She was a stripper, but is she now a performance artist and best-selling author, and it is really Barbara Walters she's narrating this tale to? We're too dazzled to know more than that this is about how a girl ends up in the backwash of decadence and sin and how out of the flotsam and jetsam she might construct a story of herself and the South to carry her to salvation.Serial killers, preachers, and prison flower-arranging classes. Bikers, bad boyfriends, and a stripper who performed as a Trans Am. Tiger has seen it all and as she sits on her slab, identifying anecdotes as they go by, we witness Selah Saterstrom at her greatest—funny, bawdy, and steeped in the landscape and all the devastation it has created and absorbed.Selah Saterstrom is the author of the novels The Pink Institution, The Meat and Spirit Plan, and Slab, all published by Coffee House Press. She is also the author of Tiger Goes to the Dogs, a limited edition letterpress project published by Nor By Press. Her prose, poetry, and interviews can be found in publications such as The Black Warrior Review, Postroad, Tarpaulin Sky, Fourteen Hills, and other places. She is the director of the PhD program in creative writing at the University of Denver and teaches and lectures throughout the United States.

    One day Mr. Arcilla, the romance language teacher at Briarfield, an all-girls boarding school, is found dead at the bottom of Reed Pond. Young and handsome, the object of much fantasy and fascination, he was adored by his students. For Lilith and Romy, Evie and Claire, Nellie and Grace, he was their first love, and their first true loss.In this extraordinary collection, Kate McQuade explores the ripple effect of one transformative moment on six lives, witnessed at a different point in each girl’s future. Throughout these stories, these bright, imaginative, and ambitious girls mature into women, lose touch and call in favors, achieve success and endure betrayal, marry and divorce, have children and struggle with infertility, abandon husbands and remain loyal to the end.Lyrical, intimate, and incisive, Tell Me Who We Were explores the inner worlds of girls and women, the relationships we cherish and betray, and the transformations we undergo in the simple act of living.

    The topics may vary widely, from love to mental illness to the most recent "Florida Man" headline, but it's all in the same handwriting. Welcome to The Immortal Soul Salvage Yard.

    Amber writes and illustrates the crazy and harsh truths of being raised by alcoholics, becoming one herself, stagnating in denial for years, and finally getting sober.As a teenager, Amber is an overachieving student athlete who copes with her family's alcoholic tragedies by focusing on her achievements. It quickly takes a funny and dark turn when she starts to experiment with booze and ignores the warning signs of alcoholism. Through blackouts, cringe-worthy embarrassments, and pounding hangovers, she convinces herself that she “just likes to party.” She leaves her hometown of Pueblo, Colorado to follow her dreams, and ends up in New York City, spending lots of time binge drinking, passing out on trains, and telling jokes on stage. She then moves to Los Angeles, thinking sunshine and show business will save her. Eventually hitting rock bottom, she has a moment of clarity, and knows she has to stop drinking. It's now been seven years since that last drink, and she's ready to tell her story. Sober Stick Figure is adventurous, hilarious, sad, sweet, tragic—and ultimately inspiring.

    But Alice receives a strange bequest from Bea - a collection of unfinished tasks to help out those in Polperran most in need.As each little act brings her closer to understanding her mother, it also begins to offer Alice the courage to open her clamped-shut heart. Perhaps Bea's project will finally unlock the powerful secrets both women have been keeping... THE KINDNESS PROJECT will draw you deep into the lives of two compelling women who should never have missed their chance to say goodbye. It will break your heart - and piece it back together again...

    Christ has just been crucified, and they are heartbroken—until a third man joins them on the road and comforts them. Once they reach Emmaus and break bread, the pair realizes they have been walking with Christ himself. But in the moment they recognize him, he disappears. Spencer Reece draws on this tender story in his mesmerizing collection—one that fearlessly confronts love and its loss, despair and its consolation, and faith in all of its various guises.Reece’s central figure in The Road to Emmaus is a middle-aged man who becomes a priest in the Episcopal Church; these poems follow him to New York City, to Honduras, to a hospital where he works as a chaplain, to a prison, to an Alcoholics Anonymous meeting. With language of simple, lyrical beauty that gradually accrues weight and momentum, Reece spins compelling dramas out of small moments: the speaker, living among a group of orphans, wondering "Was it true, what they said, that a priest is a house lit up?"; two men finding each other at a Coming Out Group; a man trying to become visible after a life that had depended on not being seen.A yearning for connection, an ache of loneliness, and the instant of love disappearing before our eyes haunt this long-awaited second collection from Spencer Reece.

    Here, using the cuts of the cow as a metaphor Miller, explores addiction, family & tragedy.Butcher takes the body of a cow and cleaves it into 5 parts: envisioning the cuts as relationship with family members and social forces. Her Mother the rib, her Brother the brisket, her queerness as the tongue and cheek. Butcher is raw and tender. It’s a book that tells the story of a woman who redefined success after losing the most valuable thing to her.

