The boxer is fleeing an unhappy love. The father hopes to escape his dull routine. Both know that, eventually, they will have to return to the place each calls 'home'.

    . . .But certain things you have to find out now. . . ."On the tumultuous streets of Manila, where the earth is as brown as a tamarind leaf and the pungent smells of vinegar and mashed peppers fill the air, where seasons shift between scorching sun and torrential rain, eleven-year-old Gringo strives to make sense of his family and a world that is growing increasingly harsher before his young eyes. There is Gringo's older brother, Pipo, wise beyond his years, a flamboyant, defiant youth and the three-time winner of the sequined Miss Unibers contest; Daddy Groovie, whiling away his days with other hang-about men, out of work and wilting like a guava, clinging to the hope of someday joining his sister in Nuyork; Gringo's mother, Estrella, moving through their ramshackle home, holding her emotions tight as a fist, which she often clenches in anger after curfew covers the neighborhood in a burst of dark; and Ninang Rola, wise godmother of words, who confides in Gringo a shocking secret from the past--and sets the stage for the profound events to come, in which no one will remain untouched by the jagged pieces of a shattered dream.As Gringo learns; shame is passed down through generations, but so is the life-changing power of blood ties and enduring love.In this lush, richly poetic novel of grinding hardship and resilient triumph, of selfless sacrifice and searing revelation, Bino A. Realuyo brings the teeming world of 1970s Manila brilliantly to life. While mapping a young boy's awakening to adulthood in dazzling often unexpected ways, The Umbrella Country subtly works sweet magic.

    In Al Tafar, Iraq, twenty-one-year old Private Bartle and eighteen-year-old Private Murphy cling to life as their platoon launches a bloody battle for the city. In the endless days that follow, the two young soldiers do everything to protect each other from the forces that press in on every side: the insurgents, physical fatigue, and the mental stress that comes from constant danger. Bound together since basic training when their tough-as-nails Sergeant ordered Bartle to watch over Murphy, the two have been dropped into a war neither is prepared for. As reality begins to blur into a hazy nightmare, Murphy becomes increasingly unmoored from the world around him and Bartle takes impossible actions. With profound emotional insight, especially into the effects of a hidden war on mothers and families at home, The Yellow Birds a groundbreaking novel about the costs of war that is destined to become a classic.

    Yet in contrast to her father, she is not in the business of pest extermination, but pest relocation.Katya’s unconventional approach brings her to the attention of a property developer whose luxury estate on the fringes of Cape Town, Nineveh, remains uninhabited thanks to an infestation of mysterious insects. As Katya is drawn ever deeper into the chaotic urban wilderness of Nineveh, she must confront unwelcome intrusions from her own past.This third novel by the award-winning Rose-Innes confirms her reputation as one of South Africa’s most noteworthy literary voices.

    Lally helps to raise three white sisters in the Orchid House on the Island of Dominica and observes as each flees to the cold northern lands of England and America only to return to their magical past and the man they love.

    Mariana is a bitterly unhappy woman who hates what she has done to her life, and night after night Hugo sits in her closet and listens uncomprehendingly as she rages at the Nazi soldiers who come and go. When she's not mired in self-loathing, Mariana is fiercely protective of the bewildered, painfully polite young boy. And Hugo becomes protective of Mariana, too, trying to make her laugh when she is depressed, soothing her physical and mental agony with cold compresses. As the memories of his family and friends grow dim, Hugo falls in love with Mariana. And as her life spirals downward, Mariana reaches out for consolation to the adoring boy who is on the cusp of manhood.The arrival of the Russian army sends the prostitutes fleeing. But Mariana is too well known, and she is arrested as a Nazi collaborator for having slept with the Germans. As the novel moves toward its heartrending conclusion, Aharon Appelfeld once again crafts out of the depths of unfathomable tragedy a renewal of life and a deeper understanding of what it means to be human.**Winner of the 2012 Independent Foreign Fiction Prize**

    Each summer, to escape the heat of Philadelphia, Edward's family moves to Rehoboth Beach, Delaware. The "coloreds only" side of a pristine resort on Rehoboth Beach offers work for his mother and a sandy playground for his sister. But for Edward -- an imaginative, inquisitive boy -- it offers the chance to understand his reclusive, curmudgeonly Uncle Rufus, a man caught in a swirl of hard luck and bad choices.Forging a tenuous bond, their relationship will take Edward on a harrowing journey through Rufus's past, facing the violence, disappointment, and frustration that shaped his destiny. Award-winning author Alexs Pate tells a mesmerizing story -- of family, of coming of age, of reconciliation -- revealing the extraordinary compassion and healing power of one unforgettable boy.

