Growing up in a small rice-farming village in 1980s Iran, eleven-year-old Saba Hafezi and her twin sister, Mahtab, are captivated by America. They keep lists of English words and collect illegal Life magazines, television shows, and rock music. So when her mother and sister disappear, leaving Saba and her father alone in Iran, Saba is certain that they have moved to America without her. But her parents have taught her that “all fate is written in the blood,” and that twins will live the same life, even if separated by land and sea. As she grows up in the warmth and community of her local village, falls in and out of love, and struggles with the limited possibilities in post-revolutionary Iran, Saba envisions that there is another way for her story to unfold. Somewhere, it must be that her sister is living the Western version of this life. And where Saba’s world has all the grit and brutality of real life under the new Islamic regime, her sister’s experience gives her a freedom and control that Saba can only dream of.

    The strong-willed youngest daughter of one of Haiti’s richest sons, she has an adoring husband, a precocious infant son, by all appearances a perfect life. The fairy tale ends one day when Mireille is kidnapped in broad daylight by a gang of heavily armed men, in front of her father’s Port au Prince estate. Held captive by a man who calls himself The Commander, Mireille waits for her father to pay her ransom. As it becomes clear her father intends to resist the kidnappers, Mireille must endure the torments of a man who resents everything she represents.An Untamed State is a novel of privilege in the face of crushing poverty, and of the lawless anger that corrupt governments produce. It is the story of a wilful woman attempting to find her way back to the person she once was, and of how redemption is found in the most unexpected of places. An Untamed State establishes Roxane Gay as a writer of prodigious, arresting talent.

    So she barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies halt operations. The subways squeak to a halt. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost.Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers?A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a quirky coming-of-adulthood tale and satire.

    In this extraordinarily candid and radically inventive memoir, Machado tackles a dark and difficult subject with wit, inventiveness and an inquiring spirit, as she uses a series of narrative tropes—including classic horror themes—to create an entirely unique piece of work which is destined to become an instant classic.

    On these frequent visits to check on his elderly parents, he bore witness to Zimbabwe's dramatic spiral downwards into thejaws of violent chaos, presided over by an increasingly enraged dictator. And yet long after their comfortable lifestyle had been shattered and millions were fleeing, his parents refuse to leave, steadfast in their allegiance to the failed state that has been their adopted home for 50 years.Then Godwin discovered a shocking family secret that helped explain their loyalty. Africa was his father's sanctuary from another identity, another world.WHEN A CROCODILE EATS THE SUN is a stirring memoir of the disintegration of a family set against the collapse of a country. But it is also a vivid portrait of the profound strength of the human spirit and the enduring power of love.

    Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

    But innocence lasts for only so long--and dreams, no matter how vivid and powerful, cannot slow the relentless incursion of the real world.

    That is until her father dies suddenly & her whole world falls apart. The only person she can talk to is cute, scruffy, guitar-mad Zac, who always seems to know the right thing to say. Eva feels that the responsibility for keeping the Coonan family afloat rests on her shoulders.

    In death his hold on them may be even stronger. Wife, daughter, granddaughter, employee, mistress: As Morrison’s protagonists stake their furious claim on Cosey’s memory and estate, using everything from intrigue to outright violence, she creates a work that is shrewd, funny, erotic, and heartwrenching.

    Elimane, the bookworm, is as street-smart as he is wise. Clever Khoudiemata maneuvers to keep the younger kids—athletic, pragmatic Ndevui; thoughtful Kpindi; and especially their newest member, Namsa—safe and fed. When Elimane makes himself of service to the shadowy William Handkerchief, it seems as if the little family may be able to keep the world at bay and their household intact. But when Khoudi comes under the spell of the “beautiful people”—the fortunate sons and daughters of the powerful—the desire to resume an interrupted coming of age and follow her own destiny proves impossible to resist.A profound and tender portrayal of the connections we forge to survive the fate we’re dealt, Little Family marks the further blossoming of a unique global voice.

