The history ceases to be predictable-and dull." From the author of "The Shortest History of Europe," acclaimed historian John Hirst, comes this fresh and stimulating approach to understanding Australia's past and present. Hirst asks and answers questions that get to the heart of Australia's history: Why did Aborigines not become farmers? How did a penal colony change peacefully to a democracy? Why was Australia so prosperous so early? Why did the Australian colonies federate? What effect did convict origins have on national character? Why was the postwar migration programme a success? Why is Australia not a republic?

    In this ambitious and thoroughly up-to-date book, Ronald Hutton reveals the long development, rapid suppression, and enduring cultural significance of paganism, from the Paleolithic Era to the coming of Christianity. He draws on an array of recently discovered evidence and shows how new findings have radically transformed understandings of belief and ritual in Britain before the arrival of organized religion.   Setting forth a chronological narrative, Hutton along the way makes side visits to explore specific locations of ancient pagan activity. He includes the well-known sacred sites—Stonehenge, Avebury, Seahenge, Maiden Castle, Anglesey—as well as more obscure locations across the mainland and coastal islands. In tireless pursuit of the elusive “why” of pagan behavior, Hutton astonishes with the breadth of his understanding of Britain’s deep past and inspires with the originality of his insights.

    The Barbarians were becoming a powerful force in Europe, and the Huns, the most savage of these tribesmen, were sweeping south towards the imperial frontiers. At the same time the Empire faced growing internal social and economic problems: plague and war had diminished the agricultural population and productivity was falling; the army was under increasing strain in defending the extensive boundaries. Christianity, too, continued to prove an unsettling influence - accepted and established in Constantinople, but not in Rome. In this perceptive and stimulating book, Professor Wallace-Hadrill traces the development of Western Europe from the dissolution of the late Roman Empire to the emergence, in the tenth century, of the individual states of medieval Europe. Now in its fourth edition, The Barbarian West contains a fully revised and up-to-date bibliography.

    But is it something more than myth? Solid facts have emerged through the recent work of archaeologists. This book examines the historical foundations of the Arthurian tradition, and then presents the results of excavations to date at Cadbury (reputed site of Camelot), Tintagel, Glastonbury and less-known places.

    Penty is spirited off to the kingdom of Peradore in Arthurian England and falls in love with Princess Melicent, but he must fight the infamous Red Knight to win her hand in marriage.

    As a result, early medieval history is much more fragmented, and there have been few convincing syntheses of socio-economic change in the post-Roman world since the 1930s. In recent decades, the rise of early medieval archaeology has also transformed our source-base, but this has not been adequately integrated into analyses of documentary history in almost any country.In Framing the Early Middle Ages Chris Wickham aims at integrating documentary and archaeological evidence together, and also, above all, at creating a comparative history of the period 400-800, by means of systematic comparative analyses of each of the regions of the latest Roman and immediately post-Roman world, from Denmark to Egypt (only the Slav areas are left out). The book concentrates on classic socio-economic themes, state finance, the wealth and identity of the aristocracy, estate management, peasant society, rural settlement, cities, and exchange. These are only a partial picture of the period, but they are intended as a framing for other developments, without which those other developments cannot be properly understood.Wickham argues that only a complex comparative analysis can act as the basis for a wider synthesis. Whilst earlier syntheses have taken the development of a single region as 'typical', with divergent developments presented as exceptions, this book takes all different developments as typical, and aims to construct a synthesis based on a better understanding of difference and the reasons for it. This is the most ambitious and original survey of the period ever written.

