Created after the Metropolitan Police’s spectacular failure to capture Jack the Ripper, The Murder Squad suffers rampant public contempt. They have failed their citizens. But no one can anticipate the brutal murder of one of their own . . . one of the twelve . . .When Walter Day, the squad’s newest hire, is assigned the case of the murdered detective, he finds a strange ally in the Yard’s first forensic pathologist, Dr. Bernard Kingsley. Together they track the killer, who clearly is not finished with The Murder Squad . . . but why?Filled with fascinating period detail, and real historical figures, this spectacular debut in a new series showcases the depravity of late Victorian London, the advent of criminology, and introduces a stunning new cast of characters sure to appeal to fans of The Sherlockian and The Alienist.

    She's disturbed to discover the culprit is a raven, and tries to shoo it away. Which is when the killer strikes.DS Nathan Cody, still bearing the scars of an undercover mission that went horrifyingly wrong, is put on the case. But the police have no leads, except the body of the bird - and the victim's missing eyes.As flashbacks from his past begin to intrude, Cody realises he is battling not just a murderer, but his own inner demons too.And then the killer strikes again, and Cody realises the threat isn't to the people of Liverpool after all - it's to the police.Following the success and acclaim of the Callum Doyle novels, A Tapping at My Door is the first instalment of David Jackson's new Nathan Cody series.From the bestselling author of Cry Baby, the beginning of a brilliant and gripping police procedural series set in Liverpool, perfect for fans of Peter James and Mark Billingham"Recalls Harlan Coben - though for my money Jackson is the better writer." Guardian

    Doubting the findings of the local PD’s profiler, The FBI calls on forensic psychologist Zoe Bentley to investigate.Zoe quickly gets off on the wrong foot with her new partner, Special Agent Tatum Gray. Zoe’s a hunter, intense and focused; Tatum’s a smug maverick with little respect for the rules. Together, they must descend into a serial killer’s psyche and untangle his twisted fantasies, or more women will die. But when the contents of three inconspicuous envelopes reveal a chilling connection to gruesome murders from Zoe’s childhood, suddenly the hunter becomes the hunted.

    Yet her path to professional success hits a speed bump during a disastrous raid where half her team is murdered, a mole in the FBI is uncovered and she herself is severely wounded. As soon as she recovers, she goes rogue and travels to England to assassinate the man responsible for the deaths of her teammates.While fleeing from an unexpected assassin herself, Kendra escapes into a stairwell that promises sanctuary but when she stumbles out again, she is in the same place - Aldrich Castle - but in a different time: 1815, to be exact.Mistaken for a lady's maid hired to help with weekend guests, Kendra is forced to quickly adapt to the time period until she can figure out how she got there; and, more importantly, how to get back home. However, after the body of a girl is found on the extensive grounds of the county estate, she starts to feel there's some purpose to her bizarre circumstances. Stripped of her twenty-first century tools, Kendra must use her wits alone in order to unmask a cunning madman.

    A city lives in fear. The police fall into chaos. A woman is savagely murdered, her body stabbed over a hundred times, and the police recognise that the perpetrator will likely strike again. DCI Bloonsbury, the once-feted detective, is put in charge of the investigation, but when an officer is slain, and an old police conspiracy begins to unravel, Bloonsbury slides further into morose, intoxicated depression. And here, somewhere in the midst of the horror, is Detective Sergeant Thomas Hutton, lost in a sea of love, lust, deception, alcohol, and murdered colleagues. But the dead will not rest, the past will not be buried, and DS Hutton must find his way, as the killer kills, and kills again…

    But when the billionaire philanthropist is discovered murdered in his London home, tied naked to a bed, the scandal is only a shadow of the darkness lurking off-camera.Laura Fletcher returns from an Italian vacation to find her husband dead and her home under siege by paparazzi. Is she shocked? Yes. But is she distraught? Not exactly. Especially when Chief Inspector Tom Douglas reveals his suspicions that Hugo’s killer is female. Laura always knew she wasn’t the only woman in Hugo’s life. And she knows she wasn’t the only one with a motive to kill.The deeper Douglas digs, the more sordid details about Hugo Fletcher he uncovers. And yet nothing compares to the secret Laura guards, a secret that could bring the guilty to justice—or destroy an innocent life forever.

    As hunger and thirst set in, only one walks away alive.It’s a game more twisted than any Detective Helen Grace has ever seen. If she hadn’t spoken with the shattered survivors herself, she almost wouldn’t believe them.Helen is familiar with the dark sides of human nature, including her own, but this case—with its seemingly random victims—has her baffled. But as more people go missing, nothing will be more terrifying than when it all starts making sense....

    One girl, Rachel, is later found unharmed but unable to remember anything except that her abductor was a woman.Over thirty years later the mother of the still missing Sophie commits suicide. Superintendent Llewellyn, who was a young constable on the 1978 case, asks DI Francis Sadler and DC Connie Childs to look again at the kidnapping to see if modern police methods can discover something that the original team missed. However, Sadler is convinced that a more recent event triggered Yvonne Jenkins’s suicide.Rachel, with the help of her formidable mother and grandmother, recovered from the kidnapping and has become a family genealogist. She remembers nothing of the abduction and is concerned that, after Yvonne Jenkins’s suicide, the national media will be pursuing her for a story once more. Days later, the discovery of one of her former teachers’ strangled body suggested a chain of events is being unleashed.Rachel and the police must unpick the clues to discover what really happened all those years ago. But in doing so, they discover that the darkest secrets can be the ones closest to you.

