Not being happy all the time makes them stressed out of their tights. Carol practises uninhibited sex which ends with her panty liner stuck to the bottom of someone's shoe. Donnie, after a mystery bite in a third world country, thinks he's incubating a nest of spiders up his bum. Daphne gets fat. She makes soup all the time and wonders if Woolworth's sell a hose pipe to fit a Vauxhall Vectra. Pierce is a poet; a fat balding womaniser who's only steady relationship is with a cup at the sperm bank. He's the only one not on anti-depressants, and he's the hero.

    Worse still, Maddie is blamed for starting the fire and, labelled a difficult child, she is sent to a children's home. Far from idyllic, and buried deep in the countryside, the home well conceals the misery of its young occupants. Subjected to a harsh regime of abuse and degradation, Maddie makes a brave attempt to escape. But her brief weeks of freedom are thwarted when she is caught and taken back to River House.Maddie clings to her determination to one day be reunited with Oli, and it is this which gives her the strength to endure what lies ahead. For she knows she can rely only on herself - there is no one else to keep her safe...

    In the half-light, fragments of cello music crash around in her mind, but she casts them out - it's more than a year since she performed in public. There are memories she must banish in order to survive: a charismatic teacher with gold-flecked eyes, a mistake she cannot unmake. At home her mother Ada is waiting: a fragile, bitter woman who distils for herself a glamorous past as she smokes French cigarettes in her unkempt garden. In the village of Bosham the future is invading. A charming young documentary maker has arrived to shoot a film about King Cnut and his cherished but illegitimate daughter, whose body is buried under the flagstones of the local church. As Jonny disturbs the fabric of the village, digging up tales of ancient battles and burials, the threads lead back to home, and Ada and Nora find themselves face to face with the shameful secrets they had so carefully buried. One day, Nora finds a half-dead fledgeling in a ditch. She brings him home and, over the hot summer months, cradles Rook back to life. A mesmerising story of family, legacy and turning back the tides, Rook beautifully evokes the shifting Sussex sands, and the rich seam of history lying just beneath them.

    Her work as a translator draws her into an underworld of family-controlled drug cartels operating out of South America, and she falls in love with a son in one such family. Pregnant, she is kidnapped to an island off the coast of Colombia and slowly tricked into a dependence on cocaine. Her narrative - violent and bizarre, but also riveting, erotic and filled with the heady flamboyance of orchids - runs parallel to her account of life in "Death Clinic," as Death Row is called at the Heaven Valley Facility for Women. It is a moving story of friendship amongst three female inmates - portrayed with devastating wit - who share only the fact that they each have a date with the executioner.Cargo of Orchids swings through comedy and tragedy to shed a gradual, eerie light on the questions of guilt and innocence and moral ambiguity that lie at its heart.Excerpt from Cargo of Orchids:"Despite the freight of anger she carries, Rainy seems so frail it is hard to imagine her giving birth to anything heavier than tears. Rainy gave birth to twins and six months later left them on the railway tracks. She claims it prejudiced the jury. If she'd smothered them or driven them off a pier, it would have been more socially acceptable.-- But abandoning your kids on the tracks wasn't in fashion. She wishes now she'd gone out drinking for the evening instead, but she didn't have enough money to hire a babysitter and pay for the beer."

    But life comes with expectations, there are choices to be made, boxes to tick and – sometimes – stereotypes to fulfil. And when her best friends’ lives start to branch away towards marriage and motherhood, leaving the path they’ve always followed together, Olive starts to question her choices – because life according to Olive looks a little bit different.Moving, memorable and a mirror for every woman at a crossroads, OLIVE has a little bit of all of us. Told with great warmth and nostalgia, this is a modern tale about the obstacle course of adulthood, milestone decisions and the ‘taboo’ about choosing not to have children.

    But how can she leave them when they still have so much growing up to do?Take Lisa, in her midthirties but incapable of making a commitment; or Jennifer, trapped in a stale marriage and buttoned up so tight she could burst. Twentysomething Amanda, the traveler, has always distanced herself from the rest of the family; and then there's Hannah, a teenage girl on the verge of womanhood about to be parted from the mother she adores.But by drawing on the wisdom in Barbara's letters, the girls might just find a way to cope with their loss. And in coming to terms with their bereavement, can they also set themselves free to enjoy their lives with all the passion and love each deserves?

    Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic.” (Lana Del Rey) Lana Del Rey brings her breathtaking poetry to life in an unprecedented audiobook. In this stunning spoken word performance, Lana Del Rey reads 14 poems from her debut book Violet Bent Backwards over the Grass accompanied by music from Grammy Award-winning musician Jack Antonoff. Lana’s debut book solidifies her further as “the essential writer of her times” (The Atlantic). This audiobook features Lana reading select poems from the book, including "LA Who Am I to Love You?", "The Land of 1,000 Fires", "Past the Bushes Cypress Thriving", "Never to Heaven", "Tessa DiPietro", "Happy", and several others. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator.

