These are the stories of contemporary gay and lesbian life—and by definition, are funny, sad, hopeful, and truthful. Representing a diversity of genders, ages, races, and orientations, and edited by two acclaimed writers and anthologists (who between them have written or edited almost one hundred books), First Person Queer puts the “personal” back into “queer.”

    Today's transgenders and other sex/gender radicals are writing a drastically new world into being. In Gender Outlaws, Bornstein, together with writer, raconteur, and theater artist S. Bear Bergman, collects and contextualizes the work of this generation's trans and genderqueer forward thinkers — new voices from the stage, on the streets, in the workplace, in the bedroom, and on the pages and websites of the world's most respected mainstream news sources. Gender Outlaws includes essays, commentary, comic art, and conversations from a diverse group of trans-spectrum people who live and believe in barrier-breaking lives.

    She's trying to get her driver's license, her mom and dad are pressuring her about going to prom, and she never can seem to make it to the bus on time. Even worse, Joanie likes girls, not boys, and all of the girls in her hometown are pretty darned straight. Her best friend, Zane, can attest to that, considering that he never has trouble getting a girl, even if he's not interested in the freshmen who swarm around him. When new girl Kate shows up, needing tutoring in math and chemistry, Joanie figures Zane will get the date, like he always does, and that makes life even more difficult. Joanie's in for a surprise, though, because Kate doesn't fall for her good looking best friend. In fact, Kate seems to like girls, too, and things get a little scary when Kate asks Joanie out on a date. Somehow Joanie knows if she says yes to Kate, things will change forever. Can she manage to pass her driving test, get to prom, and come out to her parents the way Kate wants her to? Or will Joanie's seventeenth birthday be the worst day in history?

    Revoyr’s novel is honest in detailing southern California’s brutal history, and honorable in showing how families survived with love and tenacity and dignity."—Susan Straight, author of Highwire MoonSouthland brings us a fascinating story of race, love, murder and history, against the backdrop of an ever-changing Los Angeles. A young Japanese-American woman, Jackie Ishida, is in her last semester of law school when her grandfather, Frank Sakai, dies unexpectedly. While trying to fulfill a request from his will, Jackie discovers that four African-American boys were killed in the store Frank owned during the Watts Riots of 1965. Along with James Lanier, a cousin of one of the victims, Jackie tries to piece together the story of the boys’ deaths. In the process, she unearths the long-held secrets of her family’s history.Southland depicts a young woman in the process of learning that her own history has bestowed upon her a deep obligation to be engaged in the larger world. And in Frank Sakai and his African-American friends, it presents characters who find significant common ground in their struggles, but who also engage each other across grounds—historical and cultural—that are still very much in dispute.Moving in and out of the past—from the internment camps of World War II, to the barley fields of the Crenshaw District in the 1930s, to the streets of Watts in the 1960s, to the night spots and garment factories of the 1990s—Southland weaves a tale of Los Angeles in all of its faces and forms.Nina Revoyr is the author of The Necessary Hunger ("Irresistible."—Time Magazine). She was born in Japan, raised in Tokyo and Los Angeles, and is of Japanese and Polish-American descent. She lives and works in Los -Angeles.

    Part-fable, part-manifesto, the book takes place in Ramrod, an empire in decline, and introduces us to the communities of the faggots, the women, the queens, the queer men, and the women who love women who are surviving the ways and world of men. Cherished by many over the four decades since its publication, The Faggots and Their Friends Between Revolutions offers a trenchant critique of capitalism, assimilation, and patriarchy that is deeply relevant today.

    One roots for Lily as one does for Huck Finn. This beautifully written debut novel explores the fragile links between a girl’s growing awareness of her sexuality and the far-reaching effects this has upon her family.”—Pamela Ball, author of Lava and The Floating City"Lu Vickers is an exquisite writer. Her work can be, at once, poetic, sharp, hilarious, and relentlessly moving. In Breathing Underwater, she investigates, with keen insight, the legacies of guilt, the intricacies of the mother-daughter relationship, and the complexities of budding sexuality. A stunning, rich, and haunting debut." --Julianna Baggott, best-selling author of Girl Talk, The Madam, and Lizzie Borden in LoveIn 1970s Chattahoochee, Florida, where the main employer is a mental institution, it’s sink or swim for Lily. When her mama, a former beauty queen who once dreamt of being Miss Florida, takes Lily and her siblings fishing one morning, Lily nearly drowns while her mother looks on, “weighing her gains against her losses.” Lily proves to be a survivor, which she will need to prove again and again, as she struggles to stay afloat amidst her mother’s slow mental deterioration, her first love, and her quest to come to terms with who she is and what she wants from this crazy world. With lyrical prose, Lu Vickers gives voice to Lily’s inner soul, and in turn reveals how universal our needs and desires are.

