So he comes up with a foolproof plan: to buy a one-way ticket to a chaotic, war-ravaged country and put an end to it all.But on arriving at Hotel Silence, he finds his plans – and his anonymity – begin to dissolve under the foreign sun. Now there are other things that need his attention, like the crumbling hotel itself, the staff who run it, and his unusual fellow guests. And soon it becomes clear that Jónas must decide whether he really wants to leave it all behind; or give life a second chance, albeit down a must unexpected path…Hotel Silence won the Icelandic Literary Prize 2016 and was chosen Best Icelandic Novel in 2016 by booksellers in Iceland.

    Using the lyrical magic realism style of classical Persian storytelling, Azar draws the reader deep into the heart of a family caught in the maelstrom of post-revolutionary chaos and brutality that sweeps across an ancient land and its people. The Enlightenment of the Greengage Tree is really an embodiment of Iranian life in constant oscillation, struggle and play between four opposing poles: life and death; politics and religion. The sorrow residing in the depths of our joy is the product of a life between these four poles.

    It’s pretty cozy.” Herra Björnsson is at the beginning of the end of her life. Oh, she has two weeks left, maybe three—she has booked her cremation appointment, at a crispy 1,000 degrees, so it won’t be long. But until then she has her cigarettes, a World War II–era weapon, some Facebook friends, and her memories to sustain her. And what a life this remarkable eighty-year-old narrator has led. In the internationally bestselling and award-winning Woman at 1,000 Degrees, which has been published in fourteen languages, noted Icelandic novelist Hallgrímur Helgason has created a true literary original. From Herra’s childhood in the remote islands of Iceland, where she was born the granddaughter of Iceland’s first president, to teen years spent living by her wits alone in war-torn Europe while her father fought on the side of the Nazis, to love affairs on several continents, Herra Björnsson moved Zelig-like through the major events and locales of the twentieth century. She wed and lost husbands, had children, fled a war, kissed a Beatle, weathered the Icelandic financial crash, and mastered the Internet. She has experienced luck and betrayal and upheaval and pain, and—with a bawdy, uncompromising spirit—she has survived it all. Now, as she awaits death in a garage in Reykjavík, she shows us a woman unbowed by the forces of history. Each part of Herra’s story is a poignant piece of a puzzle that comes together in the final pages of this remarkable, unpredictable, and enthralling novel.

    But first she must become the man she always was – with the help of a sacred anemone. Tentacle is an electric novel with a big appetite and a brave vision, plunging headfirst into questions of climate change, technology, Yoruba ritual, queer politics, poverty, sex, colonialism and contemporary art. Bursting with punk energy and lyricism, it’s a restless, addictive trip: The Tempest meets the telenovela.

    When a well-known bibliophile is found dead, leaving behind part of the original manuscript of Alexandre Dumas's The Three Musketeers, Corso is brought in to authenticate the fragment. He is soon drawn into a swirling plot involving devil worship, occult practices, and swashbuckling derring-do among a cast of characters bearing a suspicious resemblance to those of Dumas's masterpiece. Aided by a mysterious beauty named for a Conan Doyle heroine, Corso travels from Madrid to Toledo to Paris on the killer's trail in this twisty intellectual romp through the book world

    The woman at the center wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home, an engaging backdrop to her days, acts as a confidant: the sidewalks around her house, parks, bridges, piazzas, streets, stores, coffee bars. We follow her to the pool she frequents and to the train station that sometimes leads her to her mother, mired in a desperate solitude after her father's untimely death. In addition to colleagues at work, where she never quite feels at ease, she has girl friends, guy friends, and "him," a shadow who both consoles and unsettles her. But in the arc of a year, as one season gives way to the next, transformation awaits. One day at the sea, both overwhelmed and replenished by the sun's vital heat, her perspective will change. This is the first novel she has written in Italian and translated into English. It brims with the impulse to cross barriers. By grafting herself onto a new literary language, Lahiri has pushed herself to a new level of artistic achievement.

    Suddenly left abandoned and penniless in Morocco by her lover, Sira Quiroga forges a new identity. Against all odds she becomes the most sought-after couture designer for the socialite wives of German Nazi officers. But she is soon embroiled in a dangerous political conspiracy as she passes information to the British Secret Service through a code stitched into the hems of her dresses.

