Kendell Summer, lead guitarist for Polly Urethane and the Strippers, has always been interested in the unexplained. So when she sets off on a paranormal research romp with Myles, a former classmate, to explore his skills in psychometry, she’s ready for a little adventure. But she gets more than she bargained for when her Lhasa apso, Cheesecake, is dognapped. Kendell will do whatever it takes to get her dog back. While rescuing the pup, Kendell and Myles learn that the touristy glitz of New Orleans’ voodoo shops hides a dark history few understand—a truth that some in the city plan to use for their own gain. Soon they uncover more than they ever wanted to know about New Orleans’ unsavory past and a curse that threatens to change everything. Only Kendell can prevent the evil they’ve uncovered from doing more damage, but she’ll need Myles’s support and psychometric abilities—and the vigilance of the ever-watchful Cheesecake.

    As a medium, the prospect of tackling a haunted house is less daunting than seeing Max Baron again. Throughout their passionate college relationship, he promised to love her forever. Then, without explanation, he abandoned her on graduation day.Max never intended to break Claire's heart—a cruel ultimatum forced him to disappear from her life. While he's shocked to find her in Gull Harbor, he isn't surprised by the bitter resentment she feels for him...or the fiery attraction that remains between them.Claire is determined to rid her temporary home of its aggressive ghost, but Max soon realizes she's facing a danger beyond the paranormal. When Claire risks everything to help a desperate spirit, Max must race to save her—before another tragedy tears them apart forever.

    The fragile peace imposed by the conquerors has been shattered, compelling Artoria Argantel -- Lady of the Lake and Druid priestess -- to call upon the Spirit of War and Justice to deliver a champion who will unite the broken land. It is from Argantel's ancient and royal blood that the hero will spring; his sword will be forged from star-steel by ancient spells, carried by soldier-priests from the steppes of Asia to the edges of the Empire. Only one man can wield this holy steel, aided by the wizard Merlin, whose heritage is a magic wilder still. Only one man can free the sword from its prison of stone.Artor, a fosterling of unknown parentage. The promised High King.

    Archer's THE 1ST FREAK HOUSE TRILOGY in a single volume for one low price. Each book in this boxed set is available for purchase separately, but by buying them in this bundle, you're getting a better deal! DESCRIPTION It's customary for Gothic romance novels to include a mysterious girl locked in the attic. Hannah Smith just wishes she wasn't that girl. As a narcoleptic and the companion to an earl's daughter with a strange affliction of her own, Hannah knows she's lucky to have a roof over her head and food in her belly when so many orphans starve on the streets. Yet freedom is something Hannah longs for. She did not, however, want her freedom to arrive in the form of kidnapping. Taken by handsome Jack Langley to a place known as Freak House, she finds herself under the same roof as a mad scientist, his niece, a mute servant and Jack, a fire starter with a mysterious past. They assure Hannah she is not a prisoner and that they want to help her. The problem is, they think she's the earl's daughter. What will they do when they discover they took the wrong girl?

    (Heinlein’s novel The Puppet Masters had been serialized in the September through November 1951 issues of Galaxy but Gold had merely acquired serial rights to a contract novel which had been written for Scribner’s.) Heinlein never again appeared in Gold’s Galaxy. This novelette, set in a near-future only subtly different from the McCarthyite and politically menacing present deals with social deterioration, cultural breakdown in a careful, documentary style which becomes terrifying. His romantically-linked leads are emotionally affecting but never sentimentalized, the background of chaos in which they enact their tragic, drowning love, is sparingly but furiously painted. Heinlein’s 1952 is clearly the apotheosis of those “Crazy Years” which he had noted in his famous chronological Future History, published a decade earlier in Astounding Science Fiction as a precis of his intended career. Perhaps no story of this period limns its political and cultural dysfunction as accurately as this novelette. Overshadowed by Heinlein’s juveniles and his famous later novels, The Year of the Jackpot may be the purest version of his portfolio and his most memorable work of less than novel length. It is one of his most exemplary stories and perhaps his best.