    In the night, Grendel stalks the land, slaughtering all he meets. When food is scarce, he raids the king's high hall, devouring warriors and hauling others back to his dank home in the marshes. Word of the monster spreads far and wide, and from across the sea comes the warrior Beowulf to battle the monster and free the Danes from Grendel's reign of terror.Written some fifteen hundred years ago, Beowulf is the first epic work in English and tells a tale of heroism in the face of a wild and unknowable evil. For this graphic novel version of the story, Stefan Petrucha has adapted the story for middle graders, bringing all the bravery and bloodshed to life in a form for fans of the Hollywood movie or of superheroes of any stripe. Beowulf was the first superhero; a long tradition starts with this poem.Ages 8 – 12

    A terrible secret discovered in a ruined city. Earth is no longer ruled by humans, but by the species they uplifted. Creatures called fleshdogs are their emissaries, and humanity must fight this implacable enemy or face extinction. Balzac must confront monsters and more trying to find his lover. And when he does find her, will the price be too great? This novella is part of Jeff VanderMeer’s cycle of far-future stories, which culminated with the critically acclaimed novel Veniss Underground. As an added bonus, this e-book also includes two extras: an incomplete story set during the same time period as “Balzac’s War” and VanderMeer’s original afterword to the UK edition of Veniss Underground, shedding light on the original creator of the creatures that take center stage in “Balzac’s War.”

     Parry began recording and studying a live tradition of oral narrative poetry in order to find an answer to the age-old Homeric Question: How had the author of the Iliad and Odyssey composed these two monumental epic poems at the very start of Europe's literary tradition? Parry's, and with him Lord's, enduring contribution--set forth in Lord's The Singer of Tales--was to demonstrate the process by which oral poets compose. Now reissued with a new Introduction and an invaluable audio and visual record, this widely influential book is newly enriched to better serve everyone interested in the art and craft of oral literature.

    Spied on by the factor of the estate, she enters a cottage that has been locked and empty for more than twenty years since the violent deaths of its previous inhabitants. The woman, who will claim to be the daughter of the dead couple, is carrying a set of antique plates that tell the story of adultery, betrayal and murder implicit in the most famous of the sixteenth century Border Ballads: The Twa Corbies. She believes these plates can tell her the truth both about what happened here in the past and what she is to do now.Who is this powerful woman intent on revenge? It is possible she doesn't know the truth about herself as she works to ensnare the son and heir of the estate, break the factor to her will, seduce the young man's fiancee, and harry the estate owner, Sim Elliot to an early death. This novel's genius is to marry the atmosphere of the Border Ballads - stark, poetic and timeless - with a story at once ancient and contemporary, told through the highly charged and erotic Corbie Plates. Written in prose of extraordinary power and beauty, When They Lay Bare is a gripping, dreamlike narrative, at the heart of which is a burning love story and mystery.- See more at: http://faber.co.uk/catalog/when-they-...

    Following what was then conventional practice among church reformers, the Pope referred to his war of liberation as Christ's own war, to be fought in accordance with God's will and intentions.Urban II called this a war of liberation for two reasons: one, to free the church of Jerusalem from oppression and pillage by the Muslims and to liberate western churches in general; and two, to free the city of Jerusalem from the servitude into which it has fallen. This summons of the lay knight to the faith between 1095 and 1096 was Urban II's personal response to an appeal that had reached him from eastern Christians.In this classic work, Jonathan Riley-Smith, today one of the world's most renowned crusade historians, approaches this central and well-known topic of medieval history with freshness and impeccable research. Through the vivid presentation of a wide range of European chronicles and charter collections, Riley-Smith provides a striking illumination of crusader motives and responses and a thoughtful analysis of the mechanisms that made this expedition successful.

    Julian Mann, the hard drinking, preening, and sexually provocative star of the TV sitcome Richard the Nerd, feels caught on the horns of a dilemma: should he be concentrating on his career, which is on the slide after an unseemly bout of fisticuffs at the BAFTA awards; or following his baser instincts and bedding every young girl in sight?His twin dreams of comic immortality and a penthouse flat full of booze and young models seem to be frustrated by his wife and children; by Tom, his wife's best friend from university days, a pretentious 'National Theatre Player' who appears to be competing with Julian on the small sreen and in the bedroom; by the tax man, who's chasing him for sixty thousand pounds; and by Lillith, a psychotic fan, and member of a strange Herculean cult whose eight-year cycle of death and regeneration might augur Julian's imminent nemesis...