    Written in dialogic fragments and intersped with prose poems reflecting on the lasting impact of colonial trauma, it is arranged around the two different discourses. The bed on which America sleeps, and which America has made, is built on the fear that the nations it has oppressed will rise up against it, a monstrous shadow in a child’s nightmare. Written in English, while they sleep points to a imperialist American identity: the dormant body of the text. Answering in Spanish, under the bed is another country is the footnote, the monster under the bed, the colony: Puerto Rico.

    The Merriwether family traditions are dark magic, devil worship and insurrection. Jack and Olive Merriwether thought they were two ordinary teenagers until they learned they were descended from the murderous sorcerer Gorgyaz. Now that the truth about their ancestry is out, the government wants to take their freedom, a witchfinder wants to take their lives and the shadowy leader of the Thirteenth Division wants to take their souls. Jack and Olive didn't intend on following in their infamous forefather's footsteps, but they'll have to learn the family traditions to survive.

    Whatever our feelings about établissement and French Maoism here at Commune Editions (they aren’t positive), we think the book is incredible, and expect you will too.Get it here: http://communeeditions.com/excess-the...

    The three characters are the eponymous designated mourner, Jack; his wife, Judy; and Judy's erudite father, Howard. Despite a passionate bond with her father, Judy is drawn to Jack, whose taste in cultural forms follows a disturbing path. When Jack abandons both Judy and Howard, he continues his riveting societal free-fall into a world of gleeful savagery. Other works by Wallace Shawn are "A Thought in Three Parts," "Our Late Night," "Marie and Bruce," "My Dinner With Andre" (co-written with Andre Gregory), "Aunt Dan and Lemon," and "The Fever."

    In Corpus Christi, Texas—a town often hit by hurricanes— parents, children, and lovers come together and fall apart, bonded and battered by memories of loss that they feel as acutely as physical pain. A car accident joins strangers linked by an intimate knowledge of madness. A teenage boy remembers his father’s act of sudden and self-righteous violence. A “hurricane party” reunites a couple whom tragedy parted. And, in an unforgettable three-story cycle, an illness sets in profound relief a man’s relationship with his mother and the odd, shifting fidelity of truth to love.Told in fresh, lyrical voices and taut, inventive styles, these narratives explore the complex volatility of love and intimacy, sorrow and renewal—and expose how often these experiences feel like the opposite of themselves. From the woman whose young son’s uncanny rapport with snakes illuminates her own missed opportunities to the man confronting his wife and her lover in a house full of illegal exotic birds, all the characters here face moments of profound decision and recognition in which no choice is clearly or completely right.Writing with tough humor, deep humanity, and a keen eye for the natural environment, Bret Anthony Johnston creates a world where where cataclysmic events cut people loose from their “regular lives, floating and spiraling away from where we had been the day before.” Corpus Christi is a extraordinarily ambitious debut. It marks the arrival of an important, exquisitely talented voice to American fiction.From the Hardcover edition.

    Haunted by a history of addiction, a relationship with his unsteady father, and a longing to connect with his mother who committed suicide, Flynn artfully interweaves in this memoir passages from his childhood, his relationships with women, and his growing obsession—a questioning of terror, torture, and the political crimes we can neither see nor understand in post-9/11 American life. The time bomb of the title becomes an unlikely metaphor and vehicle for exploring the fears and joys of becoming a father. Here is a memoir of profound self-discovery—of being lost and found, of painful family memories and losses, of the need to run from love, and of the ability to embrace it again.

    Poverty is both reality and destiny for increasing numbers of people in the 2020s and, as Maharidge discovers spray-painted inside an abandoned gas station in the California desert, it is a fate often handed down from birth.Motivated by this haunting phrase―“Fucked at Birth”―Maharidge explores the realities of being poor in America in the coming decade, as pandemic, economic crisis and social revolution up-end the country. Part raw memoir, part dogged, investigative journalism, Fucked At Birth channels the history of poverty in America to help inform the voices Maharidge encounters daily. In an unprecedented time of social activism amid economic crisis, when voices everywhere are rising up for change, Maharidge’s journey channels the spirits of George Orwell and James Agee, raising questions about class, privilege, and the very concept of “upward mobility,” while serving as a final call to action. From Sacramento to Denver, Youngstown to New York City, Fucked At Birth dares readers to see themselves in those suffering most, and to finally―after decades of refusal―recalibrate what we are going to do about it.

    Her previous volumes--Cascadia, Pieces of Air in the Epic, Practical Water--have addressed earth, air, and water. Here, Hillman evokes fire as metaphor and as event to chart subtle changes of seasons during financial breakdown, environmental crisis, and street movements for social justice; she gathers factual data, earthly rhythms, chants to the dead, journal entries, and lyric fragments in the service of a radical animism. In the polyphony of Seasonal Works with Letters on Fire, the poet fuses the visionary, the political, and the personal to summon music and fire at once, calling the reader to be alive to the senses and to re-imagine a common life. This is major work by one of our most important writers. Check for the online reader's companion at brendahillman.site.wesleyan.edu.