    Jobless and ashamed, he takes them into a stranger’s house, a place that will become the site of the greatest humiliation of his life. In an impoverished fishing town, four teenage boys try to allay their boredom during an endless summer by translating lyrics from the Smiths into Spanish using a stolen dictionary. Their dreams of fame and glory twist into a plan to steal musical instruments from a church, an obsession that prevents one of them from anticipating a devastating ending. Meanwhile a young woman goes home with a charismatic man after finding his daughter wandering lost in a public place. She soon discovers, like so many characters in this book, that fortuitous encounters can be deceptions in disguise.Themes of pride, shame, and disgrace—small and large, personal and public—tie the stories in this collection together. Humiliation becomes revelation as we watch Paulina Flores’s characters move from an age of innocence into a world of conflicting sensations.

    The book is a prelude to the Rwandan genocide and unfolds behind the closed doors of the school, in the interminable rainy season. Friendships, desires, hatred, political fights, incitation to racial violence, persecutions... The school soon becomes a fascinating existential microcosm of the true 1970s Rwanda.

    Just as Clarisse’s husband and daughter know nothing of Ladivine, Clarisse herself has hidden nearly every aspect of her adult life from this woman, whom she dreads and despises but also pities. Long ago abandoned by Clarisse’s father, Ladivine works as a housecleaner and has no one but her daughter, whom she knows as Malinka. After more than twenty-five years of this deception, the idyllic middle-class existence Clarisse has built from scratch can no longer survive inside the walls she’s put up to protect it. Her untold anguish leaves her cold and guarded, her loved ones forever trapped outside, looking in. When her husband, Richard, finally leaves her, Clarisse finds comfort in the embrace of a volatile local man, Freddy Moliger. With Freddy, she finally feels reconciled to, or at least at ease with, her true self. But this peace comes at a terrible price. Clarisse will be brutally murdered, and it will be left to her now-grown daughter, who also bears the name Ladivine without knowing why, to work out who her mother was and what happened to her.A mesmerizing and heart-stopping psychological tale of a trauma that ensnares three generations of women, Ladivine proves Marie NDiaye to be one of Europe’s great storytellers.

    Set during the period of Kim Il-sung and Kim Jong-il’s leadership, the seven stories that make up The Accusation give voice to people living under this most bizarre and horrifying of dictatorships. The characters of these compelling stories come from a wide variety of backgrounds, from a young mother living among the elite in Pyongyang whose son misbehaves during a political rally, to a former Communist war hero who is deeply disillusioned with the intrusion of the Party into everything he holds dear, to a husband and father who is denied a travel permit and sneaks onto a train in order to visit his critically ill mother. Written with deep emotion and writing talent, The Accusation is a vivid depiction of life in a closed-off one-party state, and also a hopeful testament to the humanity and rich internal life that persists even in such inhumane conditions.

    And in the title story, a stunning meditation on imagination, memory, and loss, a middle-aged cancer patient walks into the woods to commit suicide, only to encounter a troubled young boy who, over the course of a fateful morning, gives the dying man a final chance to recall who he really is. A hapless, deluded owner of an antique store; two mothers struggling to do the right thing; a teenage girl whose idealism is challenged by a brutal brush with reality; a man tormented by a series of pharmaceutical experiments that force him to lust, to love, to kill—the unforgettable characters that populate the pages of Tenth of December are vividly and lovingly infused with Saunders' signature blend of exuberant prose, deep humanity, and stylistic innovation.Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our own morality, delving into the questions of what makes us good and what makes us human.Unsettling, insightful, and hilarious, the stories in Tenth of December—through their manic energy, their focus on what is redeemable in human beings, and their generosity of spirit—not only entertain and delight; they fulfill Chekhov's dictum that art should "prepare us for tenderness."

    Italo Calvino once said about her, “I don’t know another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don’t show us.” Thus Were Their Faces collects a wide range of Ocampo’s best short fiction and novella-length stories from her whole writing life. Stories about creepy doubles, a marble statue of a winged horse that speaks to a girl, a house of sugar that is the site of an eerie possession, children who lock their perverse mothers in a room and burn it, a lapdog who records the dreams of an old woman.Jorge Luis Borges wrote that the cruelty of Ocampo’s stories was the result of her nobility of soul, a judgment as paradoxical as much of her own writing. For her whole life Ocampo avoided the public eye, though since her death in 1993 her reputation has only continued to grow, like a magical forest. Dark, gothic, fantastic, and grotesque, these haunting stories are among the world’s finest.

    The literary critic Roland Barthes dies—struck by a laundry van—after lunch with the presidential candidate François Mitterand. The world of letters mourns a tragic accident. But what if it wasn’t an accident at all? What if Barthes was . . . murdered?

    Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train.And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly.Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real.Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.