Now he has many decisions to make: Should he stand by his mother even though it could mean losing his friends? Should he abandon the only family he's ever known? Either way, Melanin Sun is about to learn the true meaning of sacrifice, prejudice, and love.

    But when it comes to her giving the same in return, she falls short. Irulan wants to feel a connection, but all she keeps getting is relationships full of emptiness. After tying on one too many drinks, a simple joke turns into a bet that Irulan never intended to follow through on. Falling for one of her closest friends was not in the cards for her, especially since that friend is Mason Andrews. Mason Andrews is strong, confident and as handsome as they come, but he struggles in the love department. He has yet to find a woman that can give him everything that he needs, but he’s working overtime to hide the way he feels about a certain someone. Mason has known Irulan since they were teenagers and he’s trained himself to believe that there’s nothing romantic between them, but one night of curiosity proves him wrong. Now, Irulan and Mason are forced to deal with their feelings for each other, but a past fling is determined to keep them apart. With trouble on the horizon, Mason and Irulan must fight harder than ever before. Will they be able to handle what’s coming their way? Or will their happily ever after end before it even begins?

                         —from “The Return of Colored Only” Skin, Inc. is Thomas Sayers Ellis’s big, ambitious argument in sound and image for an America whose identity is in need of repair. In lyric sequences and with his own photographs, Ellis traverses the African American and American literary landscapes—along the way adding race fearlessness to past and present literary styles and themes, and perform-a-forming tributes for the Godfather of Soul, James Brown; the King of Pop, Michael Jackson; and the election of President Barack Obama. Part manifesto, part identity repair kit, part plea for poetic wholeness, this collection worries and self-defends, eulogizes and casts a vote, raises a fist and, often, an intimidating song. One sequence is written as a sonic/ visual diagram of pronouns and vowels; another quotes from editors’ rejections of his own poetry included in the book; another poem, “Race Change Operation,” begins: “When I awake I will be white, the color of law.” Skin, Inc. is the latest work by one of the most audacious and provocative poets now writing.

    Left with a small fortune by her parents and the cryptic advice, "it would do to find a passion," Redel's narrator sets out to become a mother--a task she feels she can be adequately passionate about. She conceives her son Paul through a loveless one-night stand, surrounds him with a wonderful, magical world for two--a world filled with books, music, endless games, and bottomless devotion--and calls him pet names like Birdie, Cookie, Puppy, and Loverboy. She wonders, "Has ever a mother loved a child more?" But as life outside their lace curtains begins to beckon the school-age Paul, his mother's efforts to keep him content in their small world become increasingly frantic and ultimately extreme by all definitions. In this exquisite debut novel, Victoria Redel takes us deep into the mind of a very singular mother, exposing the dangerously whisper-thin line between selfless and selfish motivation that exists in all types of devotion.

    The protagonist of Apex Hides the Hurt is a nomenclature consultant. If you want just the right name for your new product, whether it be automobile or antidepressant, sneaker or spoon, he’s the man to get the job done. Wardrobe lack pizzazz? Come to the Outfit Outlet. Always the wallflower at social gatherings? Try Loquacia. And of course, whenever you take a fall, reach for Apex, because Apex Hides the Hurt. Apex is his crowning achievement, the multicultural bandage that has revolutionized the adhesive bandage industry. “Flesh-colored” be damned—no matter what your skin tone is—Apex will match it, or your money back.After leaving his job (following a mysterious misfortune), his expertise is called upon by the town of Winthrop. Once there, he meets the town council, who will try to sway his opinion over the coming days. Lucky Aberdeen, the millionaire software pioneer and hometown-boy-made-good, wants the name changed to something that will reflect the town’s capitalist aspirations, attracting new businesses and revitalizing the community. Who could argue with that? Albie Winthrop, beloved son of the town’s aristocracy, thinks Winthrop is a perfectly good name, and can’t imagine what the fuss is about. Regina Goode, the mayor, is a descendent of the black settlers who founded the town, and has her own secret agenda for what the name should be. Our expert must decide the outcome, with all its implications for the town’s future. Which name will he choose? Or perhaps he will devise his own? And what’s with his limp, anyway?Apex Hides the Hurt brilliantly and wryly satirizes our contemporary culture, where memory and history are subsumed by the tides of marketing.

    The poems weave between personal narrative and pop-cultural criticism, examining and confronting modern media, consumption, feminism, and Blackness. This collection explores femininity and race in the contemporary American political climate, folding in references from jazz standards, visual art, personal family history, and Hip Hop. The voice of this book is a multifarious one: writing and rewriting bodies, stories, and histories of the past, as well as uttering and bearing witness to the truth of the present, and actively probing toward a new self, an actualized self. This is a book at the intersections of mythology and sorrow, of vulnerability and posturing, of desire and disgust, of tragedy and excellence.

