Now I know why I never make it past date five.Jenna Savage here. Attorney. Reality TV watcher. Hopeless romantic. Forever alone…If only I could deprogram the aggressively bland bedroom habits I’ve adapted out of my system and become the savage I’m meant to be.Of course, in order to do that, I need help. And who better to be my mentor than Weston Singer, my best friend and a total stud.We lay out the rules, determined to maintain our friendship during my ‘training.’ But wouldn’t you know it, my heart has other plans.Now, I’m hopelessly in love with a man who has always been a love ’em and leave ’em type of guy. I should have seen this coming.Is it possible he could feel the same way?Or am I doomed to forever long for a man I can never have?Savage in the Sheets is a standalone romantic comedy novella that fits into the bigger Savage in Love world! If you LOVE to laugh! If you CRAVE a sexy SIZZLE! And if you HATE cliffhangers—this book is for you!

    Over 150 tales are compiled from Iceland to Syria, Cuba to Papua.Part of the Pantheon Fairy Tale and Folklore Library

    Readers experience the unique charm of this story in its original form--as a 17th century French fairy tale! This Signet Classic edition also contains other beloved tales, such as "Cinderella", "Sleeping Beauty", "Little Red Riding Hood", and "Puss in Boots", conveying all the excitement and timeless appeal to forever keep and cherish.

     At the beginning of the first novel, French Legionnaires find one of their fortresses manned by dead men. Who could have done it? A flashback unravels the mystery of the three English Geste brothers. A classic, rip-roaring tale of adventure... This volume also contains 36 short stories of the Foreign Legion, grouped in four well known collection (now in one volume!): STEPSONS OF FRANCE Ten Little Legionaries A la Ninon de L'Enclos An Officer and--a Liar The Deserter Five Minutes "Here are Ladies" The MacSnorrt "Belzébuth" The Quest Moonshine The Coward of the Legion Mahdev Rao The Merry Liars GOOD GESTES What's in a Name A Gentleman of Colour David and His Incredible Jonathan The McSnorrt Reminiscent Buried Treasure If Wishes were Horses The Devil and Digby Geste The Mule Presentiments Dreams Come True PORT O' MISSING MEN The Return of Odo Klemens The Betrayal of Odo Klemens The Life of Odo Klemens Moon-rise Moon-shadows Moon-set FLAWED BLADES No. 187017 Bombs Mastic--and Drastic The Death Post E Tenebris Nemesis The Hunting of Henri

    The Butterfly That Stamped, and How the Alphabet Was Made..

    In fact original fairy tales are still being written. Over the last century and a half many well-known authors have used the characters and settings and themes of traditional tales such as 'Cinderella', 'Hansel and Gretel', and 'Beauty and the Beast' to produce new and characteristic works of wonder and enchantment. The Oxford Book of Modern Fairy Tales brings together forty of the best of these stories by British and American writers from John Ruskin and Nathaniel Hawthorne to I. B. Singer and Angela Carter. These tales are full of princes and princesses, witches and dragons and talking animals, magic objects, evil spells, and unexpected endings. Some of their authors, like John Ruskin and Oscar Wilde, use the form to point a social or spiritual moral; others such as Jeanne Desy and Richard Kennedy, turn the traditional stories inside out to extraordinary effect. James Thurber, Bernard Malamud, and Donald Barthelme, among many others, bring the characters and plots of the traditional fairy tale into the contemporary world to make satiric comments on modern life. The literary skill, wit, and sophistication of these stories appeal to an adult audience, even though some of them were originally written for children. They include light-hearted comic fairy stories like Charles Dickens's 'The Magic Fishbone' and L. F. Baum's 'The Queen of Quok', thoughtful and often moving tales like Lord Dunsany's 'The Kith of the Elf Folk' and Philip K. Dick's 'The King of the Elves', and profoundly disturbing ones like Lucy LaneClifford's 'The New Mother', and Ursula Le Guin's 'The Wife's Story'. Together they prove that the fairy tale is not only one of the most popular and enduring forms, but a significant and continually developing part of literature.Uncle David's nonsensical story about giants and fairies / Catherine Sinclair --Feathertop / Nathaniel Hawthorne --The King of the Golden River / John Ruskin --The story of Fairyfoot / Frances Browne --The light princess / George MacDonald --The magic fishbone / Charles Dickens --A toy princess / Mary De Morgan --The new mother / Lucy Lane Clifford --Good luck is better than gold / Juliana Horatia Ewing --The apple of contentment / Howard Pyle --The griffin and the minor canon / Frank Stockton --The selfish giant / Oscar Wilde --The rooted lover / Laurence Housman --The song of the morrow / Robert Louis Stevenson --The reluctant dragon / Kenneth Grahame --The book of beasts / E. Nesbit --The Queen of Quok / L.F. Baum --The magic ship / H.G. Wells --The Kith of the elf-folk / Lord Dunsany --The story of Blixie Bimber and the power of the gold buckskin whincher / Carl Sandburg --The lovely myfanwy / Walter De la Mare --The troll / T.H. White --Gertrude's child / Richard Hughes --The unicorn in the garden / James Thurber --Bluebeard's daugher / Sylvia Townsend Warner --The chaser / John Collier --The King of the elves / Philip K. Dick --In the family / Naomi Mitchison --The jewbird / Bernard Malamud --Menaseh's dream / I.B. Singer --The glass mountain / Donald Barthelme --Prince Amilec / Tanith Lee --Petronella / Jay Williams --The man who had seen the rope trick / Joan Aiken --The courtship of Mr Lyon / Angela Carter --The princess who stood on her own two feet / Jeanne Desy --The wife's story / Ursula Le Guin --The river maid / Jane Yolen --The porcelain man / Richard Kennedy --Old man Potchikoo / Louise Erdrich

