Throughout the book, the author, Tommy Jenkins, identifies events and trends that led to the unprecedented results of the 2016 presidential election that left American political parties more estranged than ever. To balance these complex ideas and statistics, Kati Lacker’s original artistic style makes the book accessible for readers of all ages. At a time when many citizens are experiencing challenges and apathy about voting and skepticism concerning our bitterly divided government, Drawing the Vote seeks to offer some explanation for how we got here and how every American can take action to make their vote count.

    This distinctively drawn work chronicles the rise and reign of Chairman Mao Zedong, and his sweeping, often cataclysmic vision for the most populated country on the planet.Though the storyline is epic, the storytelling is intimate, reflecting the real life of the book’s artist. Li Kunwu spent more than 30 years as a state artist for the Communist Party. He saw firsthand what was happening to his family, his neighbors, and his homeland during this extraordinary time. Working with Philippe Ôtié, the artist has created a memoir of self and state, a rich, very human account of a major historical moment with contemporary consequences. Mao said, “The masses are the real heroes,” but A Chinese Life shows those masses as real people.Praise for A Chinese Life:“This is an absorbing book—all 700 pages of it—reminiscent at times of Zhang Yimou’s epic Chinese history film To Live, and reminiscent at others of George Orwell’s 1984, recast as non-fiction.” —The Onion’s A.V. Club

    The brutal police response and their violent tactics trigger an exploration of urban planning and its hidden connections to military strategies. Marshal Bugeaud’s urban warfare tactics in Algeria, Haussmann’s plan for Paris, planning and repression in the New World; theory and personal experience collide into an ambitious and poetic cartoon memoir.Sophie Yanow was born north of San Francisco in 1987. In 2011 she moved to Montreal, and with the Colosse collective published In Situ, her acclaimed autobiographical comics series. She was an invited artist- researcher for the Canadian Center for Architecture’s “C for Condo” workshop, and her work has been exhibited throughout the US and Canada. She lives in Montreal.

    Passmore masterfully tackles comics about race, gentrification, the prison system, online dating, gross punks, bad street art, kung fu movie references, beating up God, and lots of other grown-up stuff with refreshing doses of humor and lived relatability. The comics in this 112-page collection include works previously published by The Nib, VICE, and the As You Were anthology, along with brand new and unreleased material. These comics are essential, humorous, and accessible, told through Passmore's surreal lens in the vibrant full-color hues of New Orleans.

    Bearing witness to stories that are too often overlooked, it is a raw and intimate journey to crises in four corners of the world: war in Chechnya, ethnic cleansing in Burma, globalization in Mexico, and AIDS in Malawi. The voices we encounter are those of displaced women and children, in their own words or in stories told in text and images by noted writers and artists. The stories unfold in an avalanche: An orphan goes to jail for stealing leftovers. A teenage girl falls in love in a city of disappeared women. A child soldier escapes his army only to be saved by the people he was taught to kill. Mia Kirshner’s journals guide us through a unique paper documentary brought vividly to life in collaboration with J.B. MacKinnon, Paul Shoebridge, and Michael Simons, with featured works by Joe Sacco, Ann-Marie MacDonald, Phoebe Gloeckner, Chris Abani, Karen Connelly, Kamel Khelif, and many others.~THE JOURNEYS ~IngushetiaThe border of the Russian republic of Ingushetia is not even fifty miles from Grozny, the capital city of Chechnya. Today, some 15,000 Chechen refugees live in Ingushetia. Mia Kirshner and Joe Sacco traveled here together, returning with first-person accounts, video, photographs, and other materials gathered in Nazran and Moscow. The chapter includes journals by Mia Kirshner, the story of a young refugee as told by J.B. MacKinnon, the story of a young piano virtuoso as told by Ann-Marie Macdonald, and a graphic novella of Chechen refugees by Joe Sacco.BurmaEthnic cleansing by the Burmese military has displaced an estimated 500,000 to 1 million people; over 100,000 live in refugee camps along the Thailand-Burma border. Burma is also believed to be home to more child soldiers than any other country in the world. Mia Kirshner and Michael Simons took separate trips to the region; this chapter is based on their interviews, photos, and video, as well as writing by sex workers and Karen refugees. It includes journals by Mia Kirshner, as well as work by Chris Abani, Karen Connelly, J.B. Mackinnon, and a graphic novella by Kamel Khélif.Juárez Ciudad Juárez is a large industrial border city in Mexico across the Rio Grande from El Paso, Texas. Since 1993, young women, many of them employees of Juárez’s more than three hundred maquiladoras, or global trade zone factories, have been disappearing from the streets. Mia Kirshner and Phoebe Gloeckner made independent journeys to this region; this book is informed by the stories and images they brought home. It includes journals, a story of one of the victims by Lauren Kirshner, and a graphic novella by Phoebe Gloeckner. MalawiMalawi is one of the world’s poorest countries, and has an AIDS rate close to twenty percent. The disease touches every aspect of daily life in the African nation, introducing immense chaos, particularly in the case of orphan children. Mia Kirshner and J.B. MacKinnon made the trip to Malawi and returned with interviews, photographs, writing, and artworks. This book includes journals, a children’s story by J.B. MacKinnon with art by Julie Morstad, and the stories and artwork of boys in a local prison.