     East Long Beach. The LAPD is barely keeping up with the neighborhood's high crime rate. Murders go unsolved, lost children unrecovered. But someone from the neighborhood has taken it upon himself to help solve the cases the police can't or won't touch. They call him IQ. He's a loner and a high school dropout, his unassuming nature disguising a relentless determination and a fierce intelligence. He charges his clients whatever they can afford, which might be a set of tires or a homemade casserole. To get by, he's forced to take on clients that can pay. This time, it's a rap mogul whose life is in danger. As Isaiah investigates, he encounters a vengeful ex-wife, a crew of notorious cutthroats, a monstrous attack dog, and a hit man who even other hit men say is a lunatic. The deeper Isaiah digs, the more far reaching and dangerous the case becomes.Winner of the Anthony, Macavity, and Shamus Awards

    But did she arrange her own murder?One bright spring morning in London, Diana Cowper – the wealthy mother of a famous actor - enters a funeral parlor. She is there to plan her own service.Six hours later she is found dead, strangled with a curtain cord in her own home.Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric investigator who’s as quick with an insult as he is to crack a case. Hawthorne needs a ghost writer to document his life; a Watson to his Holmes. He chooses Anthony Horowitz.Drawn in against his will, Horowitz soon finds himself at the center of a story he cannot control. Hawthorne is brusque, temperamental and annoying but even so his latest case with its many twists and turns proves irresistible. The writer and the detective form an unusual partnership. At the same time, it soon becomes clear that Hawthorne is hiding some dark secrets of his own.New York Times bestselling author of Magpie Murders and Moriarty, Anthony Horowitz has yet again brilliantly reinvented the classic crime novel, this time writing a fictional version of himself as the Watson to a modern-day Holmes.A masterful and tricky mystery that springs many surprises, The Word is Murder is Anthony Horowitz at his very best.

    Already deep into the investigation of a multimillion-dollar NFL gambling scandal and the unsolved slayings of eighteen schoolgirls, he learns his best friend's wife, Jack's former lover, has been killed. The secrets of the most influential men and women on the planet come to Jack daily—and his staff of investigators use the world's most advanced forensic tools to make and break their cases. But Jack doesn't have to play by the rules.

    Now one is profiling her.Rush hour, London. A packed commuter train is torn apart in a collision. Picking through the carnage, ex-special forces profiler Ziba MacKenzie helps a dying woman who passes on a cryptic message: He did it. You have to tell someone.When a corpse is found bearing the gruesome signature of a serial killer dormant for twenty-five years, Ziba is pulled into the hunt for the perpetrator. As the body count rises it becomes clear he’s on a new spree. But what’s brought the London Lacerator back after such a long hiatus? And does his sudden return have anything to do with the woman on the train?Ziba scrambles to profile the killer in the hope of predicting his next move. But time is running out. And the closer she gets to uncovering his identity, the closer he gets to destroying hers.

    It doesn’t take long for the police to realize a serial killer is on the loose—and that his spree has just begun.Detective Mackenzie White, young, tough, smarter than the aging, chauvinistic men on her local force, finds herself called in grudgingly to help solve it. As much as the other officers hate to admit it, they need her young, brilliant mind, which has already helped crack cold cases that had left them stumped. Yet even for Mackenzie this new case proves an impossible riddle, something the likes of which she—and the local force—have ever seen.With the FBI called in, together, an intense manhunt ensues. Mackenzie, reeling from her own dark past, her failed relationships, and her undeniable attraction to the new FBI agent, finds herself battling her own demons as her hunt for the killer takes her to the darkest places of her mind. As she delves into the killer’s mind, obsessing over his twisted psychology, she finds that evil truly does exist. She only hopes it will not be too late to extricate herself from it, as her entire life collapses around her.As more bodies turn up dead and a frantic race against time ensues, there is no way out but to find him before he kills again.A dark psychological thriller with heart-pounding suspense, Before He Kills marks the debut of a riveting new series—and a beloved new character—that will leave you turning pages late into the night.

    Case one: A little girl goes missing in the night. Case two: A beautiful young office worker falls victim to a maniac's apparently random attack. Case three: A new mother finds herself trapped in a hell of her own making - with a very needy baby and a very demanding husband - until a fit of rage creates a grisly, bloody escape.Thirty years after the first incident, as private investigator Jackson Brodie begins investigating all three cases, startling connections and discoveries emerge . . .

    Investigating these cases is Detective Chief Inspector Alan Banks, a perceptive, curious and compassionate policeman recently moved to the Yorkshire Dales from London to escape the stress of city life. In addition to all this, Banks has to deal with the local feminists and his attraction to a young psychologist, Jenny Fuller. As the tension mounts, both Jenny and Banks’s wife, Sandra, are drawn deeper into the events. The cases weave together as the story reaches a tense and surprising climax."--Author's website.