Over the past decade, she has gained international recognition for her room-sized tableaux, which depict historical narratives haunted by sexuality, violence and subjugation and are made using the paradoxically genteel eighteenth-century art of cut-paper silhouettes. Set in the antebellum American South, Walker's compositions play off of stereotypes to portray, often grotesquely, life on the plantation, where masters, mistresses and slave men, women and children enact a subverted version of the past in an attempt to reconfigure their status and representation. Over the years, the artist has used drawing, painting, colored-light projections, writing, shadow puppetry, and, most recently, film animation to narrate her tales of romance, sadism, oppression and liberation. Her scenarios thwart conventional readings of a cohesive national history and expose the collective, and ongoing, psychological injury caused by the tragic legacy of slavery. Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography, and a 36-page insert by the artist.

     She’s Britney Spears shaving her head, Whitney Houston saying, “crack is whack,” and Amy Winehouse, dying in front of millions. But the trainwreck is also as old (and as meaningful) as feminism itself. From Mary Wollstonecraft—who, for decades after her death, was more famous for her illegitimate child and suicide attempts than for A Vindication of the Rights of Woman—to Charlotte Brontë, Billie Holiday, Sylvia Plath, and even Hillary Clinton, Sady Doyle’s Trainwreck dissects a centuries-old phenomenon and asks what it means now, in a time when we have unprecedented access to celebrities and civilians alike, and when women are pushing harder than ever against the boundaries of what it means to “behave.” Where did these women come from? What are their crimes? And what does it mean for the rest of us? For an age when any form of self-expression can be the one that ends you, Sady Doyle’s book is as fierce and intelligent as it is funny and compassionate—an essential, timely, feminist anatomy of the female trainwreck.

    Perhaps the most vitriolic attack ever launched on the American way of living--from politicians to professors to businessmen to Mom to sexual mores to religion--Generation of Vipers ranks with the works of De Tocqueville and Emerson in defining the American character and malaise.

    In American Betrayal, West digs deeper to discover the root of this malaise and uncovers a body of lies that Americans have been led to regard as the near-sacred history of World War II and its Cold War aftermath.Part real-life thriller, part national tragedy, American Betrayal lights up the massive, Moscow-directed penetration of America's most hallowed halls of power, revealing not just the familiar struggle between Communism and the Free World, but the hidden war between those wishing to conceal the truth and those trying to expose the increasingly official web of lies.American Betrayal is America's lost history, a chronicle that pits Franklin Delano Roosevelt, Harry Truman, Dwight David Eisenhower, and other American icons who shielded overlapping Communist conspiracies against the investigators, politicians, defectors, and others (including Senator Joseph McCarthy) who tried to tell the American people the truth.American Betrayal shatters the approved histories of an era that begins with FDR's first inauguration, when "happy days" are supposed to be here again, and ends when we "win" the Cold War. It is here, amid the rubble, where Diana West focuses on the World War II--Cold War deal with the devil in which America surrendered her principles in exchange for a series of Big Lies whose preservation soon became the basis of our leaders' own self-preservation. It was this moral surrender to deception and self-deception, West argues, that sent us down the long road to moral relativism, "political correctness," and other cultural ills that have left us unable to ask the hard questions: Does our silence on the crimes of Communism explain our silence on the totalitarianism of Islam? Is Uncle Sam once again betraying America?In American Betrayal, Diana West shakes the historical record to bring down a new understanding of our past, our present, and how we have become a nation unable to know truth from lies.

    This is Maya Angelou talking from the heart, down to earth and real, but also inspiring. This is a book to treasured, a book about being in all ways a woman, about living well, about the power of the word, and about the power do spirituality to move and shape your life. Passionate, lively, and lyrical, Maya Angelou's latest unforgettable work offers a gem of truth on every page. "From the Paperback edition."

