Reserves are drying up, local officials have failed to enforce water-rationing regulations, and the relentless heat is causing panic and unrest among the town's citizens.The Drought follows an eclectic cast of characters through a volatile two weeks of greed, lust, and violence, leading to an inevitable and extraordinary climax no one will see coming.And it all begins with Willie Strasbourg stealing a pair of underwear from the girl next door . . .

    Pendle Hill, Lancashire.A mysterious gathering of thirteen people is interrupted by local magistrate, Roger Nowell. Is this a witches' Sabbat?Two notorious Lancashire witches are already in Lancaster Castle waiting trial. Why is the beautiful and wealthy Alice Nutter defending them? And why is she among the group of thirteen on Pendle Hill?Elsewhere, a starved, abused child lurks. And a Jesuit priest and former Gunpowder plotter, recently returned from France, is widely rumoured to be heading for Lancashire. But who will offer him sanctuary? And how quickly can he be caught?This is the reign of James I, a Protestant King with an obsession: to rid his realm of twin evils, witchcraft and Catholicism, at any price...

    . . More Like Wrestling is the magnificent debut novel by one of the most acclaimed music journalists of her generation. It tells the story of Pinch and Paige, two sisters coming of age in Oakland, California, in the 1980s, a time when that beautiful, crumbling city is being transformed by tectonic shifts, both literal and figurative. The novel unfolds through the alternating narration of the two sisters: Pinch, quiet and observant, and Paige, louder and wilder but faltering under her facade. The sisters are teenage refugees from a violent home, living alone in a faded Victorian mansion where they survive by creating a closed world centered around each other and their new friends—a rowdy makeshift family of castoffs, dealers, and drama queens on the periphery of the burgeoning drug game, some looking for a way out, some looking for a way deeper in. As the sisters grow from girls into women, they are confronted with a series of surprising reversals—death, imprisonment, and, just maybe, love—that force them to come to grips with the truth about their choices, their friends, and their tangled roots.More Like Wrestling takes readers into fresh and surprising terrain, bringing a complex set of characters to vivid life with bracing honesty and sophistication. With a journalist’s eye for detail and a poet’s ear for language, Danyel Smith has written an unforgettable tale about memory, forgiveness, and love in a world built on fault lines.

    He has glimpsed his neighbors—beautiful manicurist Rayleen, lonely old Ms. Hinman, bigoted and angry Mr. Lafferty, kind-hearted Felipe, and 9-year-old Grace and her former addict mother Eileen. But most of them have never seen Billy. Not until Grace begins to sit outside on the building’s front stoop for hours every day, inches from Billy’s patio. Troubled by this change in the natural order, Billy makes it far enough out onto his porch to ask Grace why she doesn’t sit inside where it’s safe. Her answer: “If I sit inside, then nobody will know I’m in trouble. And then nobody will help me.” Her answer changes everything.

    But Lucy’s is bigger and dirtier than most. It’s one she’s been hiding for years—that her mom’s out-of-control hoarding has turned their lives into a world of garbage and shame. She’s managed to keep her home life hidden from her best friend and her crush, knowing they’d be disgusted by the truth. So, when her mom dies suddenly in their home, Lucy hesitates to call 911 because revealing their way of life would make her future unbearable—and she begins her two-day plan to set her life right.With details that are as fascinating as they are disturbing, C. J. Omololu weaves an hour-by-hour account of Lucy’s desperate attempt at normalcy. Her fear and isolation are palpable as readers are pulled down a path from which there is no return, and the impact of hoarding on one teen’s life will have readers completely hooked.

    Ostensibly a nature diary, chronicling the narrator’s interest in the local flora and fauna and the passing of the seasons, Ash before Oak is also the story of a breakdown told slantwise, and of the narrator’s subsequent recovery through his re-engagement with the world around him. The title derives from an old country rhyme forecasting rain. Written in prose that is as precise as it is beautiful, Jeremy Cooper’s first novel in over a decade is a stunning investigation of the fragility, beauty and strangeness of life.

    Now married, her happiness is threatened when beautiful and emotionally unstable Simone, suffering from crippling postpartum depression, commits an unforgivable crime for which Roxanne comes to believe she is partially responsible. In the glare of national media attention brought on her sister, Roxanne fights to hold her marriage together as she is drawn back into the pain of her troubled past and relives the fraught relationship she and Simone shared with their narcissistic mother. At the same time, only she can help Simone's nine year old daughter, Merell, make sense of the family's tragedy. Cathartic, lyrical, and unflinchingly honest, The Good Sister is a novel of four generations of women struggling to overcome a legacy of violence, lies and secrecy, ultimately finding strength and courage in their love for each other.

    When one night they are forced to expel a middle-aged man and a prostitute from their room, Mari finds herself drawn to the man's voice, in what will become the first gesture of a single long seduction. In spite of her provincial surroundings, and her cool but controlling mother, Mari is a sophisticated observer of human desire, and she sees in this man something she has long been looking for.The man is a proud if threadbare translator living on an island off the coast. A widower, there are whispers around town that he may have murdered his wife. Mari begins to visit him on his island, and he soon initiates her into a dark realm of both pain and pleasure, a place in which she finds herself more at ease even than the translator. As Mari's mother begins to close in on the affair, Mari's sense of what is suitable and what is desirable are recklessly engaged.Hotel Iris is a stirring novel about the sometimes violent ways in which we express intimacy and about the untranslatable essence of love.

