector fancies himself immune to womanhood: he is yet to encounter the blue ribbons and dimples of Miss Lucy Wodehouse.

    The fifteen stories featured, many of them set in her native New Zealand, vary in length and tone from the opening story, "At the Bay, " a vivid impressionistic evocation of family life, to the short, sharp sketch "Mrs. Brill, " in which a lonely woman's precarious sense of self is brutally destroyed when she overhears two young lovers mocking her. Sensitive revelations of human behaviour, these stories reveal Mansfield's supreme talent as an innovator who freed the story from its conventions and gave it a new strength and prestige.

    A young clerk, Hall Pycroft, consults Holmes with his suspicions concerning a company that has offered him a very well-paid job.

    The story is recounted in the present tense, first person plural. The "we" that comprises the six blind men often seems to consist of one entity; however, most of the men have separate names and identities and will sometimes say or do things that distinguish them from the group.

    Here the characters' lives are linked to each other by acts of generosity or cruelty. A critic once called Rakoff "magnificent," a word which perfectly describes this wonderful novel in verse.

    The Vajkays—call them Mother and Father—live in Sárszeg, a dead-end burg in the provincial heart of the Austro-Hungarian Empire. Father retired some years ago to devote his days to genealogical research and quaint questions of heraldry. Mother keeps house. Both are utterly enthralled with their daughter, Skylark. Unintelligent, unimaginative, unattractive, and unmarried, Skylark cooks and sews for her parents and anchors the unremitting tedium of their lives.Now Skylark is going away, for one week only, it’s true, but a week that yawns endlessly for her parents. What will they do? Before they know it, they are eating at restaurants, reconnecting with old friends, and attending the theater. But this is just a prelude to Father’s night out at the Panther Club, about which the less said the better. Drunk, in the light of dawn Father surprises himself and Mother with his true, buried, unspeakable feelings about Skylark.Then, Skylark is back. Is there a world beyond the daily grind and life's creeping disappointments? Kosztolányi’s crystalline prose, perfect comic timing, and profound human sympathy conjure up a tantalizing beauty that lies on the far side of the irredeemably ordinary. To that extent, Skylark is nothing less than a magical novel.