    Hugely prolific in his first decade--Breathless, Contempt, Pierrot le Fou, Alphaville, and Made in USA are just a handful of the seminal works he directed--Godard introduced filmgoers to the generation of stars associated with the trumpeted sexuality of postwar movies and culture: Brigitte Bardot, Jean Seberg, Jean-Paul Belmondo, and Anna Karina.As the sixties wore on, however, Godard's life was transformed. The Hollywood he had idolized began to disgust him, and in the midst of the socialist ferment in France his second wife introduced him to the activist student left. From 1968 to 1972, Europe's greatest director worked in the service of Maoist politics, and continued thereafter to experiment on the far peripheries of the medium he had transformed. His extraordinary later works are little seen or appreciated, yet he remains one of Europe's most influential artists.Drawing on his own working experience with Godard and his coterie, Colin MacCabe, in this first biography of the director, has written a thrilling account of the French cinema's transformation in the hands of Truffaut, Rohmer, Rivette, and Chabrol--critics who toppled the old aesthetics by becoming, legendarily, directors themselves--and Godard's determination to make cinema the greatest of the arts.

    Shantaram is the name given Mr. Lindsay, or Linbaba, the larger-than-life hero. It means "man of God's peace," which is what the Indian people know of Lin. What they do not know is that prior to his arrival in Bombay he escaped from an Australian prison where he had begun serving a 19-year sentence. He served two years and leaped over the wall. He was imprisoned for a string of armed robberies peformed to support his heroin addiction, which started when his marriage fell apart and he lost custody of his daughter. All of that is enough for several lifetimes, but for Greg Roberts, that's only the beginning. He arrives in Bombay with little money, an assumed name, false papers, an untellable past, and no plans for the future. Fortunately, he meets Prabaker right away, a sweet, smiling man who is a street guide. He takes to Lin immediately, eventually introducing him to his home village, where they end up living for six months. When they return to Bombay, they take up residence in a sprawling illegal slum of 25,000 people and Linbaba becomes the resident "doctor." With a prison knowledge of first aid and whatever medicines he can cadge from doing trades with the local Mafia, he sets up a practice and is regarded as heaven-sent by these poor people who have nothing but illness, rat bites, dysentery, and anemia. He also meets Karla, an enigmatic Swiss-American woman, with whom he falls in love. Theirs is a complicated relationship, and Karla's connections are murky from the outset. Roberts is not reluctant to wax poetic; in fact, some of his prose is downright embarrassing. Throughought the novel, however, all 944 pages of it, every single sentence rings true. He is a tough guy with a tender heart, one capable of what is judged criminal behavior, but a basically decent, intelligent man who would never intentionally hurt anyone, especially anyone he knew. He is a magnet for trouble, a soldier of fortune, a picaresque hero: the rascal who lives by his wits in a corrupt society. His story is irresistible. Stay tuned for the prequel and the sequel. --Valerie Ryan

    Sasha Pierce hasn’t had a single dream since she was a child…... until she accepts a substitute teaching position in the charmingly witchy village of Old Middleton. Her first dream in twenty-five years ought to be enchanting, but her wonder quickly turns to shock when she realizes that it’s not a dream at all, but an entirely different sort of magic. Catapulted into the fairy tale kingdom of Between through an ancient portal, Sasha’s astonishment is swiftly upgraded to panic when she accidentally performs a supposedly impossible feat and is declared the True Queen of Between … and betrothed to its infuriatingly handsome sorcerer-king. Lorn, Shadow King of Between, is desperate to break free from Between’s clutches. Magically tethered to the ramshackle kingdom, he wages a daily battle to save his disreputable subjects from rampaging magical creatures, sinkholes, and catastrophes of the distressingly lethal variety. To avoid an early grave, he needs an escape plan, not a wife...until he learns that this magicless mortal holds the key to his freedom. Unwilling to leave her world to accept the crown—or the husband—Sasha must race against the clock to disentangle herself from this fairy tale. But her empty throne leaves a dangerous rift between their worlds. As dark forces descend upon Old Middleton, the two must make a choice: work together or unleash fairytale chaos upon their realms. Between is the spellbinding first novel in The Chronicles of Between fantasy series. Filled with feisty, fairytale-savvy heroines, swoon-worthy sorcerers, slow burn romance, morose minotaurs, and bawdy witches it’s a laugh-out-loud fairy tale romp.