    0-935906-02-9$5.00 / Javan Press

    Then on a cruise to the Caribbean with two friends, inspired by a troubling dream, she senses her life beginning to unravel--and in a panic packs her bag in the middle of the night and abandons her friends at the next port of call. The unexpected and beautiful adventure that follows provides Avey with the links to the culture and history she has so long disavowed. Originally published in 1983, Praise Song for the Widow was a recipient of the Before Columbus Foundation American Book Award. "Astonishingly moving." --Anne Tyler, The New York Times Book Review

    . . More Like Wrestling is the magnificent debut novel by one of the most acclaimed music journalists of her generation. It tells the story of Pinch and Paige, two sisters coming of age in Oakland, California, in the 1980s, a time when that beautiful, crumbling city is being transformed by tectonic shifts, both literal and figurative. The novel unfolds through the alternating narration of the two sisters: Pinch, quiet and observant, and Paige, louder and wilder but faltering under her facade. The sisters are teenage refugees from a violent home, living alone in a faded Victorian mansion where they survive by creating a closed world centered around each other and their new friends—a rowdy makeshift family of castoffs, dealers, and drama queens on the periphery of the burgeoning drug game, some looking for a way out, some looking for a way deeper in. As the sisters grow from girls into women, they are confronted with a series of surprising reversals—death, imprisonment, and, just maybe, love—that force them to come to grips with the truth about their choices, their friends, and their tangled roots.More Like Wrestling takes readers into fresh and surprising terrain, bringing a complex set of characters to vivid life with bracing honesty and sophistication. With a journalist’s eye for detail and a poet’s ear for language, Danyel Smith has written an unforgettable tale about memory, forgiveness, and love in a world built on fault lines.

    Dolla and Staxx are both overwhelmed with stress and different waves of emotions, which cause them both to make irrational, quick decisions. Once Dolla finds out who is behind the senseless shooting, he finds himself questioning Dream and her loyalty. To make matters worse, he leaves her at her lowest point. Right now, feelings for any woman is placed on the backburner. He wants nothing more than to seek justice for Zoe, but he has to patiently wait for the right time to strike. Staxx meets a new woman—Karma. She definitely dishes out more than he can take. With a failing marriage, the shooting of his daughter, and a plotting mistress, Staxx finds himself with his back against the wall. His business venture even backfires on him, causing him to put the billion-dollar empire in jeopardy. After a decade, Shonda finally finds the strength to walk away from her marriage. With a man like Staxx, the task proves nearly impossible. Even though the Whyte Brothers are under a tremendous amount of pressure, they sure find ways to cope. At the end of the day, they still have an empire to run.

    Sassafrass, Cypress and Indigo is the story of three "colored girls," three sisters and their mama from Charleston, South Carolina: Sassafrass, the oldest, a poet and a weaver like her mother, gone north to college, living with other artists in Los Angeles and trying to weave a life out of her work, her man, her memories and dreams; Cypress, the dancer, who leaves home to find new ways of moving and easing the contractions of her soul; Indigo, the youngest, still a child of Charleston—"too much of the south in her"—who lives in poetry, can talk to her dolls, and has a great gift of seeing the obvious magic of the world.

     Written with incredible honesty and self-knowledge, Between the Lines is a stunning collection of poems from Céline Zabad. Ranging in length from a single line to full pages, her poems mimic at once the brevity and vastness of feeling. Her verse is at times as free as a cloud, other times as solid as stone. Her words are philosophies and feelings in their own rights, on love, loss, loyalty, betrayal, hope, and disappointment—on life. Zabad encapsulates the thrill of love’s first blush and the freezing burn of heartbreak. Her feelings flow freely throughout the collection, lending her poetry uncommon authenticity and power. Nature thrives between the lines of her verse, reminding the reader that tears are as natural as raindrops. Whether you’re looking for new ways to think about your own feelings or are simply passionate about poetry, you’ll find plenty to love in this collection. To better understand the complexities of emotion in yourself and others, you must read Between the Lines.

    

    The much-awaited second book by a truly revolutionary poet, in the lineage of Gil Scott Heron, Allen Ginsberg, Audre Lorde.

    Journeying between his native Ulster and his adopted London, he balances ideas of home and flight, the need for belonging and the need to remain outside. Formally deft, rhetorically fresh, these poems never shy from difficult choices, exploring cruelty and vengeance wherever they may be found: in love, in work and against political backdrops. But these are brave, resolute writings that resist despair at all times, affirming instead the need to rebuild and to right oneself, to dust down and carry on.