    Despite his obvious intelligence and compelling voice, it is clear that something about solitary, odd Mike is not quite right. When he becomes fixated on a classmate named Jennifer Arkland and she goes missing, we are left with the looming question: Is Mike Engleby involved? As he grows up, finding a job and even a girlfriend in London, Mike only becomes more and more detached from those around him in an almost anti-coming-of-age. His inability to relate to others and his undependable memory (able to recall countless lines of text yet sometimes incapable of summoning up his own experiences from mere days before) lead the reader down an unclear and often darkly humorous path where one is never completely comfortable or confident about what is true.Mike Engleby is a chilling and unforgettable character, and Engleby is a novel that will surprise and beguile Sebastian Faulks' readership.

    The novel is concerned with the conflict between the individual and the state, the punishment of young criminals, and the possibility or otherwise of redemption. The linguistic originality of the book, and the moral questions it raises, are as relevant now as they ever were.Source: anthonyburgess.org

    In a small Western Queensland town, a reserved young woman receives a note from one of her vanished brothers—a note that makes question her memories of their disappearance and her father’s departure.A beguiling story that proves that gothic delights and uncanny family horror can live—and even thrive—under a burning sun, Flyaway introduces readers to Bettina Scott, whose search for the truth throws her into tales of eerie dogs, vanished schools, cursed monsters, and enchanted bottles.In these pages Jennings assures you that gothic delights, uncanny family horror, and strange, unsettling prose can live—and even thrive—under a burning sun.Holly Black describes as “half mystery, half fairy tale, all exquisitely rendered and full of teeth.” Flyaway enchants you with the sly, beautiful darkness of Karen Russell and a world utterly its own.

    Filmmaker Sam Dolan has a difficult relationship with his father, B-movie actor Booth Dolan—a boisterous, opinionated, lying lothario whose screen legacy falls somewhere between cult hero and pathetic. Allie, Sam’s dearly departed mother, was a woman whose only fault, in Sam’s eyes, was her eternal affection for his father. Also included in the cast of indelible characters: a precocious, frequently violent half-sister; a conspiracy-theorist second wife; an Internet-famous roommate; a family friend and contractor who can’t stop expanding his house; a happy-go-lucky college girlfriend and her husband, a retired Yankees catcher; the morose producer of a true crime show; and a slouching indie film legend. Not to mention a tragic sex monster.Praise for Double Feature: “[Double Feature]… is epic, ambitious, and dedicated to the uncontainable… [King] has a captivating energy, a precision and a fondness for people that are rare…” – David Thomson, The New York Times Book Review 4/7/13“What a kinetic, joyful, gonzo ride – Double Feature made me laugh so loudly on a plane that I had to describe the plot of Sam’s Spruce Moose of a debut film (it stars a satyr) to my seatmate by way of explanation. Booth and Sam are an unforgettable Oedipal duo. A book that delivers walloping pleasures to its lucky readers.” – Karen Russell, author of Swamplandia!“The literary and the popular can coexist. Double Feature makes this point, and proves it too.” — Brian Gresko, The Rumpus 7/2/13"I liked [Double Feature] so much that it sort of pisses me off – the fact that Owen King, who is something like 142 years younger than I am, is such a skilled, imaginative and complete writer. This is a well-wrought and thoroughly satisfying novel, which manages, at the same time, to be both moving and – this is what pisses me off the most – very funny." - Dave Barry, author of Insane City“… [A] darkly humorous and often heartfelt work that’s part ode to low-budget movies, part family drama and part screwball comedy with a slew of oddball characters…” — Brian Truitt, USA Today, 3/22/13

    Nineteen years of marriage to a man who still warms her soul and two beautiful teenage daughters to show for it: confident Charlotte and thoughtful Lexi. Her home is filled with love and laughter.But when Lexi’s struggles with weight take control of her life, everything Freya once took for granted falls apart, leaving the whole family with a sense of helplessness that can only be confronted with understanding, unity and, above all, love.In this compelling and heart-wrenching new work by bestselling author Amanda Prowse, one ordinary family confronts unexpected difficulties and discovers that love can find its way through life’s darkest moments.

    She lives on the east coast of England with her magnificent hubby, cooking him gourmet meals and crashing the car. So one day she decides to End It All. But-Dot BLOWS it!After a brief sojourn in the underworld (populated by "underaged, underdeveloped underlings all, understated in their undershirts and UNDERSTANDING VERY LITTLE"), Dot is reincarnated, first as a possum, and then as a girl in Ohio. A hilarious and poignant journey through our puny universe, this is a masterpiece of disquiet.

    Thomas Nesbitt is a divorced writer in the midst of a rueful middle age. Living a very private life in Maine, in touch only with his daughter and still trying to recover from the end of a long marriage, his solitude is disrupted one wintry morning by the arrival of a box that is postmarked Berlin. The name on the box—Dussmann—unsettles him completely, for it belongs to the woman with whom he had an intense love affair twenty-six years ago in Berlin at a time when the city was cleaved in two and personal and political allegiances were frequently haunted by the deep shadows of the Cold War.Refusing initially to confront what he might find in that box, Thomas nevertheless is forced to grapple with a past he has never discussed with any living person and in the process relive those months in Berlin when he discovered, for the first and only time in his life, the full, extraordinary force of true love. But Petra Dussmann, the woman to whom he lost his heart, was not just a refugee from a police state, but also someone who lived with an ongoing sorrow that gradually rewrote both their destinies.A love story of great epic sweep and immense emotional power, The Moment explores why and how we fall in love—and the way we project on to others that which our hearts so desperately seek.