    His wife has died, one of his sons has settled in Australia, and the other wants to emigrate to Canada. The only constants in Ruben's life are the old family home, the ghost of a seventeenth-century slave girl who haunts it, and Magrieta, the elderly housekeeper who comes in to look after him. When Ruben's neighbor and best friend is brutally murdered by marauding gangs, the subtle yet pervasive threat of violence hovering over life in Cape Town becomes frighteningly real.All agree that taking in a boarder might be a good idea, and Ruben is pleasantly surprised when young Tessa Butler walks in out of the rain one Saturday night. She restores passion and intrigue to his life, but he has little time to enjoy the infatuation, for soon Ruben finds himself in a web of deceptions, manipulations, disappearances, and lies.This extraordinary novel is at once a rich story of enigmatic characters and a boldly disquieting meditation on the attempt to build a future of hope and promise from the legacy of the past.

    When he finally is resettled in the United States, he finds a life full of promise, but also heartache and myriad new challenges. Moving, suspenseful, and unexpectedly funny, What Is the What is an astonishing novel that illuminates the lives of millions through one extraordinary man.-back cover

    After a rape and unwanted pregnancy leave her exiled from her family in Kano, thwarting her plans to go to university, she is sent to her aunt's in Lagos and pressured into a marriage with an older man. When their whirlwind romance descends into abuse and indignity, Ogadinma is forced to channel her independence and resourcefulness to escape a fate that appears all but inevitable. Ogadinma, the UK debut by Ukamaka Olisakwe, introduces a heroine for whom it is impossible not to root, and announces the author as a gifted chronicler of the patriarchal experience.‘An intimate and dazzling exploration of the life and times of a young Nigerian woman whose move to the capital city of Lagos leads to a series of encounters, which are by turns disorienting, revelatory and tragic.’ Christopher Merrill, author of Self-Portrait with Dogwood‘Written in vivid, engaging prose, this is the story of one woman’s journey to independence.’ Chinelo Okparanta, author of Under the Udala Trees and Happiness, Like Water: Stories

    It's the dream and the possibility that give meaning to Yearsonend. . . . For years now it hasn't been about gold . . . it's been about much more than that. . . . Take Mario Salviati, for instance: once the gold is found, the general will let him go. We'd be able to leave the past where it belongs. . . . Secrets abound in the South African Karoo -- a remote landscape of mountains and desert, where legend weaves its way into daily life. A fabulous merman sculpture miraculously appears one morning in the yard of eccentric artist Jonty Jack, and Ingi Friedlander, a young art curator for the National Gallery at Cape Town, comes to Yearsonend to buy the masterpiece. When Jonty refuses her offer, Ingi resolves to stay and win him over. Intrigued by hints of the town's unusual history, Ingi persistently questions its inhabitants, who reveal that a mythical trove of gold is buried nearby. For several centuries gold fever has gripped the town and sent ripples of suspicion through those who live there. Tracing the roots of Yearsonend's violent and magical history of feuding families, troubled love, and corrosive greed, the narrative shuttles between the past and the present, linking two patriarchs with shadowy pasts, an earthy angel, a woman without a face, a ragtag band of soldiers, and a host of other colorful characters. As Ingi delves deeper into the mysteries of Yearsonend, she is inexplicably drawn to Mario Salviati, a deaf, dumb, and blind Italian stonecutter who holds the key to many of the town's secrets. A spectacular climax sheds light on many unanswered questions, and Ingi and the Yearsonenders learn thatthey are searching not only for their past, but also for the promise of the future. With extraordinary imagination and lyricism, Etienne van Heerden captures the essence of a land steeped in myth, and of a culturally diverse people, for whom storytelling and history are inextricably linked. In the rich magic-realism tradition of One Hundred Years of Solitude, The Long Silence of Mario Salviati is an unforgettable journey toward understanding and inspiration.

    Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu.Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities—and discovers a world her people left behind long ago.Yetu will learn more than she ever expected to about her own past—and about the future of her people. If they are all to survive, they’ll need to reclaim the memories, reclaim their identity—and own who they really are.Inspired by a song produced by the rap group Clipping for the This American Life episode “We Are In The Future,” The Deep is vividly original and uniquely affecting.