    L. Mencken's astonishing career as the premier American social critic of the twentieth century. Gathered by Mencken himself before he died in 1956, this second chrestomathy ("a collection of selected literary passages," with the accent on the tom) contains writings about a variety of subjects - politics, war, music, literature, men and women, lawyers, brethren of the cloth. Some of his essays have beguiling titles - "Notes for an Honest Autobiography," "The Commonwealth of Morons," "Le Vice Anglais," "Acres of Babble," "Hooch for the Artist." All of them are a pleasure to read, and we are reminded that what Mencken wrote in the early years of this century remains applicable to a very different America.Publishers WeeklyThis book's precursor, A Mencken Chrestomathy (collection), was a bestseller in 1949; this anthology of 238 short excerpts from a range of works, selected and annotated by Mencken but unfinished, lay undisturbed in a Baltimore library until Teachout, an arts columnist for the New York Daily News, found it in 1992, while working on a Mencken biography. Teachout considers Mencken's work still immediate. Indeed, quotable lines abound: ``His public life is an endless series of evasions and false pretenses,'' writes Mencken on ``the politician under democracy.'' Baltimore's bard can be magnificent and maddening in the same passage, damning American idiocies while disparaging immigrants. But what impresses most about this collection is Mencken's breadth; few contemporary writers would assume such a broad brief, writing not only about politics, law and the clergy but also about geography, literature, music and drink. To apply a Mencken sobriquet, he was no lesser eminento. (Jan.)Library JournalSelected as a continuation of the original chrestomathy by the Baltimore iconoclast himself before his death, this logically organized sampling of his pre-Depression credos (mostly from The Smart Set and American Mercury) suggests why Mencken was to a whole generation of American youth not just a witty newspaperman with a dazzling style but a force gleefully battering America's deep-rooted Puritan inhibitions. An early champion of Sinclair Lewis, Eugene O'Neill, and Theodore Dreiser, Mencken ridiculed America's institutions, from Rotary Clubs to Harvard professors to the Senate. Sometimes wrongheaded in his judgments, he was unschooled but self-educated in music and politics. His views are sometimes racist and sexist, but they're seldom dull and-in an age of self-conscious "niceness"-never polite. Well worth dipping into.-Charles C. Nash, Cottey Coll., Nevada, Mo.Gilbert TaylorFollowing My Life as Author and Editor" (1993) and Fred Hobson's biography , the Menckenian revival continues apace with this sparkling successor to the first chrestomathy, which was a best-seller in 1949. More than an anthology, the second volume represents pieces (some previously unpublished) that Mencken himself selected and revised before his stroke aborted the project; another proposal to publish came to nought in 1963. Over 60 percent of the 238 items, many from Mencken's magazines Smart Set" and American Mercury", are not available elsewhere, which in itself makes the publication of this title something of a literary event. That it parades again the sage of Baltimore in his incisive, if often irksome, eloquence only confirms him as one of the better belletrists of the century. The job of discriminator of taste exists to be seized in any age, and in the teens and twenties, Mencken extolled and excoriated with idiosyncratic abandon. The books and music he reviewed have faded from memory, but his satirical exfoliations remain fresh, for example, in praise of a bartender's memoir of the bibulous arts or in contempt for a Rotarian's history of his organization. Edited by New York critic Terry Teachout, who is preparing his own biography of the provocateur, this entertaining, exasperating collection captures Mencken's gloomy view of human nature and his bright delight in stripping from it all cant and concealment.

    He shows us how much more people can understand about themselves and their world by reflecting on today's moral challenges. Above all, he explores the idea that certain demands and certain pleasures are necessary, not just because of their intrinsic merits but because of what they do for each other. The Good Life or the good life? With exceptional clarity and unrivaled prose, Grayling addresses the everyday ethical choices which confront us all.

    People are raving about Full Spectrum Dominance!"must read." - M. Lachlan White"Essential reading" - Lori "The Rogue Reader Mom""A book everyone needs to read!" - William Fetty"I highly recommend William Engdahl's Full Spectrum Dominance" - ThePrize"Enlightening read" - J. D. Kelly"A Valuable Read" - C. A. Fitts..".must read..." - Luc REYNAERT"Great book!!" - ed"Well researched and informative." - Isabella Hale"Endahl Does it Again" - Ms.Beyonce"Fascinating!!" - zansdor"Must read!" - Robin J. Zaleski"Five Stars" - Chares G. Muhle"Five Stars" - paul mischak"Five Stars" - Ludmyla EstradaIf you read Full Spectrum Dominance: Totalitarian Democracy and the New World Order among other important things that you will learn are:+ The actual Pentagon strategy, called Full Spectrum Dominance, to insure Washington has supreme military power over any and all potential rivals + How the US State Department and CIA use Color Revolutions and charges of human rights abuse to target uncooperative regimes around the world + The real background to the Washington missile defense deployment in Poland and beyond after 2007 and how that risks bringing the world to possible nuclear war + How Washington-financed NGOs weaponize human rights to destroy their rivals around the world from Ukraine in 2014 to Syria + The true agenda of billionaire George Soros and his philanthropic foundations around the world + How the US military industrial complex functions to create permanent warsFor the faction that controls the Pentagon, the military industry and the oil industry, the Cold War never ended. It went on 'below the radar' creating a global network of bases and conflicts to advance their long-term goal of Full Spectrum Dominance, the total control of the planet: land, sea, air, space, outer space and cyberspace.Their methods included control of propaganda, use of NGOs for regime change, Color Revolutions to advance NATO east, and a vast array of psychological and economic warfare techniques, a Revolution in Military Affairs as they termed it.The events of September 11, 2001 would allow an American President to declare a war on an enemy who was everywhere and nowhere, who justified a Patriot Act that destroyed that very freedom in the name of the new worldwide War on Terror. This book gives a disturbing look at that strategy of Full Spectrum Dominance.

    Best known for his command of the psychological fantasy story, De Quincey produced stories of the curious and obscure, but always with the traditional Romantic emphasis on feeling. His masterwork, "Confessions of an English Opium Eater" (1821), stemmed from his own laudanum addiction, and was followed by "Suspiria de Profundis", a collection of essays which continued to capture the same dark brilliance as in "Confessions". The collection was originally published in fragmentary form, and remained unfinished upon De Quincey's death in 1859. This edition includes "The Affliction of Childhood," a reflection on the death of the author's two sisters in childhood, "Levana and our Ladies of Sorrow," one of his best-known works about the Roman goddess of childbirth, and "The English Mail-Coach," on the "grandeur and power" of the English mail-coach system.

