the wry wit of The Gold Coast...this is vintage Nelson DeMille at the peak of his originality and the height of his powers.Wounded in the line of duty, NYPD homicide cop John Corey is convalescing in rural eastern Long Island when an attractive young couple he knows is found shot to death on the family patio. The victims were biologists at Plum Island, a research site rumored to be an incubator for germ warfare.Suddenly, a local double murder takes on shattering global implications -- and thrusts Corey and two extraordinary women into a dangerous search for the secret of PLUM ISLAND....

    They start a search, but they aren't hopeful: no one could have survived that fall. It was a tragic accident.But Matt's first wife also died in suspicious circumstances. And when the police pull a body out of the river, they have a lot more questions for Matt.Detectives Loren and Spengler want to know if Matt is a grieving, twice-unlucky husband or a cold-blooded murderer. They dig into the couple's lives to see what they can unearth. And they find that love's got teeth, it's got claws, and once it hitches you to a person, it's tough to rip yourself free.So what happens when you're done making it work?

    He is respected in his community, tenacious in the courtroom, and happy at home with his wife, Laurie, and son, Jacob. But when a shocking crime shatters their New England town, Andy is blindsided by what happens next: His fourteen-year-old son is charged with the murder of a fellow student.

    She realizes very quickly that the letter was sent to the wrong person—but also that the cold-reading skills she’s honed as a tarot card reader might help her claim the money.Soon, Hal finds herself at the funeral of the deceased…where it dawns on her that there is something very, very wrong about this strange situation and the inheritance at the centre of it.

    And they're both thrilled when Maggie gets an unexpected chance to be a mother to Anna, the daughter she once thought she'd lost forever.But when seventeen-year-old Anna arrives, everything changes - and the darkest turn of events will shatter their lives in ways no one could have imagined.

    She survived—and famously testified that her fifteen-year-old brother, Ben, was the killer. Twenty-five years later, the Kill Club—a secret secret society obsessed with notorious crimes—locates Libby and pumps her for details. They hope to discover proof that may free Ben. Libby hopes to turn a profit off her tragic history: She’ll reconnect with the players from that night and report her findings to the club—for a fee. As Libby’s search takes her from shabby Missouri strip clubs to abandoned Oklahoma tourist towns, the unimaginable truth emerges, and Libby finds herself right back where she started—on the run from a killer.

    Within hours of their birth, their mother threw herself from the cliffs, the au pair fled, and the village thrilled with whispers of dark cloaks, changelings, and the aloof couple who drew a young nanny into their inner circle.Now an adult, Seraphine mourns the recent death of her father. While going through his belongings, she uncovers a family photograph that raises dangerous questions. It was taken on the day the twins were born, and in the photo, their mother, surrounded by her husband and her young son, is beautifully dressed, smiling serenely, and holding just one baby.Who is the child and what really happened that day?One person knows the truth, if only Seraphine can find her.

    Now she must try to piece together her memories in order to determine her innocence. With deft psychological explorations and shocking twists, Walters brings the story to an awe-inspiring conclusion.

    It is the world's most famous murder. But the Bible is silent about one key detail: the weapon Cain used to kill his brother. That weapon is still lost to history. In 1932, Mitchell Siegel was killed by three gunshots to his chest. While mourning, his son dreamed of a bulletproof man and created the world's greatest hero: Superman. And like Cain's murder weapon, the gun used in this unsolved murder has never been found.Today in Fort Lauderdale, Florida, Cal Harper comes face-to-face with his own family tragedy: his long-missing father has been shot with a gun that traces back to Mitchell Siegel's 1932 murder. But soon after their surprising reunion, Cal and his father are attacked by a ruthless killer tattooed with the ancient markings of Cain.So begins the chase for the world's first murder weapon. It is a race that will pull Cal back into his own past even as it propels him forward through the true story of Cain and Abel, an eighty-year-old unsolvable puzzle, and the deadly organization known for the past century as the Leadership.What does Cain, history's greatest villain, have to do with Superman, the world's greatest hero? And what do two murders, committed thousands of years apart, have in common? This is the mystery at the heart of Brad Meltzer's new thriller.

