Here then, from the well-thumbed pages of 'Black Mask' and 'Dime Detective Magazine', are eight of his finest stories including 'The Man Who Liked Dogs', 'The Lady in the Lake' and 'Bay City Blues'. Sharper than a hoodlum's switchblade, more exciting than an unexpected red-head and stronger than a double shot of whisky, they are packed full of the punchy poetry and laconic wit that makes Chandler the undisputed master of his genre.'Anything Chandler writes about grips the mind from the first sentence' Daily Telegraph 'One of the greatest crime writers, who set standards others still try to attain' Sunday Times'Chandler is an original stylist, creator of a character as immortal as Sherlock Holmes' Anthony BurgessBest-known as the creator of the original private eye, Philip Marlowe, Raymond Chandler was born in Chicago in 1888 and died in 1959. Many of his books have been adapted for the screen, and he is widely regarded as one of the very greatest writers of detective fiction. His books include The Big Sleep, The Little Sister, Farewell, My Lovely, The Long Good-bye, The Lady in the Lake, Playback, Killer in the Rain, The High Window and Trouble is My Business.

    Traherne is temporarily crippled saving the life of his well-born friend, Jaspar. Thus, Jaspar is assured of inheriting his father's estate, but it is expected that Traherne will inherit great wealth as gratitude for saving the heir. But--surprise!--on the death of Jaspar's father all are shocked to learn that Traherne has been disinherited: the will has been changed at the last minute and only the suffering Traherne knows why but won't tell and then he falls in love with Jaspar's sister, the fair Octavia. However, Octavia is forbidden to marry, as Traherne is penniless.

    The plot is similar: a middle-aged man wedding an unattractive widow in order to indulge his paedophilic obsession with her daughter.However, The Enchanter has an utterly different atmosphere, as time, place and even names remain a mystery. Nabokov transforms his protagonist's attempts to lull his twelve-year-old step-daughter into a state of 'enchantment' into a graceful, chilling fairytale.

    Likewise, hatred must be learned and nurtured, if one wishes to become a proficient hater'This volume contains a selection of Nietzsche's brilliant and challenging aphorisms, examining the pleasures of revenge, the falsity of pity, and the incompatibility of marriage with the philosophical life.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Friedrich Nietzsche (1844-1900) Nietzsche's works available in Penguin Classics are A Nietzsche Reader, Beyond Good and Evil, Ecce Homo, Human, All Too Human, On the Genealogy of Morals, The Birth of Tragedy, The Portable Nietzsche, Thus Spoke Zarathustra, Twilight of Idols and Anti-Christ.

    The king's house had many other doors, but this was the door for petitions. Since the king spent all his time sitting at the door for favors (favors being offered to the king, you understand), whenever he heard someone knocking at the door for petitions, he would pretend not to hear . . ." Why the petitioner required a boat, where he was bound for, and who volunteered to crew for him, the reader will discover in this delightful fable, a philosophic love story worthy of Swift or Voltaire.

    Sade's villains will stop at nothing to satisfy their depraved passions, and they in turn suffer under the thrall of love. This is the most complete selection from the Marquis de Sade's four-volume collection of short stories, The Crimes of Love. David Coward's vibrant new translation captures the verve of the original, and his introduction and notes describe Sade's notorious career. This new selection includes An Essay on Novels, Sade's penetrating survey of the novelist's art. It also contains the preface to the collection and an important statement of Sade's concept of fiction and one of the few literary manifestoes published during the Revolution. Appendices include the denunciatory review of the collection that it received on publication, and Diderot's vigorous response. A skilled and artful story-teller, Marquis de Sade's is also an intellectual who asks questions about society, about ourselves, and about life. Psychologically astute and defiantly unconventional, these stories show Sade at his best.

    Named after the migrant workers of America's Dust Bowl, these novels convey Blish's "history of the future," a brilliant and bleak look at a world where cities roam the Galaxy looking for work and a sustainable way of life.In the first novel, They Shall Have Stars, man has thoroughly explored the Solar System, yet the dream of going even further seems to have died in all but one man. His battle to realize his dream results in two momentous discoveries anti-gravity and the secret of immortality. In A Life for the Stars, it is centuries later and anti-gravity generations have enabled whole cities to lift off the surface of the earth to become galactic wanderers. In Earthman, Come Home, the nomadic cities revert to barbarism and marauding rogue cities begin to pose a threat to all civilized worlds. In the final novel, The Triumph of Time, history repeats itself as the cities once again journey back in to space making a terrifying discovery which could destroy the entire Universe. A serious and haunting vision of our world and its limits, Cities in Flight marks the return to print of one of science fiction's most inimitable writers.A Selection of the Science Fiction Book Club

    Chastened and stifled by her marriage of convenience to a man twice her age, the young Katerina Lvovna goes yawning about the house, missing the barefoot freedom of her childhood, until she meets the feckless steward Sergei Filipych. Sergei proceeds to seduce Katerina, as he has done half the women in the town, not realizing that her passion, once freed, will attach to him so fiercely that Katerina will do anything to keep hold of him. Journalist and prose writer Nikolai Leskov is known for his powerful characterizations and the quintessentially Russian atmosphere of his stories.

    But tourists and opportunists are making inroads into the area, and the balance of nature is making a dangerous shift. Translated by Peter Bush.

    Table of Contents:- The Metamorphosis- A Country Doctor- A Hunger Artist- A Report for an Academy- An Imperial Message- Before the Law- In the Penal Colony- Jackals and Arabs- The Great Wall of China- The Hunter Gracchus- The Trial- Up in the Gallery

    The fisherman here accidentally catches a mermaid in his net. He falls in love with the Mermaid and tells her that he wants to marry her. She tells him that he can only marry her if he sends away his soul. From a Witch, the Fisherman learns how to send his soul away. The Soul makes several attempts to persuade the Fisherman to take him back, eventually convincing him to do so with the tale of a beautiful dancer who lives nearby. Too late does the Fisherman discover that the soul which he sent out into the world without a heart has become evil. So be careful what you set your heart on. This story was first published in 1896 in the book A House of Pomegranates.

    Howard was both a successful author of popular boxing stories and an avid amateur boxer himself. The sixteen stories and three poems collected in this volume show the full range of his talents for action, humor, and fistic philosophy. Ten of the stories feature the sailor Steve Costigan, a lovable, hard-fisted, and innocent semipro pugilist, who takes on dastardly villains in exotic ports of call. Howard’s brilliant blue-collar humor belies his preoccupation with the real-life issues near and dear to his heart—death, honor, pride, and a man’s love for his dog Other stories are more dramatic and somber, including “Iron Men,” which Howard called “the best fight story I ever wrote—in many ways the best story of any kind I ever wrote.” Severely edited and truncated for its original publication in 1930 in Fight Stories magazine, the tale has never been published in its original form—until now. It appears here, completely restored from Howard’s original typescript, in an authoritative version that Howard fans everywhere will appreciate. In these stories Howard created a realistic, richly populated boxing universe, with intertwining characters and histories that carry on from tale to tale. With them he takes his place in a tradition of American boxing writers but always with a uniquely Howardian twist, a gritty brooding atmosphere, and a reserve of humor that captures the often brutal ambiance of the 1930s.