What follows is a playful dance of possibilities between the real and the invented.Grenville's Elizabeth Macarthur is a passionate woman managing her complicated life-marriage to a ruthless bully, the impulses of her own heart, the search for power in a society that gave her none-with spirit, cunning and sly wit.Her memoir reveals the dark underbelly of the polite world of Jane Austen. It explodes the stereotype of the women of the past- devoted and docile, accepting of their narrow choices. That was their public face-here's what one of them really thought.At the heart of this book is one of the most toxic issues of our times- the seductive appeal of false stories. Beneath the surface of Elizabeth Macarthur's life and the violent colonial world she navigated are secrets and lies with the dangerous power to shape reality.A Room Made of Leaves is the internationally acclaimed author Kate Grenville's first novel in almost a decade. It is historical fiction turned inside out, a stunning sleight of hand that gives the past the piercing immediacy of the present.

    Coleman, Omar Sakr, Future D. Fidel, Karen Wyld, Khalid Warsame, Kaya Ortiz, Roanna Gonsalves, Sarah Ross, Zoya Patel, Michelle Law and Hannah Donnelly. Edited by Michael Mohammed Ahmad. Original concept by Lena Nahlous.Published by Affirm Press in partnership with Diversity Arts Australia and Sweatshop Literacy Movement.

    The first volume of Roberta Sykes' three-volume autobiography, chronicling her childhood and teenage years in Townsville in the 1940s and 1950s, to the birth of her son, the result of a gang rape when she was 17.

    This sun-baked coast was innocently proud, too, of its tranquillity and friendliness. Then a man he knew murdered a boy he also knew. The murderer randomly killed eight strangers - variously shooting, strangling, stabbing, bludgeoning and hacking his victims and running them down with cars - an innocent Perth was changed forever. In the middle-class suburbs which were the killer's main stalking grounds, the mysterious murders created widespread anxiety and instant local myth. 'The murders and their aftermath have both intrigued me and weighed heavily on me for three decades. To try to make sense of this time and place, and of my own childhood and adolescence, I had, finally, to write about it.' The result is 'The Shark Net', a vibrant and haunting memoir that reaches beyond the dark recesses of murder and chaos to encompass their ordinary suburban backdrop.

    One event in 1934 - the shooting at Uluru of Aboriginal man Yokunnuna by white policeman Bill McKinnon, and subsequent Commonwealth inquiry - stood out as a mirror of racial politics in the Northern Territory at the time.But then, through speaking with the families of both killer and victim, McKenna unearthed new evidence that transformed the historical record and the meaning of the event for today. As he explains, 'Every thread of the story connected to the present in surprising ways.' In a sequence of powerful revelations, McKenna explores what truth-telling and reconciliation look like in practice.Return to Uluru brings a cold case to life. It speaks directly to the Black Lives Matter movement, but is completely Australian. Recalling Chloe Hooper's The Tall Man, it is superbly written, moving, and full of astonishing, unexpected twists. Ultimately it is a story of recognition and return, which goes to the very heart of the country. At the centre of it all is Uluru, the sacred site where paths fatefully converged.

    Their deaths in the late 1970s marked the end of a tribal lifestyle that stretched back more than 30,000 years. The Last of the Nomads tells of an extraordinary journey in search of Warri and Yatungka.

    But there was no 'big house' here - Toni did not grow up in a large homestead. She lived in a shack that had no electricity and no running water. The oppressive climate of the Territory - either wet or dry - tested everyone. Fish were known to rain from the sky and sometimes good men drank too much and drowned trying to cross swollen rivers.Toni grew up with the Aboriginal people who lived and worked on the station, and got into scrapes with her ever-increasing number of siblings. She loved where she grew up - she was happy on the land with her friends and family, observing the many characters who made up the community on Killarney. When she was sent to boarding school all she wanted to do was go back to the land she loved, despite the fact that her parents' marriage was struggling as Bill Tapp succumbed to drink and June Tapp refused to go under with him.Toni's love of the natural world and of people alike has resulted in a tender portrait of a life that many people would consider tough. She brings vividly to the page a story seldom seen: a Territory childhood, with all its colour, characters and contradictions.

