It's a book about loyalty and the choices that come with it. But above all it's a book about love.

    At school, the only people who acknowledge Elena are Dora’s friends and Jimmy Zenk—who failed at least one grade and wears black every day of the week. And at home, Elena’s parents keep arguing with each other. Elena will do anything to help her sister get better and get their lives back to normal—even when the responsibility becomes too much to bear.

    Your letter will be kept in our files and someone will get back to you if there is an opening. Thank you for thinking of me.Respectfully,Alejandra PerezP.S. It's not Allie. It's Ale. Meet T.C., who is valiantly attempting to get Alejandra to fall in love with him; Alejandra, who is playing hard to get and is busy trying to sashay out from under the responsibilities of being a diplomat's daughter; and T.C.'s brother Augie, who is gay and in love and everyone knows it but him.

    It took only twenty-two minutes for Kirby Matheson to exit his car, march onto the school grounds, enter the gymnasium, and open fire, killing six and injuring five others. But this isn’t a story about the shooting itself. This isn’t about recounting that one unforgettable day. This is about one boy—who had friends, enjoyed reading, playing saxophone in the band, and had never been in trouble before—became a monster capable of entering his school with a loaded gun and firing bullets at his classmates. Each chapter is told from a different victim’s viewpoint, giving insight into who Kirby was and who he’d become. Some are sweet, some are dark; some are seemingly unrelated, about fights or first kisses or late-night parties. This is a book told from multiple perspectives—with one character and one event drawing them all together—by some of YA’s most recognizable names.

    His only possession is a worn copy of Walden, by Henry David Thoreau. And so he becomes Henry David-or "Hank" and takes first to the streets, and then to the only destination he can think of--Walden Pond in Concord, Massachusetts. Cal Armistead's remarkable debut novel is about a teen in search of himself. Hank begins to piece together recollections from his past. The only way Hank can discover his present is to face up to the realities of his grievous memories. He must come to terms with the tragedy of his past, to stop running, and to find his way home.

    Someone is stalking him . . . messing with him . . . threatening him. Worse, ever since his best friend Ariel has been gone, he's been unable to sleep, spending night after night torturing himself for his role in her absence. And as crazy as it sounds, Evan's starting to believe it's Ariel that's behind all of this, punishing him. But the more Evan starts to unravel the mystery, the more his paranoia and insomnia amplify, and the more he starts to unravel himself. Creatively told with black-and-white photos interspersed between the text so the reader can see the photos that are so unnerving to Evan, Every You, Every Me is a one-of-a-kind departure from a one-of-a-kind author.

    But when you’re a girl with a reputation, every little thing that happens seems to keep people whispering—especially when your ex-best friend goes missing.But if anyone were to look closer at Darcy, they’d realize there’s a lot more going on beneath the surface. Staying out late, hooking up, and telling lies is what Darcy does to forget. Forget about the mysterious disappearance of her friend. Forget about the dark secret she and her cousin Nell share.Forget about that hazy Fourth of July night. So when someone in town anonymously nominates Darcy to be in the running for Bay Festival Princess—a cruel act only someone with a score to settle would make—all of the things that Darcy wants to keep hidden threaten to erupt in ways she wasn’t prepared to handle…and isn’t sure if she can.

    The son of the town’s founder, Oscar earns straight As, is student-body president, and is in demand for every club and cause.But Oscar has a secret. He knows that parents bring their teens to Candor to make them respectful, compliant—perfect—through subliminal Messages that carefully correct and control their behavior. And Oscar’s built a business sabotaging his father’s scheme with Messages of his own, getting his clients out before they’re turned. After all, who would ever suspect the perfect Oscar Banks?Then he meets Nia, the girl he can’t stand to see changed. Saving Nia means losing her forever. Keeping her in Candor, Oscar risks exposure . . . and more.

    cause and effect.Liz Emerson doesn't understand any of it.But I do.I understand how we fall. Where we fall. Why we fall.I understand her sadness and loneliness and silence, her shattered heart.It doesn't have to be this way, does it?It wasn't always this way, was it?Stay alive, Liz Emerson, stay alive.On the day Liz Emerson tries to die, they had reviewed Newton's laws of motion in physics class. Then, after school, she put them into practice by running her Mercedes off the road. Why did Liz Emerson decide that the world would be better off without her? Why did she give up? The nonlinear novel pieces together the short and devastating life of Meridian High's most popular junior girl. Mass, acceleration, momentum, force—Liz didn't understand it in physics, and even as her Mercedes hurtles toward the tree, she doesn't understand it now. How do we impact one another? How do our actions reverberate? What does it mean to be a friend? To love someone? To be a daughter? Or a mother? Is life truly more than cause and effect? Amy Zhang's haunting and universal story will appeal to fans of Lauren Oliver, Gayle Forman, and Jay Asher.

