It is also the introduction of a bold and talented literary voice. Before considering reading this book, please see the BookBrowse note on the book jacket/review page.BookBrowse Note: January 9th 2006: An article in the Smoking Gun claimed that James Frey (author of A Million Little Pieces and My Friend Leonard) fabricated key parts of his books. They cited police records, court documents and interviews with law enforcement agents which belie a number of Frey's claims regarding criminal charges against him, jail terms and his fugitive status.In an interview with the Smoking Gun, Frey admitted that he had 'embellished central details' in A Million Little Pieces and backtracked on claims he made in the book.January 26th 2006. Frey's publisher stated that while it initially stood by him, after further questioning of the author, the house has "sadly come to the realization that a number of facts have been altered and incidents embellished." It will be adding a a publisher's note and author's note to all future editions of A Million Little Pieces.

    At the age of eighteen, after one too many run-ins with the cops for drug possession, he left his upper-middle-class home in Princeton, New Jersey, for a stint at a rehab facility in Riverside, California. Instead of getting clean, he spent his year there shooting crystal meth and living as a petty criminal among not-so-petty ones until a near psychotic episode (among other things) convinced him to clean up.In stark prose infused with heartbreaking insight, wicked humor, and complete veracity, Salant provides graphic descriptions of life on crystal meth -- the incredible sex drive, the paranoia, the cravings. He details the slang, the scams, and the psychoses, and weaves them into a narrative that is breathtakingly honest and authentic. Salant grapples with his attraction to the thuggish life, eschewing easy answers -- his parents, both therapists, were loving and supportive, and his family's subtle dysfunctions typical of almost any American family.Exploring the allure and effects of the least understood drug of our time, "Leaving Dirty Jersey" is that rarity among memoirs -- a compulsively readable, superbly told story that is shocking precisely because it could happen to almost anyone.

    Within months, she was hooked, trapped in a downward spiral that took her from her comfortable home and loving family to the mean streets of an unforgiving city. It was a journey that would rob her of her innocence, her youth -- and ultimately her life. Read her diary. Enter her world. You will never forget her.

    A popular straight-A student from small-town Pennsylvania, she moved to New York City to pursue her dream of acting. In the city, she came in contact with new people, new ideas, and a completely new way of life- a way that exposed her to drugs. She tried pot, acid, and cocaine, but it was the "love drug" Ecstasy that won her heart. Rolling Away is the story of Lynn's frenzied flight into addiction and her long struggle to come back down to earth. At once harrowing and inspiring, Rolling Away is a triumphant narrative about sex, drugs, and rock-bottom survival- and how a second chance can save your life.

    What was once a way she escaped her insecurity and negativity as a teenager became a means of coping with the anxiety and stress of an impossible workload.Girl Walks Out of a Bar explores Smith’s formative years, her decade of alcohol and drug abuse, divorce, and her road to recovery. In this darkly comic and wrenchingly honest story, Smith describes how her circumstances conspire with her predisposition to depression and self-medication in an environment ripe for addiction to flourish. When her close-knit group of high-achieving friends celebrate the end of their grueling workdays with alcohol-fueled nights at the city’s clubs and summer weekends partying at the beach the feel-good times can spiral wildly out of control.Girl Walks Out of a Bar is a candid portrait of alcoholism through the lens of gritty New York realism. Beneath the façade of success lies the reality of addiction.

    Sullivan, who grew up on the tough streets of Brooklyn in the 1980s, now looks back on her childhood—lived among drug dealers, users, and substitute fathers. Sullivan became her mother's keeper, taking her to the hospital when she overdosed, withstanding her narcissistic rages, succumbing to the abuse or indifference of so-called stepfathers, and always wondering why her mother would never reveal the truth about the father she'd never met.Ashamed of her past, Sullivan invented a persona to show the world. Yet despite her Ivy League education and numerous accomplishments, she, like her mother, eventually succumbed to alcohol and drug abuse. She wrote The Sky Isn't Visible from Here, a testament to the resilience of the human spirit, when she realized it was time to kill her own creation.

    Now, she's clean and sober, a married mother of three. As she found her way in her new life, she started sharing on social media as an outlet for her depression and anxiety. She struck a chord, several of her videos went viral (one with 46million views), and in the past year her following exploded from a few hundred thousand to more than 3 million.The memoir opens in the Florida women's prison where Tiffany was incarcerated for 180 days. The memoir flashes back in time to the events that led to Tiffany's imprisonment (during the time of her active addiction, Tiffany was dating and living with a cop), and moves forward to her eventual sobriety.

