The colonies are linked together by the occasional sublight colony ship voyages and hyperspatial data-casting. Human consciousness is digitally freighted between the stars and downloaded into bodies as a matter of course.But some things never change. So when ex-envoy, now-convict Takeshi Kovacs has his consciousness and skills downloaded into the body of a nicotine-addicted ex-thug and presented with a catch-22 offer, he really shouldn't be surprised. Contracted by a billionaire to discover who murdered his last body, Kovacs is drawn into a terrifying conspiracy that stretches across known space and to the very top of society.

    Sweeping, dramatic, rich with humanity, and rigorous in its science, Where Late the Sweet Birds Sang is widely regarded as a high point of both humanistic and hard SF, winning SF's Hugo Award and Locus Award on its first publication.

    She spends her days working in customer support for the internet dating site where she first met her husband. But she has a strange, persistent sense that everything around her is somewhat off-kilter: she constantly feels as if she has walked into a room and forgotten what she intended to do there; on TV, the President seems to be the wrong person in the wrong place; her dreams are full of disquiet. Meanwhile, her husband's decade-long dedication to his invention, the causality violation device (which he would greatly prefer you not call a “time machine”) has effectively stalled his career and made him a laughingstock in the physics community. But he may be closer to success than either of them knows or can possibly imagine.Version Control is about a possible near future, but it’s also about the way we live now. It’s about smart phones and self-driving cars and what we believe about the people we meet on the Internet. It’s about a couple, Rebecca and Philip, who have experienced a tragedy, and about how they help — and fail to help — each other through it.

    Seeking to atone, she joins the House of Reclamation, an organisation dedicated to rescuing ships in distress.But, stripped of her weaponry and emptied of her officers, she struggles in the new role she’s chosen for herself. When a ship goes missing in a disputed system, Trouble Dog and her new crew of misfits and loners, captained by Sal Konstanz, an ex-captain of a medical frigate who once fought against Trouble Dog, are assigned to investigate and save whoever they can.Meanwhile, light years away, intelligence officer Ashton Childe is tasked with locating and saving the poet, Ona Sudak, who was aboard the missing ship, whatever the cost. In order to do this, he must reach out to the only person he considers a friend, even if he’s not sure she can be trusted. What Childe doesn’t know is that Sudak is not the person she appears to be.Quickly, what appears to be a straightforward rescue mission turns into something far more dangerous, as Trouble Dog, Konstanz and Childe, find themselves at the centre of a potential new conflict that could engulf not just mankind but the entire galaxy.If she is to survive and save her crew, Trouble Dog is going to have to remember how to fight.

    The planet provides a lush but inexplicable landscape--trees offer edible, addictive fruit one day and poison the next, while the ruins of an alien race are found entwined in the roots of a strange plant. Conflicts between generations arise as they struggle to understand one another and grapple with an unknowable alien intellect.

    A new technology of linked jump gates has rendered most forms of transporation--including starships--virtually obsolete. Every place on earth, every distant planet mankind has settled, is now merely a step away from any other. And all seems wonderful...until a crashed alien spaceship is found on a newly-located world 89 light years from Earth, harboring seventeen human victims. And of the high-powered team dispatched to investigate the mystery, one is an alien spy...Bursting with tension and big ideas, this standalone series highlights the inventiveness of an author at the top of his game, as the interweaving story lines tell us not only how humanity arrived at this moment, but also the far-future consequences that spin off from it.

    When a team of scientists is assembled to investigate this world, exoethnologist Sara Callicot is recruited to keep an eye on an unstable crewmate. Thora was once a member of the interplanetary elite, but since her prophetic delusions helped mobilize a revolt on Orem, she’s been banished to the farthest reaches of space, because of the risk that her very presence could revive unrest.Upon arrival, the team finds an extraordinary crystalline planet, laden with dark matter. Then a crew member is murdered and Thora mysteriously disappears. Thought to be uninhabited, the planet is in fact home to a blind, sentient species whose members navigate their world with a bizarre vocabulary and extrasensory perceptions.Lost in the deep crevasses of the planet among these people, Thora must battle her demons and learn to comprehend the native inhabitants in order to find her crewmates and warn them of an impending danger. But her most difficult task may lie in persuading the crew that some powers lie beyond the boundaries of science.