    Printz award–winning novel In Darkness comes a critically-acclaimed, fast-paced thriller that's as dangerous as the seas on which it's set.The last thing Amy planned to do this summer was sail around the world trapped on a yacht with her father and her stepmother. Really, all she wanted was to fast-forward to October when she'll turneighteen and take control of her own life.Aboard the Daisy May, Amy spends time sunbathing, dolphin watching and forgetting the past as everything floats by . . . until one day in the Gulf of Aden another boat appears. A boat with guns and pirates – the kind that kill.Immediately, the pirates seize the boat and its human cargo. Hostage One is Amy's father – the most valuable. Hostage Two: her stepmother. And Hostage Three is Amy, who can't believe what's happening. As the ransom brokering plays out, Amy finds herself becoming less afraid, and evenstranger still, drawn to one of her captors, a teenage boy who wants desperately to be more than who he has become. Suddenly it becomes brutally clear that the price of life and its value are two very different things . . .

    . . . In the summer before Cullen's senior year, a nominally-depressed birdwatcher named John Barling thinks he spots a species of woodpecker thought to be extinct since the 1940s in Lily, Arkansas. His rediscovery of the so-called Lazarus Woodpecker sparks a flurry of press and woodpecker-mania. Soon all the kids are getting woodpecker haircuts and everyone's eating "Lazarus burgers." But as absurd as the town's carnival atmosphere has become, nothing is more startling than the realization that Cullen’s sensitive, gifted fifteen-year-old brother Gabriel has suddenly and inexplicably disappeared. While Cullen navigates his way through a summer of finding and losing love, holding his fragile family together, and muddling his way into adulthood, a young missionary in Africa, who has lost his faith, is searching for any semblance of meaning wherever he can find it. As distant as the two stories seem at the start, they are thoughtfully woven ever closer together and through masterful plotting, brought face to face in a surprising and harrowing climax. Complex but truly extraordinary, tinged with melancholy and regret, comedy and absurdity, this novel finds wonder in the ordinary and emerges as ultimately hopeful. It's about a lot more than what Cullen calls, “that damn bird.” It’s about the dream of second chances.

    shift at GoodFoods Market4) Crashing a cart into a customer’s car right in front of her snarky coworker Sammi3) Trying to rock the “drowned rat” look after being caught in a snowstorm2) Making zero progress with her crush, Tyson (see #3)1) Being accused—along with her fellow teenage employees—of stealing upwards of $10,000 Chloe would rather be anywhere than locked in work jail (aka the break room) with five of her coworkers . . . even if one of them is Tyson. But if they can band together to clear their names, what looks like a total disaster might just make Chloe’s list of Top Ten Best Moments.

      Witty, sarcastic Ethan and his three best friends are students at Selwyn Arts Academy, which has been hijacked by For Art’s Sake, a sleazy reality-television show. In the tradition of Ezra Pound, the foursome secretly writes and distributes a long poem to protest the show. They’re thrilled to have started a budding rebellion.   But the forces behind the show are craftier than they seem. The web of betrayal stretches farther than Ethan could have ever imagined, and it’s up to him, his friends, and a heroic gerbil named Baconnaise to save Selwyn.

    Gradually she adjusts to a new school, new friends, and a new culture, but while Laila sees opportunity in her new life, her mother is focused on the past. She’s conspiring with CIA operatives and rebel factions to regain the throne their family lost. Laila can’t bear to stand still as an international crisis takes shape around her, but how can one girl stop a conflict that spans generations?

    So when the unexpected shows up in her living room, Kate must confront another reality she never thought possible—or thought of at all. Kate does have a father. He’s a powerful politician. And he’s running for U.S. President. Suddenly, Kate’s moving in with a family she never knew she had, joining a campaign in support of a man she hardly knows, and falling for a rebellious boy who may not have the purest motives. This is Kate’s new life. But who is Kate? When what she truly believes flies in the face of the campaign’s talking points, she must decide. Does she turn to the family she barely knows, the boy she knows but doesn’t necessarily trust, or face a third, even scarier option?