    For Kat and her friends, it offers an escape; a chance to drop out for a while, with lazy summer days by the lake and intimate winter evenings around the fire. But as the seasons change, tensions begin to rise and when an unexpected visitor appears at their door, nothing will be the same again.Three decades later, Lila arrives at the same remote cottage. With her marriage in crisis, she finds solace in renovating the tumbledown house. Little by little she wonders about the previous inhabitants. How did they manage in such isolation? Why did they leave in such a hurry, with their belongings still strewn about? Most disturbing of all, why can t she shake the feeling that someone might be watching her?The Shadow Year is a story of secrets, tragedy, lies and betrayal. It’s a tale that explores the light and dark of human relationships and the potential the past has to not only touch our present, but also to alter our future.

    An Oscar-winning actress returns to her native Virginia to script the story of the famous mother she barely knew, but she gets more than she bargained for when her uncle presents her with her mother's private journals.

    She struggles to make time for her relationship with her teenage daughter, Allegra, and the two have become practically strangers to each other. When Allegra hangs out with a new crowd and is arrested for drug possession, Francesca gives in to her mother's wish that they take one epic summer vacation to trace their family roots in Italy. What she never expected was to be faced with the choice of a lifetime. . . .Allegra wants to make her grandmother happy, but she hates the idea of forced time with her mother and vows to fight every step of the ridiculous tour, until a young man on the verge of priesthood begins to show her the power of acceptance, healing, and the heartbreaking complications of love.Sophia knows her girls are in trouble. A summer filled with the possibility for change is what they all desperately need. Among the ruins of ancient Rome, the small churches of Assisi, and the rolling hills of Tuscany, Sophia hopes to show her girls that the bonds of family are everything, and to remind them that they can always lean on one another, before it's too late.

    Teenagers are celebrating the first taste of freedom as they line their pockets with newly printed driver’s licenses and long-awaited paychecks. Days off are spent at the town’s only lake, nights under the yellow lights of the drive-in restaurant.But Billy Tupper’s life is a far cry from that of other teenagers. One mistake too many lands him in front of a judge who sentences him to a summer working for Old Lady Baxter, the victim of his latest carelessness…and the rumored child killer of Munroe, Kansas. As Billy sweats his way through endless months of mowing her lawn, weeding her garden, and painting her house, he also searches for the evidence to prove she’s guilty, but what he finds, and what he learns about himself, will change his life forever.I Know an Old Lady is a touching coming-of-age story of loss and redemption, of understanding and compassion, and of a family torn apart and slowly put back together.I Know an Old Lady is Billy Tupper’s story.

    With heaven’s memories erased, his romantic quest teaches him that the heart often sees clearer than the eyes—and that not everyone has ordered the same items from The Menu. Evidence that love stories come in many different forms, The Menu is a spiritual journey involving more than just a man and a woman; it is a modern-day tale that reaches far beyond the boundaries of reason.

    But more than that, she is afraid of not being alone. Ever since her mother and Native American grandmother died together when she was a child, dancing cheek-to-cheek in a saloon in the middle of a violent storm, Sadie hasn't let anyone get too close. Not even Carlos, a passionate Cuban who sees the rich soul that Sadie tries to hide from herself.Cynical and loveless, she becomes obsessed with learning more about her unacknowledged identity, torn apart by tragic family legends she can't quite believe. And although she tries to fight it, she half suspects that with Carlos's help, she could find the truth of the past, and it could set her free...."A fluid, fun read--a story of self-discovery told by a woman haunted by female forebears while struggling to learn love....A work of accomplished introspection."--The Philadelphia Inquirer

    A retired public school teacher, Miss Budge embarks on a series of slice-of-life adventures that take readers into the intriguing and authentic lives of Southern church women. "What our readers love about Miss Budge is that they all know her personally. In fact, they all are her in one way or another. Daphne's stories are instantly recognizable to those in a church community, and that's where the real humour and real pathos comes from. Daphne is a keen observer of the strange and wonderful subculture of 'the church lady.'" Brett Alan Dewing The Christian Courier (Canada) "Mildred Budge is a forthright, almost larger than life, woman who challenges every reader's faith walk by being transparent about her own. She reminds us that Jesus loves us the way we are but He loves us too much to leave us as we are." Julie Innes Evangel

    aka Victor Vazquez’s debut novel "O.K." Written in as many languages as drugs it lists consumed (we’re counting idiolects, and music as a drug), "O.K." is a book of changes, as in flow, the Way, a contemporary perennial philosophy, starring Sun Ra, Bill Burroughs, 2Pac, you name It (knowing literary spirits)