    This new book takes place in Lockdown Three. This time Key can make Government-sanctioned expeditions out onto the streets of London (remember?). And it is there that the inaction takes place. Phone calls to his mother, promenades with his loyal friend, bubble-negotiations, sitting his fat arse down on benches, drinking mocha. Another three months of mind-freezing inertia. This time on the move. Conversations interspersed with poetry.

    Max, Hannah, an unwanted pregnancy...then I blanked out! This volume explains what happened since that night, and I get to tell you about all the ways Max and I love each other, frustrate the hell out of each other, and overall try and grow with each other.In Vol. 2 of my story, you meet Max's brothers - both of whom I adore, get a glimpse into the weirdness going on between (my) Donovan and Laney, and see my family constantly running interference for me and Max. There are days when I don't think we will make it, and Donovan Taylor does his part to ruin my relationship with Max. But in the end, love and fiction rule, and a happily ever after is restored...or is it? There are more twists and turns in my life than a roller coaster ride at Great America. Why can't life be simpler? I guess if life was easy, it'd be boring.Check out Vol. 2 and I promise you won't be disappointed. It was nice getting to know so many of you during the eight-month blog run. I'm sure even after my story ends, we'll see each other again in another Reid saga.Talk to you soon!Jane

    Those who knew him well would never have imagined that, as a young man, he’d be adrift with few prospects and plotting to rob a bank. But he did, committing five armed bank robberies before being apprehended. Serving ten years in federal prison, Shon feared his life was over. He wasn’t sure if he could survive a cell block, but he was determined to try. Hopwood pumped-up in the prison gym to defend himself and earned respect on the basketball court. He reconnected with the girl of his dreams from high school through letters and prison visits; and, crucially, he talked his way into a job in the prison law library. Hopwood slowly taught himself criminal law and began to help fellow inmates rather than himself. He wrote one petition to the Supreme Court, which was chosen to be heard from over 7,000 other petitions submitted by the greater legal community that year. The Justices voted 9-0 in favor of Hopwood’s petition when the case was finally heard. What might have been considered luck by some, was dispelled when a second petition from him was selected to be heard by the Supreme Court. He didn’t grasp it yet, but Shon’s legal work was the start of a new life. Shon works on policy reform, and he is a cofounder of PrisonProfessors.com. He strives to improve outcomes of America’s prison system, and he tells his amazing story in Law Man.

    Rarely have art and politics been put to such fine, and overtly public, use. Mix the irony and juxtaposition of John Yates with the beauty of the finest aerosol art, and you'll have some idea of how good this really is. The reproductions are interspersed with an excellent array of quotes, statements, letters and a beginners guide to painting with stencils. Very, very good.

    He skewers contemporary idols such as Mel Gibson, Niall Ferguson, and Howard Dean; unlocks some secret doors in the Pentagon and the California prison system; visits Star Wars in the Arctic and vigilantes on the border; predicts ethnic cleansing in New Orleans more than a year before Katrina; recalls the anarchist avengers of the 1890s and “teeny-bopper” riots on the Sunset Strip in the 1960s; discusses the moral bankruptcy of the Democrats in Kansas and West Virginia; remembers “Private Ivan,” who defeated fascism; and looks at the future of capitalism from the top of Hubbert’s Peak.No writer in the United States today brings together analysis and history as comprehensively and elegantly as Mike Davis. In these contemporary, interventionist essays, Davis goes beyond critique to offer real solutions and concrete possibilities for change."Davis remains our penman of lost souls and lost scenarios: He culls nuggets of avarice and depredation the way miners chisel coal."--The Nation“A rare combination of an author, Rachel Carson and Upton Sinclair all in one.”--Susan Faludi, author, Backlash"Davis' work is the cruel and perpetual folly of the ruling elites."--New York TimesMike Davis is the author many books, including City of Quartz, The Ecology of Fear, The Monster at Our Door, and Planet of Slums. Davis teaches in the Department of History at the University of California, Irvine, and lives in San Diego.

    Never fear, there are hundreds of ways to revolt against the tedium of everyday life. Whether it’s making rude gestures to a hotel clerk under the desk or making your own "Do Not Disturb" sign that says "Come In If You Like Swordplay," Rich Fulcher's inventive collection will allow readers to unleash their rebellious sides—without getting arrested. Other tiny acts include unbuckling your seat belt before the plane has fully stopped, squeezing a zit into the ATM camera, driving through a lonely red light in the dead of night, wearing a French Renaissance outfit on casual Fridays, and greeting a stranger with a limp, well-lotioned hand. Featuring original illustrations by Mr. Bingo, the illustrator of The Book of General Ignorance whose clients have included Absolut, New York Times, Nike, and Suicide Girls; and designed by Dave Brown, also known as Bollo the gorilla in The Mighty Boosh and designer of The Mighty Book of Boosh.