He spies on everyone: on the gardener's sex life, on his father's ridiculous plans for a underground village, on his wicked stepmother, whom he holds responsible for his mother's suicide - until he is set up, and set adrift. He moves to Edinburgh, where voyeurism is more dangerous, particularly when Hallam has revenge on his mind...

    The year 1451, still only eight months old, had been a wonderful one for him. He was not only acknowledged as the premier knight in England, he was for once clear of debt and had a hundred pounds in hand. . .

    His broad, detailed and graphic account of the conduct of war in the Anglo-Saxon world in the unstable, violent centuries before the Norman Conquest will be illuminating reading for anyone who wants to learn about this key stage of medieval history.The role of violence and war in Anglo-Saxon society is explored, in particular the parts played by the king and the noblemen, and the means by which, in times of danger, the men of the fyrd were summoned to fight. The controversial subject of the Anglo-Saxon use of cavalry is also explored. Land and naval warfare are central sections of Paul Hill’s book, but he also covers the politics and diplomacy of warfare – the conduct of negotiations, the taking of hostages and the use of treachery.The weapons and armor of the Anglo-Saxons are described – the spears, the scramsaxes, axes, bows, swords, helmets, shields and mail that were employed in the close-quarter fighting of the day. Among the most valuable sections of the study are those dealing, in vivid detail, with actual experience of battle and siege – with the brutal reality of combat as it is revealed by campaigns against the Danes, in the battles of Ashdown, Maldon and Stamford Bridge, and sieges at Reading and Rochester.

    English master-gunner John Hawkwood uproots his family from their native land and journeys to this fabled city.With the city under threat by the Ottoman Turks, the Byzantine emperor is in desperate need of men like Hawkwood and the knowledge of cannon and gunpowder he brings. For a time, the Hawkwoods enjoy status and privilege in return for John’s superior abilities as an artillerist. But all good things must come to an end. When tragedy strikes, even the close relationship John shares with the emperor cannot absolve the family of their sins, and with little more than the clothes on their backs, the Hawkwoods flee Constantinople. Captured by the savage Turks, John Hawkwood swiftly changes his allegiance, and once more applies his considerable skills…this time serving the conquerors in their victorious surge across eastern Europe and Mediterranean shores.No man lives forever, but the Hawkwood line never dies. For five generations, the Hawkwood men serve their Turkish leaders faithfully as military leaders and envoys. Although showered with wealth and privilege and accorded honours commensurate with their rank, their fates lie in the often capricious hands of the Ottoman empire’s cruel leaders. Over a span of nearly one hundred and fifty years, the Hawkwoods must employ every ounce of political cunning they possess to survive the swirling intrigues and bloody massacres that dominate the world in which they live. For their wives and concubines, the uncertainties and dangers of life are no less severe: the punishment meted out to a Hawkwood man who fails his duty likewise falls upon his family.Beyond the gleaming wealth and the veneer of power lie grim spectres of betrayal and sudden death, the threat of ravishment and torture lurking behind the gilded pillars of their palaces and harems. And when the time comes to choose between Ottoman and Hawkwood, no one can say what the future might bring…Christopher Nicole was born and brought up in British Guyana and the West Indies. His output of books has been prolific and many of his novels are historical with a Caribbean background. This book was previously published under the pseudonym Alan Savage.Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    S. Eliot's verse dramatization of the murder of Thomas Becket at Canterbury, winner of the Nobel Prize for LiteratureThe Archbishop Thomas Becket speaks fatal words before he is martyred in T. S. Eliot's best-known drama, based on the murder of the Archbishop of Canterbury in 1170. Praised for its poetically masterful handling of issues of faith, politics, and the common good, T. S. Eliot's play bolstered his reputation as the most significant poet of his time.

    Katherine’s sister, Juana of Castile, wife of Philip of Burgundy and mother of the Holy Roman Emperor Charles V, is portrayed as “Juana the Mad,” whose erratic behavior included keeping her beloved late husband’s coffin beside her for years. But historian Julia Fox, whose previous work painted an unprecedented portrait of Jane Boleyn, Anne’s sister, offers deeper insight in this first dual biography of Katherine and Juana, the daughters of Spain’s Ferdinand and Isabella, whose family ties remained strong despite their separation. Looking through the lens of their Spanish origins, Fox reveals these queens as flesh-and-blood women—equipped with character, intelligence, and conviction—who are worthy historical figures in their own right.When they were young, Juana’s and Katherine’s futures appeared promising. They had secured politically advantageous marriages, but their dreams of love and power quickly dissolved, and the unions for which they’d spent their whole lives preparing were fraught with duplicity and betrayal. Juana, the elder sister, unexpectedly became Spain’s sovereign, but her authority was continually usurped, first by her husband and later by her son. Katherine, a young widow after the death of Prince Arthur of Wales, soon remarried his doting brother Henry and later became a key figure in a drama that altered England’s religious landscape.Ousted from the positions of power and influence they had been groomed for and separated from their children, Katherine and Juana each turned to their rich and abiding faith and deep personal belief in their family’s dynastic legacy to cope with their enduring hardships. Sister Queens is a gripping tale of love, duty, and sacrifice—a remarkable reflection on the conflict between ambition and loyalty during an age when the greatest sin, it seems, was to have been born a woman.

    Petersburg Times“Galland has an exceptional gift.”—Neal StephensonThe critically acclaimed author of The Fool's Tale, Nicole Galland now approaches William Shakespeare's classic drama of jealousy, betrayal, and murder from the opposite side. I, Iago is an ingenious, brilliantly crafted novel that allows one of literature's greatest villains--the deceitful schemer Iago, from the Bard's immortal tragedy, Othello--to take center stage in order to reveal his "true" motivations. This is Iago as you've never known him, his past and influences breathtakingly illuminated, in a fictional reexamination that explores the eternal question: is true evil the result of nature versus nurture...or something even more complicated?