    Edgar Hoover's life becomes a timely and pointed guide to eight presidents--from Calvin Coolidge to Richard Nixon--and everything from Prohibition to cold war espionage. From a nascent FBI's headlinegrabbing tracking down of Dillinger and Machine Gun Kelly in the 1930s to Hoover's increasingly paranoid post-WWII authorizing of illegal wiretaps, blackmail, and circumvention of Supreme Court decisions, J. Edgar Hoover: A Graphic Biography provides a special window into the life of an outsized American and a bird'seye view on the twentieth century.

    Other kids are into punk or ska, but Una is learning to play "Mull of Kintyre" by Wings on the guitar, and she thinks it’s a really good song. There's another song, chanted on the terraces by Leeds United fans. It might not have made it on to Top of the Pops, but the boys all sing it on the walk home from school: "One Yorkshire Ripper . . . There’s only one Yorkshire Ripper . . . One Yorkshire Ri-pper . . ."  A serial murderer is at large in West Yorkshire and the police—despite spending more than two million man-hours hunting the killer and interviewing the man himself no less than nine times—are struggling to solve the case. As this national news story unfolds around her, Una finds herself on the receiving end of a series of violent acts for which she feels she is to blame. Unbecoming explores gender violence, blame, shame, and social responsibility. Through image and text Una asks what it means to grow up in a culture where male violence goes unpunished and unquestioned. With the benefit of hindsight Una explores her experience, wonders if anything has really changed and challenges a global culture that demands that the victims of violence pay its cost.

    An Age of License is both a graphic travelogue and a journal of her trip abroad. Fans of Knisley's food-focused autobiography (French Milk, Relish) savor her mouth-watering drawings and descriptions of culinary delights, seasons with cute cat cameos. But An Age of License is not all kittens and raclette crepes: Knisley's account of her adventures is colored by anxieties about her life and career, depicted with fearlessness, relatability, and honesty, making An Age of License an Eat, Pray, Love for the Girls generation.

    They wanted to show in words and drawings what life looks like in places where the marketplace rules without constraints, where human beings and the natural world are used and then discarded to maximize profit. Days of Destruction, Days of Revolt is the searing account of their travels.The book starts in the western plains, where Native Americans were sacrificed in the giddy race for land and empire. It moves to the old manufacturing centers and coal fields that fueled the industrial revolution, but now lie depleted and in decay. It follows the steady downward spiral of American labor into the nation's produce fields and ends in Zuccotti Park where a new generation revolts against a corporate state that has handed to the young an economic, political, cultural and environmental catastrophe.

    Operation Ajax is the first true-to-life spy thriller in a new genre of interactive comics experiences.Designed specifically for the iPad, Operation Ajax is an original story inspired by the investigative journalism of best-selling author, Stephen Kinzer, and his work All the Shah's Men: An American Coup and the Roots of Middle East Terror.~From cognitocomics.com

    Now, with this collection of original essays, he reminds us of the principles upon which the United States was founded. Looking at the freedoms that define us, from the vote to the press; the values that have transformed us, from empathy to inclusion to service; the institutions that sustain us, such as public education; and the traits that helped form our young country, such as the audacity to take on daunting challenges in science and medicine, Rather brings to bear his decades of experience on the frontlines of the world’s biggest stories. As a living witness to historical change, he offers up an intimate view of history, tracing where we have been in order to help us chart a way forward and heal our bitter divisions. With a fundamental sense of hope, What Unites Us is the book to inspire conversation and listening, and to remind us all how we are, finally, one.