    She spent her evenings at cocktail parties and dark bars where she proudly stayed till last call. Drinking felt like freedom, part of her birthright as a strong, enlightened twenty-first-century woman. But there was a price. She often blacked out, waking up with a blank space where four hours should have been. Mornings became detective work on her own life. What did I say last night? How did I meet that guy? She apologized for things she couldn't remember doing, as though she were cleaning up after an evil twin. Publicly, she covered her shame with self-deprecating jokes, and her career flourished, but as the blackouts accumulated, she could no longer avoid a sinking truth. The fuel she thought she needed was draining her spirit instead.A memoir of unblinking honesty and poignant, laugh-out-loud humor, Blackout is the story of a woman stumbling into a new kind of adventure—the sober life she never wanted. Shining a light into her blackouts, she discovers the person she buried, as well as the confidence, intimacy, and creativity she once believed came only from a bottle. Her tale will resonate with anyone who has been forced to reinvent or struggled in the face of necessary change. It's about giving up the thing you cherish most—but getting yourself back in return.

    Just ninety clean and sober days to loosen the hold of the addiction that caused Bill Clegg to lose everything. With six weeks of his most recent rehab behind him he returns to New York and attends two or three meetings each day. It is in these refuges that he befriends essential allies including Polly, who struggles daily with her own cycle of recovery and relapse, and the seemingly unshakably sober Asa. At first, the support is not enough: Clegg relapses with only three days left. Written with uncompromised immediacy, Ninety Days begins where Portrait of an Addict as a Young Man ends-and tells the wrenching story of Clegg's battle to reclaim his life. As any recovering addict knows, hitting rock bottom is just the beginning.

    In many ways, it is a cross between Mary Karr's The Liar's Club and James Frey's A Million Little Pieces. Dina's grandfather and father were alcoholics. Her grandmother was a pill addict. Dina is an alcoholic and pill addict, and all three of her daughters struggle with alcohol and drug addiction, including her youngest daughter, who started using heroin at age fourteen. Dina's household also includes her husband and his unemployed identical twin, a mother who has Parkinson's Disease, a grandson who has cerebral palsy, and various other friends and family members who drift in and out of the household depending on their employment situation and rehab status. On top of all that, Dina is trying to make it as a stand-up comic and author so she can quit her crummy job as a grocery store clerk. Through it all, Dina does her best to hold her family together, keep her faith, and maintain her sense of humor. The story opens with Dina on stage, competing on the "Funniest Mom in America" TV show. She's performed hundreds of times, but this time she freezes because she's flashing back to her teenage daughter's harrowing hospital stay following a suicide attempt. From there, it's a rollercoaster ride that includes stories of parental neglect, drug overdoses, a priest who masturbates while hearing confessions, a tragic childbirth, a teen who finds out via videotape that she was raped while she was high on crystal meth, a stay in a mental ward, a surprisingly redemptive trip to Disneyland, and more relapses and rehabs than you can keep track of. It's a story that is brutally honest -- shocking at times -- yet still funny and full of hope. As you might imagine, a story filled with alcoholics and drug addicts includes a number of horrific events. But in the end, Everything I Never Wanted to Be is an uplifting story that contains valuable lessons for parents and teens alike, and a strong message about the need to address the epidemic of teen drug addiction in our nation. It's a book that can change behavior and save lives and make you laugh along the way."Raw and funny." -- Joel Stein, Time Magazine columnist"Like a maelstrom." -- Gary Klinga, ForeWord Review"So absolutely over the top that it makes readers laugh out loud and thank God it is not them." -- Robin Martin, San Francisco Book Review"Malcolm in the Middle meets Cops." -- Jenny Mounfield, The Compulsive Reader"Open and honest." -- Charline Ratcliff, Rebecca's Reads"You are a good writer. No doubt." James Frey to Dina Kucera

    In "The Los Angeles Diaries he reveals his struggle for survival, mining his past to present the inspiring story of his redemption. Beautifully written and limned with dark humor, these twelve deeply confessional, interconnected chapters address personal failure, heartbreak, the trials of writing for Hollywood and the life-shattering events that finally convinced Brown that he must "change or die."In "Snapshot," Brown is five years old and recalls the night his mother "sets fire to an apartment building down the street," an act that splinters the family, later leading to their destruction. In "The Facts," he is a young writer and professor "afraid to step out of the darkness" and confront his double life as an addict. In "Daisy," Brown purchases a Vietnamese potbellied pig for his wife to atone for his sins, only to find himself engaged in a furious battle of man versus beast -- with the pig's bulk growing in direct proportion to the tensions in his marriage.Harrowing, brutally honest, "The Los Angeles Diaries is the chronicle of a man on a collision course with life, who ultimately finds the strength and courage to conquer his demons and believe in life once more.