    Can they summon their warriors and get them ready before it's too late?On the other side of the tumultuous country, young Sakthi, blissfully unaware about the danger that looms over the world, goes about her normal day of slaying demons in the quaint little village of Meghavazhi, and proving to her tribe that she stands leagues above the rest of her people – a feat quite unique, not only to her tribe, but to the rest of the waiting world. Her whole world, however, comes crumbling down on her when she unwittingly finds herself completing the triad, the three tasks which were set forth to identify her as one of the Chosen Hexad.Fear intermingled with the amorous charms of the wonderful land of Kumari Kandam brings forth a stimulating new experience for Sakthi as she gets completely taken in by the people, magic, and wealth of new changes that she has to face. Can she, a young innocent from an obscure village, navigate through the trials and tribunals to earn her place as a worthy member of the Chosen Hexad and stand with the Kings to face the wrath of the Greater Evil? What astounding adventures await the brave princess of Meghavazhi?

    Illustrated with woodcuts.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    From all across the continent come tales of creation and love, of heroes and war, of animals, tricksters, and the end of the world. Alfonso Ortiz, an eminent anthropologist, and Richard Erdoes, an artist and master storyteller, Indian voices in the best folkloric sources of the nineteenth century to make this the most comprehensive and authentic volume of American Indian myths available anywhere.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    Stories of miracles, visions of hell, jokes, fables, and legends, these tales reflect the Japanese worldview during a classic period in Japanese civilization. Masterfully edited and translated by the acclaimed translator of The Tale of Genji, these stories ably balance the lyrical and the dramatic, the ribald and the profound, offering a window into a long-vanished though perennially fascinating culture.

    He thinks Mount Sinai Hospital is an exclusive golf course and his catheter is a gym bag. His only link to reality is his thirty-five-year-old nephew, who makes his living as a hired gun for thirteen softball teams and still goes by the name College Boy.But College Boy's body has begun to betray him -- almost as much as his lack of ambition. (His only legitimate paycheck comes from a gig as a laugher on a morning radio show.) Not only that, the Dirt King, a small-time gangster who controls all the replacement soil in Central Park, is after College Boy. As their lives collide, College Boy takes refuge in the arms of Sheila -- his uncle's cleaning woman and a part-time call girl.And then it gets weird.

    These were among the earliest versions of some of our most familiar fairy tales ("Cinderella," "Sleeping Beauty," "Little Red Riding Hood," "Puss in Boots," and "Tom Thumb") and are still among the few classic re-tellings of these perennial stories.In addition to the five well-known tales listed above, Perrault tells three others that are sure to delight any child or adult: "The Fairies," a short and very simple tale of two sisters, one sweet and one spiteful; "Ricky of the Tuft," a very unusual story of a brilliant but ugly prince and a beautiful but stupid princess; and "Blue Beard," a suspense story perhaps more famous as a classic thriller than as a fairy tale. The witty verse morals that Perrault included in the original edition (often omitted in later reprintings) are retained here in verse translations.This edition also includes 34 extraordinary full-page engravings by Gustave Doré that show clearly why this artist became the foremost illustrator of his time. These illustrations have long been considered the ideal accompaniment to Perrault's fairy tales. In many cases they created the pictorial image that we associate with the stories.Along with the collections of Andersen, Lang, and the Brothers Grimm, this volume is among the great books of European fairy tales. These stories have been enjoyed by generation after generation of children in many countries, and are here, with magnificent Doré illustrations, waiting to be enjoyed again.

    With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems.

    But when Grayson Park's bride leaves him at the altar, a solo trip to paradise seems like just the thing to take him far from his troubles. Then he meets the beautiful and enigmatic Hi'iaka, and his troubles just begin--because when she's abducted by the sinister Kamapua'a, a savage creature bent on draining her life by the light of the full moon, she calls on Grayson to rescue her. With his loyal, new-found Hawaiian friend Polunu as his steadfast guide, Grayson sets out on an incredible adventure that pits him against the very gods of Hawaiian mythology and leads him to the heart of Pele's volcano, into the ocean to find the mythical Hook of Maui, and through the strange and brutal upcountry fleeing from demonic mo'o sent to destroy him. But there are only two nights left before the moon becomes full, and Grayson is running out of time to save Hi'iaka...and himself.

    The traditional tales upon which Dazai's retellings are based are well known to every Japanese schoolchild, but this is no children's book. In Dazai's hands such stock characters as the kindhearted Oji-san to Oba-san ("Grandmother and Grandfather"), the mischievous tanuki badger, the fearsome Oni ogres, the greedy old man, the "tongue-cut" sparrow, and of course Urashima Taro (the Japanese Rip van Winkle) become complex individuals facing difficult and nuanced moral dilemmas. The resulting stories are thought-provoking, slyly subversive, and often hilarious.In spite of the "gloom and doom" atmosphere always cited in reviews of The Setting Sun and the later No Longer Human, though, Dazai's cutting wit and rich humor are evident in the entire body of his work. His literature depicts the human condition in painfully blunt and realistic terms, but, like life itself, is often accompanied by a smile.