    Among the twenty include a warning to be aware of how symbols used today could affect tomorrow (4: Take responsibility for the face of the world), an urgent reminder to research everything for yourself and to the fullest extent (11: Investigate), a point to use personalized and individualized speech rather than cliched phrases for the sake of mass appeal (9: Be kind to our language), and more.In this graphic edition, Nora Krug draws from her highly inventive art style in Belonging--at once a graphic memoir, collage-style scrapbook, historical narrative, and trove of memories--to breathe new life, color, and power into Snyder's riveting historical references, turning a quick-read pocket guide of lessons into a visually striking rumination. In a time of great uncertainty and instability, this edition of On Tyranny emphasizes the importance of being active, conscious, and deliberate participants in resistance.

    Peopled by a cast of gay icons such as Dusty Springfield, Billie Jean King, Dirk Bogarde and Alan Turing, and featuring key moments such as Stonewall, Gay Pride and Section 28, Sensible Footwear: A Girl’s Guide, is the first graphic history documenting lesbian life from 1950 to the present. It is a stunning, personal, graphic memoir and a milestone itself in LGBTQI+ history.In 1950, when Kate was born, male homosexuality carried a custodial sentence. But female homosexuality had never been an offence in the UK, effectively rendering lesbians even more invisible than they already were—often to themselves. Growing up in Yorkshire, the young Kate had to find role models wherever she could, in real life, books, film and TV.Sensible Footwear: A Girl’s Guide is a fascinating history of how post-war Britain transformed from a country hostile towards ‘queer’ lives to the LGBQTI+ universe of today, recording the political gains and challenges against a backdrop of personal experience: realising her own sexuality, coming out to her parents, embracing lesbian and gay culture, losing friends to AIDS. Kate’s ex-navy dad said to her: ‘You shouldn’t have told her, love… you should have just told me.’ But it turned out her mother might have known a bit more about life, too.

    As in his Pulitzer Prize-winning Maus, cartoonist Spiegelman presents a highly personalized, political, and confessional diary of his experience of September 11 and its aftermath. In 10 large-scale pages of original, hard-hitting material (composed from September 11, 2001 to August 31, 2003), two essays, and 10 old comic strip reproductions from the early 20th century, Spiegelman expresses his feelings of dislocation, grief, anxiety, and outrage over the horror of the attacks—and the subsequent "hijacking" of the event by the Bush administration to serve what he believes is a misguided and immoral political agenda. Readers who agree with Spiegelman's point of view will marvel at the brilliance of his images and the wit and accuracy of his commentary. Others, no doubt, will be jolted by his candor and, perhaps, be challenged to reexamine their position.The central image in the sequence of original broadsides, which returns as a leitmotif in each strip, is Spiegelman's Impressionistic "vision of disintegration," of the North Tower, its "glowing bones...just before it vaporized." (As downtown New Yorkers, Spiegelman and his family experienced the event firsthand.) But the images and styles in the book are as fragmentary and ever-shifting as Spiegelman's reflections and reactions. The author's closing comment that "The towers have come to loom far larger than life...but they seem to get smaller every day" reflects a larger and more chilling irony that permeates In the Shadow of No Towers. Despite the ephemeral nature of the comic strip form, the old comics at the back of the book have outlasted the seemingly indestructible towers. In the same way, Spiegelman's heartfelt impressions have immortalized the towers that, imponderably, have now vanished. —Silvana Tropea

    What It Is demonstrates a tried-and-true creative method that is playful, powerful, and accessible to anyone with an inquisitive wish to write or to remember. Composed of completely new material, each page of Barry’s first Drawn & Quarterly book is a full-color collage that is not only a gentle guide to this process but an invigorating example of exactly what it is: “The ordinary is extraordinary.”