    With courage and compassion she addresses her own frailties and fears, and asks the big questions about life, about the shadows we inherit and the gifts we pass on.Honest, poignant, utterly captivating, Reckoning announces the arrival of a fearless writer and natural storyteller. It will touch the lives of its readers.Magda Szubanski is one of Australia’s best known and most loved performers. She began her career in university revues, then appeared in a number of sketch comedy shows before creating the iconic character of Sharon Strzelecki in ABC-TV’s Kath and Kim. She has also acted in films (Babe, Babe: Pig in the City, Happy Feet, The Golden Compass) and stage shows. Reckoning is her first book.

    Then twenty-eight years later an old baptismal card falling out of a book changed the course of her life forever. It was a link to her past. Knowing that she had to follow her heart or forever live to regret it Marie set out to find the family that she had lost, leaving her strict white Catholic parents aghast - why dig up the past?With devastating honesty, humour and courage, the award-winning author of Every Secret Thing shares her extraordinary journey of discovery to find her origins.

    Boori Monty Pryor's career path has taken him from the Aboriginal fringe camps of his birth to the catwalk, the basketball court, the DJ console, and now to performance and story-telling around the country. With writer and photographer Meme McDonald, Boori leads you along the paths he has traveled, pausing to meet his family and friends, while sharing the story of his life, his pain, and his hopes, with humor and compassion.

    In this deeply insightful and intimate work, Daylight describes how her reading has nourished her life, and how life has informed her reading. In both, she shows us that it's the small points of connection - the details - that really matter: what we notice when someone close to us dies, when we give birth, when we make friends. In life's disasters and delights, the details are what we can share and compare and carry with us. Daylight writes with invigorating candour and compassion about her mother's last days; her own experiences of childbearing and its aftermath (in her celebrated essay ‘Vagina'); her long admiration of Helen Garner and George Saunders; and her great loves and friendships. Each chapter is a revelation, and a celebration of how books offer not an escape from ‘real life' but a richer engagement with the business of living. The result is a work that will truly deepen your relationship with books, and with other readers. The delight is in the details.

    To this mix Adam Thompson manages to bring humour, pathos and occasionally a sly twist as his characters confront racism, untimely funerals, classroom politics and, overhanging all like a discomforting, burgeoning awareness for both white and black Australia, the inexorable damage and disappearance of the remnant natural world.

    It argued that classical Aboriginal society was more sophisticated than Australians had been led to believe because it resembled more closely the farming communities of Europe.In Farmers or Hunter-gatherers? Peter Sutton and Keryn Walshe ask why Australians have been so receptive to the notion that farming represents an advance from hunting and gathering. Drawing on the knowledge of Aboriginal elders, previously not included within this discussion, and decades of anthropological scholarship, Sutton and Walshe provide extensive evidence to support their argument that classical Aboriginal society was a hunter-gatherer society and as sophisticated as the traditional European farming methods.Farmers or Hunter-gatherers? asks Australians to develop a deeper understanding and appreciation of Aboriginal society and culture.

    In ‘Water’, a futuristic world is imagined and the fate of a people threatened. In ‘Light’, familial ties are challenged and characters are caught between a desire for freedom and a sense of belonging.Heat and Light presents an intriguing collection while heralding the arrival of an exciting new talent in Australian writing.

    It was by far the most intense frontier conflict in Australia’s history, yet many Australians know little about it. The Black War takes a unique approach to this historic event, looking chiefly at the experiences and attitudes of those who took part in the conflict. By contrasting the perspectives of colonists and Aborigines, Nicholas Clements takes a deeply human look at the events that led to the shocking violence and tragedy of the war, detailing raw personal accounts that shed light on the tribes, families, and individuals involved as they struggled to survive in their turbulent world. The Black War presents a compelling and challenging view of Australia’s early contact history, the legacy of which reverberates strongly to the present day.