    Her parents have died, her food is dwindling and the rent is due. When a stranger arrives bearing a note from an uncle, inviting Katka to join him and his wife in America, she leaves all that she has held dear to rebuild her life across the ocean. On the voyage to New York, she becomes friends with the stranger and begins to fall in love. But at Ellis Island, they are separated when he is detained by authorities as a suspected anarchist. Alone, Katka continues her journey to her uncle’s house on the rough and tumble Iron Range in northern Minnesota. Soon she is immersed in a lively community of iron miners and begins publishing an underground newspaper about their struggles and the heroism of the women on the Iron Range, as they are swept into a tumultuous strike that will change their lives forever. “Under Ground” is a work of fiction inspired by true events.

    Sana Krasikov is one of those writers. Her first published story appeared in the New Yorker, her second in The Atlantic Monthly’s fiction issue. One More Year is her debut collection, made up of stories of people who hold out hope, despite the odds, that life will be kind to them.The characters who populate Krasikov’s stories are mostly women–some are new to America; some still live in the former Soviet Union, in Georgia or Russia; and some have returned to Russia to find a country they barely recognize and people they no longer understand. Mothers leave children behind; children abandon their parents. Almost all of them look to love to repair their lives, and when love isn’t really there, they attempt to make do with relationships that substitute for love.Like Jhumpa Lahiri and ZZ Packer, two writers whose fully-realized characters drive their fiction, Sana Krasikov is an exhilarating talent whose first collection puts her on the map with today's most talented young authors.

    Like Andr� Schwarz-Bart's previous book, Last of the Just, which traced the Jewish experience of martyrdom, this book recreates through fact and myth people's enslavement, humiliation and survival.

    An aging feudal landlord's household staff, the villagers who depend on his favor, and a network of relations near and far who have sought their fortune in the cities confront the advantages and constraints of station, the dissolution of old ways, and the shock of change. Mueenuddin bares—at times humorously, at times tragically—the complexities of Pakistani class and culture and presents a vivid picture of a time and a place, of the old powers and the new, as the Pakistani feudal order is undermined and transformed.

    These are just some of the stories describing and dramatizing the experiences of the Nepalese people and the Nepalese diaspora - the people whose culture and language is Nepalese but who are dispersed to India, Bhutan and beyond. From every perspective and on every page, Prajwal Parajuly blends rich colour and vernacular to paint an eye-opening picture of a unique world and its people.

    It is also the first collection of Lao short stories to be published in the English language. Peter Koret's Introduction explores the history of modern Lao literature and considers Outhine's writing within this broader context.

    Following an Australian government edict in 1931, black aboriginal children and children of mixed marriages were gathered up by whites and taken to settlements to be assimilated. In Rabbit-Proof Fence, award-winning author Doris Pilkington traces the captivating story of her mother, Molly, one of three young girls uprooted from her community in Southwestern Australia and taken to the Moore River Native Settlement. At the settlement, Milly and her relatives Gracie and Daisy were forbidden to speak their native language, forced to abandon their aboriginal heritage, and taught to be culturally white. After regular stays in solitary confinement, the three girls scared and homesick planned and executed a daring escape from the grim camp, with its harsh life of padlocks, barred windows, and hard cold beds.The girls headed for the nearby rabbit-proof fence that stretched over 1,000 miles through the desert toward their home. Their journey lasted over a month, and they survived on everything from emus to feral cats, while narrowly avoiding the police, professional trackers, and hostile white settlers. Their story is a truly moving tale of defiance and resilience.About the author: Doris Pilkington is also the author of Caprice: A Stockman's Daughter. Rabbit-Proof Fence, her second book, is now a major motion picture from Miramax Films, directed by Phillip Noyce and starring Kenneth Branagh.

    He lives in an undistinguished middle-class housing development in Maipu, a town in the suburbs of Santiago, Chile. When the neighbors camp out overnight, the protagonist gets his first glimpse of Claudia, an older girl who asks him to spy on her uncle Raul.       In the second section, the protagonist is the writer of the novel begun in the first section. His father is a man of few words who claims to be apolitical but who quietly sympathized—to what degree, the author isn’t sure—with the Pinochet regime. His reflections on the progress of the novel and on his own life—which is strikingly similar to the life of his novel’s protagonist—expose the raw suture of fiction and reality.      Ways of Going Home switches between author and character, past and present, reflecting with melancholy and rage on the history of a nation and on a generation born too late—the generation who, as the author-narrator puts it, learned to read and write while their parents became accomplices or victims. It is the most personal novel to date from Alejandro Zambra, the most important Chilean author since Roberto Bolaño.