    Told in verse in two voices, with a chorus of fellow students, this is a story of two girls, opposites in many ways, who are drawn to each other; Kate appears to be a stereotypical cheerleader with a sleek ponytail and a perfectly polished persona, Tam is tall, athletic and frequently mistaken for a boy, but their deepening friendship inevitably changes and reveals them in ways they did not anticipate.

    By contrast, Jewish religious leaders in the sixth century B.C.E. branded male homosexuality as a capital offense and, later, blamed it for the destruction of the biblical city of Sodom. When these two traditions collided in Christian Rome during the late empire, the tragic repercussions were felt throughout Europe and the New World.Louis Crompton traces Church-inspired mutilation, torture, and burning of "sodomites" in sixth-century Byzantium, medieval France, Renaissance Italy, and in Spain under the Inquisition. But Protestant authorities were equally committed to the execution of homosexuals in the Netherlands, Calvin's Geneva, and Georgian England. The root cause was religious superstition, abetted by political ambition and sheer greed. Yet from this cauldron of fears and desires, homoerotic themes surfaced in the art of the Renaissance masters--Donatello, Leonardo, Michelangelo, Sodoma, Cellini, and Caravaggio--often intertwined with Christian motifs. Homosexuality also flourished in the court intrigues of Henry III of France, Queen Christina of Sweden, James I and William III of England, Queen Anne, and Frederick the Great.Anti-homosexual atrocities committed in the West contrast starkly with the more tolerant traditions of pre-modern China and Japan, as revealed in poetry, fiction, and art and in the lives of emperors, shoguns, Buddhist priests, scholars, and actors. In the samurai tradition of Japan, Crompton makes clear, the celebration of same-sex love rivaled that of ancient Greece.Sweeping in scope, elegantly crafted, and lavishly illustrated, "Homosexuality and Civilization" is a stunning exploration of a rich and terrible past.

    In this groundbreaking anthology, more than seventy women and men from all walks of life describe their lives as bisexuals in prose, poetry, art, and essays

    Praised by the Chicago Tribune as "an impressive study" and written with incisive wit and searing perception--the definitive, highly acclaimed landmark work on the portrayal of homosexuality in film.

    A Bulgarian immigrant, Dimitrov writes as both observer of and fervent participant in this "American Youth," as his speakers navigate both the physical and emotional landscapes of desire, intimacy, and longing--whether for a friend, a lover, or a self, "Saint or stranger, I still recklessly seek you."

    Moving between a childhood marked by love and abuse and the breaking marriage of that adult child, Donika Kelly charts memory and the body as landscapes to be traversed and tended. These poems construct life rafts and sanctuaries even in their most devastating confrontations with what a person can bear, with how families harm themselves. With the companionship of “the oracle”—an observer of memory who knows how each close call with oblivion ends—the act of remembrance becomes curative, and personal mythologies give way to a future defined less by wounds than by possibility.In this gorgeous and heartrending second collection, we find the home one builds inside oneself after reckoning with a legacy of trauma—a home whose construction starts “with a razing.”

    Includes:"Michael's Little Sister" / C. S. Adler"Dancing Backwards" / Marion Dane Bauer"Winnie and Tommy" / Francesca Lia Block"Am I Blue" / Bruce Coville"Parents Night" / Nancy Garden"Three Mondays in July" / James Cross Giblin"Running" / Ellen Howard"We Might as Well Be Strangers" / M. E. Kerr"Hands" / Jonathan London"Holding" / Lois Lowry"The Honorary Shepherds" / Gregory Maguire"Supper" / Lesléa Newman"50% Chance of Lightning" / Cristina Salat"In the Tunnels" / William Sleator"Slipping Away" / Jacqueline Woodson"Blood Sister" / Jane Yolen

    Living on the fringe of society, these two outcasts develop an unlikely bond. This is the book on which the Academy Award-winning film was based.

    – Shubhangi Swarup (Latitudes of Longing)