This volume follows the Fat Cat as he gets caught in a time warp, battles monsters both in the forest and under the bed, and faces two of his greatest foes: the Calzone Creature and Zombie Meatballs! Collects issues #17-20.

    Garfield: His 9 Lives went from illustrated book to beloved animated special, and now you can see the different lives of Garfield throughout history in comics for the first time, drawn by an all-star cast of artists including Roger Langridge, Brittney Williams, Andy Hirsch, Genevieve FT, Frazer Irving, and more. Collects issues #33-36.

    Dilbert has managed to keep up with technology like iPads and Twitter over the years, as well as advanced systems like the Disaster Preparedness Plan that has its followers eating the crumbs from their keyboards. It doesn’t get any more sophisticated than that.   It’s an office code violation to be this good after so many years, but Dilbert keeps doing what he does best: passive-aggressively out-witting his superiors and exercising conflict avoidance. And he is so good. No wonder office drones and workforce automatons alike can’t resist the cold embrace of Dilbert’s workplace.

    Always together—and sometimes with their fellow funny-page characters—the regular Pearls clan weighs in on everything from modern technology to current events to human nature. All the members of the skewed gang are here as Zebra engages in a never-ending war of neighborly hate with the Crocs. As always, Goat offers a voice of reason amid the ongoing chaos that Pastis creates, either from behind the pen or as a character within the strip itself. Includes all cartoons from the collections I Scream, You Scream, We All Scream Because Puns Suck and Floundering Fathers.

    Anna Blandford's easy humor points out cat behaviour at its best, and worst, and why humans still find cats irresistible. Because let's be honest, we're obsessed: if a cat lover is presented with a choice of products and one of them has a cat on it, hands down that will be the one selected. And as Anna asks, 'If it doesn't have a cat on it, is it even worth owning?'Cat lovers worldwide will relate to Anna's whimsical drawings and hilarious insights.

    This delightful collection also includes a handful of never-before-seen comic strips! Readers of all ages have enjoyed Chicken Thoughts comics since they first flew onto the Internet in 2018.See the world through a parrot's eyes as Chicken the cockatiel & friends do bird things and think bird thoughts!

    Its subject is the world, all living beings in it, and their relationship with each other. . . . Its touch is incredibly light and gentle, which explains how it alights in your mind and rests there. . . . The way that McDonnell's stories oscillate between gentle comedy and understated pathos is the strip's greatest strength.""-Christopher Brayshaw, Vancouver ReviewAnimal lovers everywhere adore Patrick McDonnell's charming but pointed MUTTS. The strip strikes a delicate balance between lighthearted fun and social commentary-on the human condition as well as the animal world. The deceptively simple comic follows the adventures of Earl the dog and Mooch the cat, an unlikely best-friend team, and Shtinky Puddin', Sourpuss, Guard Dog, and Crabby. Patrick's distinctive cartooning style effectively relays the all-too-real concerns of his characters with entertaining, clever, laugh-out-loud banter.Infodad.com describes MUTTS as ""humane and funny and gentle and caring and heartfelt and-did we mention funny?"" The site goes on to say that the strip ""includes enough hijinks and outstanding art (yes, art!) to please anyone with a taste for animals and amusement.""

    Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001

    It's an age when nurturing moms who've spent years cuddling, tucking, and rocking their little boys suddenly find themselves on the outside trying to see in. Most moms and sons do not make the transition gracefully.Jerry Scott and Jim Borgman are trying something different with this collection of their phenomenally successful comic strip, Zits. They have combed through more than 10 years of strips and selected more than 200 of the most popular of the Mom/Son themed strips into one book.The idea is to provide a more focused look at the dynamic that drives almost all of the mountain of Zits e-mail and letters we receive every month," says Scott. Borgman adds, "If moms can stop what they're doing long enough to discover this book, we think they'll find a lot of comfort (and laughs) in seeing that their struggles with their grunting, slouching, uncommunicative, sloppy, and ultimately incomprehensible sons are universal."

    Geronimo Stilton is a talking mouse who lives in New Mouse City on Mouse Island with his friends and relatives. He works at The Rodent’s Gazette, the most famous newspaper in New Mouse City. In this series of comics, Geronimo Stilton travels through time in order to defend history from his arch nemeses, the Pirate Cats. These devious felines plan to travel back in time in order to change history to make them supreme rulers of Mouse Island! In his first time-traveling adventure, Geronimo and co. join Christopher Columbus on his voyage from Italy to America in 1492 in order to stop the Pirate cats and save all of the mice on Mouse Island.

    Schulz goodness! For the youngest of fans all the way to the biggest of enthusiasts. Collects issues #21-24.

    He's been big, bad, bratty, beefy, bouncy, beastly, brilliant (not to mention boastful, brazen, boisterous, brash, and downright bamboozling), but when it comes down to it—Bart Simpson is the Son of Homer! Join the chip off the ol' block in several new adventures as he makes Springfield safe from criminals; starts his own radio talk show; goes on a one man campaign against the new reading craze in Springfield; takes a one-way train trip to disaster; wins a shopping spree at Krusty's toy store; and much, much more.

    She's nine years old, a former New Yorker who's now living in a small town after her parents decided to get divorced, and dealing with everything from being the new kid in school to getting her first kiss. But you know what? She's got her mom and her aunt Tanner (who happens to be an ex-rock star) and her friends Reggie, Rhonda, and Pajamaman, and everything's going to be okay. Except, of course, when it isn't. In this first book of Amelia's adventures, Amelia and her friends take on bullies (and Santa!), barely survive gym class, and receive a disgustingly detailed explanation of the infamous Sneeze Barf.

    In full color for the very first time, the YouTube sensation is back on the page—only smaller and cuter. This cat will do anything to be fed.

    Following the success of Cat Getting Out of a Bag, this all-new collection of color and black-and-white comic strips loosely follows the adventures of a pair of cats as they explore the world around them, indoors and out. Adventures include taking a nap, licking a shoe, attacking dust particles, hiding in cabinets, pouncing on fallen leaves, confronting the vacuum cleaner, patrolling the yard, and purring up a stormall adorably rendered in Brown's immediate and irresistible style. Sure to delight anyone who lives with cats and appreciates their sweet and batty behavior, this beautifully packaged gift book is the cat's meow.