    Told in short bursts of "Time," the narrative takes the form of a stylized fable, an epic allegory about the inexorable grind of time and the clash between modernity (the masculine) and nature (the feminine) in which Poland's tortured political history from 1914 to the contemporary era and the episodic brutality visited on ordinary village life is played out. A novel of universal dimension that does not dwell on the parochial, Primeval and Other Times was hailed as a contemporary European classic and heralded Tokarczuk as one of the leading voices in Polish as well as world literature.

    One survivor, strangely immune to the effects of the epidemic, ventures forward to experience a world without man. What he ultimately discovers will prove far more astonishing than anything he'd either dreaded or hoped for.

    Largely set in a futuristic World State, inhabited by genetically modified citizens and an intelligence-based social hierarchy, the novel anticipates huge scientific advancements in reproductive technology, sleep-learning, psychological manipulation and classical conditioning that are combined to make a dystopian society which is challenged by only a single individual: the story's protagonist.

    Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly). The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared. Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward· Introduction · Robert Silverberg · in · A Martian Odyssey [Tweel] · Stanley G. Weinbaum · nv Wonder Stories Jul ’34 · Twilight [as by Don A. Stuart; Dying Earth] · John W. Campbell, Jr. · ss Astounding Nov ’34 · Helen O’Loy · Lester del Rey · ss Astounding Dec ’38 · The Roads Must Roll · Robert A. Heinlein · nv Astounding Jun ’40 · Microcosmic God · Theodore Sturgeon · nv Astounding Apr ’41 · Nightfall · Isaac Asimov · nv Astounding Sep ’41 · The Weapon Shop [Isher] · A. E. van Vogt · nv Astounding Dec ’42 · Mimsy Were the Borogoves · Lewis Padgett · nv Astounding Feb ’43 · Huddling Place [City (Websters)] · Clifford D. Simak · ss Astounding Jul ’44 · Arena · Fredric Brown · nv Astounding Jun ’44 · First Contact · Murray Leinster · nv Astounding May ’45 · That Only a Mother · Judith Merril · ss Astounding Jun ’48 · Scanners Live in Vain · Cordwainer Smith · nv Fantasy Book #6 ’50 · Mars Is Heaven! · Ray Bradbury · ss Planet Stories Fll ’48 · The Little Black Bag · C. M. Kornbluth · nv Astounding Jul ’50 · Born of Man and Woman · Richard Matheson · vi F&SF Sum ’50 · Coming Attraction · Fritz Leiber · ss Galaxy Nov ’50 · The Quest for Saint Aquin · Anthony Boucher · ss New Tales of Space and Time, ed. Raymond J. Healy, Holt, 1951; F&SF Jan ’59 · Surface Tension [Lavon] · James Blish · nv Galaxy Aug ’52 · The Nine Billion Names of God · Arthur C. Clarke · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953 · It’s a Good Life · Jerome Bixby · ss Star Science Fiction Stories #2, ed. Frederik Pohl, Ballantine, 1953 · The Cold Equations · Tom Godwin · nv Astounding Aug ’54 · Fondly Fahrenheit · Alfred Bester · nv F&SF Aug ’54 · The Country of the Kind · Damon Knight · ss F&SF Feb ’56 · Flowers for Algernon · Daniel Keyes · nv F&SF Apr ’59 · A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov ’63

    Janis Taine is a scientist working on memory-enhancing drugs, fleeing the US/UN's technology cops. Jordan Brown is a teenager in the Christian enclave of Beulah City, dealing in theologically-correct software for the world's fundamentalists-and wants out.In a balkanized twenty-first century, where the "peace process" is deadlier than war, the US/UN's spy satellites have everyone in their sights. But the Watchmaker has other plans, and the lives of Moh, Janis, and Jordan are part of the program. A specter is haunting the fight for space and freedom, the specter of the betrayed revolution that happened before... With The Star Fraction, Ken MacLeod burst onto the SF scene and began the Fall Revolution sequence that continued with The Stone Canal, The Cassini Division, and The Sky Road.