    A tough-talking former cop, private investigator Kinsey Millhone has set up a modest detective agency in a quiet corner of Santa Teresa, California. She's a twice-divorced loner with few personal possessions and fewer personal attachments but with a soft spot for underdogs and lost causes.A IS FOR ACCUSED. That's why she draws desperate clients like Nikki Fife. Eight years ago, she was convicted of killing her philandering husband. Now she's out on parole and needs Kinsey's help to find the real killer. But after all this time, clearing Nikki's bad name won't be easy.A IS FOR ALIBI. If there's one thing that makes Kinsey Millhone feel alive, it's playing on the edge. When her investigation turns up a second corpse, more suspects, and a new reason to kill, Kinsey discovers that the edge is closer--and sharper--than she imagined.Librarian's note: there are 25 titles in this extraordinary series: "A" Is for Alibi (1982); "B" Is for Burglar (1985); "C" Is for Corpse (1986); "D" Is for Deadbeat (1987); "E" Is for Evidence (1988); "F" Is for Fugitive (1989); "G" Is for Gumshoe (1990); "H" Is for Homicide (1991); "I" Is for Innocent (1992); "J" Is for Judgment (1993); "K" Is for Killer (1994); "L" is for Lawless (1995); "M" Is for Malice (1996); "N" Is for Noose (1998); "O" Is for Outlaw (1999); "P" Is for Peril (2001); "Q" Is for Quarry (2002); "R" Is for Ricochet (2004); "S" Is for Silence (2005); "T" Is for Trespass (2007); "U" Is for Undertow (2009); "V" Is for Vengeance (2011); "W" Is for Wasted (2013); "X" (2015), and lastly, “Y” Is for Yesterday (2017). Work on "Z" had not begun at the time of the author's death in late 2017.

    Simon Serrailler, her enigmatic superior. Though she fits well within the local police force, she finds herself unable to let go what seems like a routine missing persons report on a middle-aged spinster. When yet more townspeople turn up missing, her hunch is verified and a serious police search begins, bringing her into closer proximity with Serrailler at the same time it exposes her to danger.

    Sidney Chambers, vicar of Grantchester and honorary canon of Ely Cathedral, is a thirty-two-year-old bachelor. Tall, with dark brown hair, eyes the color of hazelnuts, and a reassuringly gentle manner, Sidney is an unconventional clerical detective. He can go where the police cannot.Together with his roguish friend, inspector Geordie Keating, Sidney inquires into the suspect suicide of a Cambridge solicitor, a scandalous jewelry theft at a New Year's Eve dinner party, the unexplained death of a jazz promoter's daughter, and a shocking art forgery that puts a close friend in danger. Sidney discovers that being a detective, like being a clergyman, means that you are never off duty, but he nonetheless manages to find time for a keen interest in cricket, warm beer, and hot jazz - as well as a curious fondness for a German widow three years his junior.With a whiff of Agatha Christie and a touch of G. K. Chesterton's Father Brown, The Grantchester Mysteries introduces a wonderful new hero into the world of detective fiction.

    Three hundred years ago, as legend goes, the frightened Yorkshire villagers smothered a crying babe in Keldale Abbey, where they'd hidden to escape the ravages of Cromwell's raiders.Now into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an axe in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry."Yet as Lynley and Havers wind their way through Keldale's dark labyrinth of secret scandals and appalling crimes, they uncover a shattering series of revelations that will reverberate through this tranquil English valley—and in their own lives as well.

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.

    Arthur Calgary discovers that he alone could have provided an alibi in a scandalous murder trial. It ended in the conviction of Jacko Argyle. The victim was Jacko's own mother, and to make matters worse, he died in prison. But the young man's innocence means that someone else killed the Argyle matriarch, and would certainly kill again to remain in the shadows. Shaded in the moral ambiguity of murder, the provocative psychological puzzler of guilt, vengeance, and blood secrets is among Agatha Christie's personal favorites.