    Rex and Rose Mary Walls had four children. In the beginning, they lived like nomads, moving among Southwest desert towns, camping in the mountains. Rex was a charismatic, brilliant man who, when sober, captured his children's imagination, teaching them physics, geology, and above all, how to embrace life fearlessly. Rose Mary, who painted and wrote and couldn't stand the responsibility of providing for her family, called herself an "excitement addict." Cooking a meal that would be consumed in fifteen minutes had no appeal when she could make a painting that might last forever. Later, when the money ran out, or the romance of the wandering life faded, the Walls retreated to the dismal West Virginia mining town -- and the family -- Rex Walls had done everything he could to escape. He drank. He stole the grocery money and disappeared for days. As the dysfunction of the family escalated, Jeannette and her brother and sisters had to fend for themselves, supporting one another as they weathered their parents' betrayals and, finally, found the resources and will to leave home. What is so astonishing about Jeannette Walls is not just that she had the guts and tenacity and intelligence to get out, but that she describes her parents with such deep affection and generosity. Hers is a story of triumph against all odds, but also a tender, moving tale of unconditional love in a family that despite its profound flaws gave her the fiery determination to carve out a successful life on her own terms. For two decades, Jeannette Walls hid her roots. Now she tells her own story.

    But the designer’s glamorous lifestyle and sweeping success belie a childhood marked by profound dysfunction. Raised on a steady diet of abuse, alcoholism, poverty, and death, no one would have expected Cole to go on to become a force in the fashion world. As a child, she often had no access to food; other times she was force-fed until she vomited. At home and at school, she was beaten, bullied and belittled. Her alcoholic parents alternately abused and ignored her. By the age of sixteen, she was living on her own. The Size of Everything is Cole’s moving story and so much more. Equal parts heartbreaking and hilarious, it’s a love letter to her surviving siblings, a how-not-to-parent manual, a testament to the power of positivity, and proof that where you come from doesn’t have to determine where you can go. Above all, The Size of Everything offers a powerful message of hope to anyone who believes that impossibly rocky beginnings can’t have a happy ending.

    Six years later she made her first suicide attempt, then wandered the streets of New York City dressed in ragged clothes, tormenting voices crying out in her mind. Lori Schiller had entered the horrifying world of full-blown schizophrenia. She began an ordeal of hospitalizations, halfway houses, relapses, more suicide attempts, and constant, withering despair. But against all odds, she survived. Now in this personal account, she tells how she did it, taking us not only into her own shattered world, but drawing on the words of the doctors who treated her and family members who suffered with her.In this new edition, Lori Schiller recounts the dramatic years following the original publication -- a period involving addiction, relapse, and ultimately, love and recovery.Moving, harrowing, and ultimately uplifting, THE QUIET ROOM is a classic testimony to the ravages of mental illness and the power of perseverance and courage.

    Only one has told her story.three years after giving up alcohol, Jowita Bydlowska found herself throwing back a glass of champagne like it was lemonade. 'It's a special occasion,' she said to her boyfriend. And indeed it was. It was a party celebrating the birth of their first child. It also marked Jowita's immediate, full-blown return to alcoholism and all that entails for a new mother who is at first determined to keep her problem a secret. Her trips to bottle shops stores are in-and-out missions. Perhaps she's being paranoid, but she thinks people tend to notice the stroller. Walking home, she stays behind buildings, in alleyways, taking discreet sips from a bottle she's stored in the nappy bag. She know she's become a villain: a mother who drinks; a mother who endangers her child. She drinks to forget this. And then the trouble really starts. Jowita Bydlowska's memoir of her relapse into addiction is an extraordinary achievement. the writing is raw and immediate. It places you in the moment - saddened and appalled but never able to look away. With brutal honesty, DRUNK MUM takes us through the binges and blackouts, the self-deception and less successful attempts to deceive others, the humiliations and extraordinary risk-taking. She shines a light on the endless hunger of wanting just one more drink, and one more again, while dealing with motherhood, anxiety, depression - and rehab. Advance Praise for Drunk Mom: 'Jowita is matter of fact, funny, fearless, and irreverent as she lifts the veil to chronicle what it means to be a young mother when both baby and mother have their own bottles - the shame and the inner voices, as well as the joy and relief. this book is for anyone who has ever struggled to make it through a day.' - Laura Albert, a.k.a. Jt LeRoy, author of Sarah, the Heart Is Deceitful Above All things and Harold's End 'Drunk Mom is a stunning, harrowing read. Why harrowing? Not just because of the dramatic story, of a new mother at the edge of her tether. And not only because of Jowita Bydlowska's skill as a writer, and the crisp, original way she tells it. What's most harrowing about Drunk Mom is that you can't stop reading it-this, the dark, now-told tale that lurks in the shadow of every seemingly normal family.' - Ian Brown, author of the Boy in the Moon 'A brave, brilliant and scathing self-portrait. Full of energy and insight. If Frida Kahlo had been a writer, she might have been compared to Jowita Bydlowska.' - Patricia Pearson, author of A Brief History of Anxiety - Yours and Mine. 'Fearless and troubling, and so very humane, Bydlowska explodes the cutesy momoir genre. You'll read it in one sitting.' - Katrina Onstad, author of Everybody Has Everything.