But when influenza strikes down her missionary parents, she is left vulnerable prey to her family's wicked neighbors. Surrounded by greed and lies, Rachel is entangled in a criminal scheme and sent to England, where she is forced into a life of deception. Like the lion, she must be patient and strong, awaiting the moment when she can take control of her own fate—and find her way home again at last.

    Living in a frighteningly unstable family, she often needs to disappear at a moment's notice. When her parents are murdered, it's her special hiding place under the trailer that saves her life. As it turns out, Roo, much to her surprise, has a wealthy if eccentric uncle, who has agreed to take her into his home on Cough Rock Island. Once a tuberculosis sanitarium for children of the rich, the strange house is teeming with ghost stories and secrets. Roo doesn't believe in ghosts or fairy stories, but what are those eerie noises she keeps hearing? And who is that strange wild boy who lives on the river? People are lying to her, and Roo becomes determined to find the truth.Despite the best efforts of her uncle's assistants, Roo discovers the house's hidden room--a garden with a tragic secret. Inspired by The Secret Garden, this tale full of unusual characters and mysterious secrets is a story that only Ellen Potter could write.

    With a starred review from Kirkus Reviews calling it an "enchanting tale to treasure," The Great Unexpected captures the heart and the imagination.Humorous and heartfelt, this is a story of pairs—of young Naomi and Lizzie, both orphans in present-day Blackbird Tree, USA, and of Sybil and Nula, grown-up sisters from faraway Rook's Orchard, Ireland, who have become estranged.Young Naomi Deane is brimming with curiosity and her best friend, Lizzie Scatterding, could talk the ears off a cornfield. Naomi has a knack for being around when trouble happens. She knows all the peculiar people in town—like Crazy Cora and Witch Wiggins. But then, one day, a boy drops out of a tree. Just like that. A strangely charming Finn boy. And then the Dingle Dangle man appears, asking all kinds of questions. Curious surprises are revealed—three locked trunks, a pair of rooks, a crooked bridge, and that boy—and soon Naomi and Lizzie find their lives changed forever.As two worlds are woven together, Creech reveals that hearts can be mended and that there is indeed a gossamer thread that connects us all.

    Some stores she can go into. Some stores she can't. Some folks are right pleasant. Others are a lot less so. To Stella, it sort of evens out, and heck, the Klan hasn't bothered them for years. But one late night, later than she should ever be up, much less wandering around outside, Stella and her little brother see something they're never supposed to see, something that is the first flicker of change to come, unwelcome change by any stretch of the imagination. As Stella's community - her world - is upended, she decides to fight fire with fire. And she learns that ashes don't necessarily signify an end.

    But when she discovers the diary her Jewish great-grandmother wrote chronicling her escape from Holocaust-era Europe, Imani begins to see family in a new way.Imani knows exactly what she wants as her big bat mitzvah gift: to meet her birthparents. She loves her family and her Jewish community in Baltimore, but she has always wondered where she came from, especially since she's black and almost everyone she knows is white. When her mom's grandmother--Imani's great-grandma Anna--passes away, Imani discovers an old diary among her books. It's Anna's diary from 1941, the year she was twelve--the year she fled Nazi-occupied Luxembourg alone, sent by her parents to seek refuge in Brooklyn. Written as a series of letters to the twin sister she had to leave behind, Anna's diary records her journey to America and her new life with an adopted family. Anna's diary and Imani's birthparent search intertwine to tell the story of two girls, each searching for family and identity in her own time and in her own way.

    But she's the only deaf person in her school, so people often treat her like she's not very smart. If you've ever felt like no one was listening to you, then you know how hard that can be.When she learns about Blue 55, a real whale who is unable to speak to other whales, Iris understands how he must feel. Then she has an idea: she should invent a way to "sing" to him! But he's three thousand miles away. How will she play her song for him?

    So suddenly moving to the country and getting new stepsisters shouldn't be too much of a surprise.Jen did not want to leave the city. She did not want to move to a farm with her mom and her mom's new boyfriend, Walter. She did not want to leave her friends and her dad.Most of all, Jen did not want to get new "sisters," Andy and Reese.If learning new chores on Peapod Farm wasn't hard enough, then having to deal with perfect-at-everything Andy might be the last straw for Jen. Besides cleaning the chicken coop, trying to keep up with the customers at the local farmers' market, and missing her old life, Jen has to deal with her own insecurities about this new family . . . and where she fits in.

    Old enough to wear a toob, old enough for new responsibilities. And maybe old enough to go to school in Nyala--Amira's one true dream.But life in her peaceful Sudanese village is shattered when the Janjaweed arrive. The terrifying attackers ravage the town and unleash unspeakable horrors. After she loses nearly everything, Amira needs to dig deep within herself to find the strength to make the long journey--on foot--to safety at a refugee camp. Her days are tough at the camp, until the gift of a simple red pencil opens her mind--and all kinds of possibilities.New York Times bestselling and Coretta Scott King Award-winning author Andrea Davis Pinkney's powerful verse and Coretta Scott King Award-winning artist Shane W. Evans's breathtaking illustrations combine to tell an inspiring tale of one girl's triumph against all odds.

    For Gus, a bright 13-year-old with dreams of getting out and going to college, life there is made even worse by Bo Taylor, Nowhere’s biggest, baddest bully. When Bo tries to force Gus to eat a dangerously spiny cactus, Rossi Scott, one of the best racers in Nowhere, comes to his rescue—but in return she has to give Bo her prized dirt bike. Determined to buy it back, Gus agrees to go searching for gold in Dead Frenchman Mine, joined by his old friends Jessie Navarro and Matthew Dufort, and Rossi herself. As they hunt for treasure, narrowly surviving everything from cave-ins to mountain lions, they bond over shared stories of how hard life in Nowhere is—and they realize this adventure just may be their way out.

      Terpsichore can’t wait to follow in Laura Ingalls Wilder’s footsteps . . . now she just has to convince her mom. It’s 1934, and times are tough for their family. To make a fresh start, Terpsichore’s father signs up for President Roosevelt’s Palmer Colony project, uprooting them from Wisconsin to become pioneers in Alaska. Their new home is a bit of a shock—it’s a town still under construction in the middle of the wilderness, where the residents live in tents and share a community outhouse. But Terpsichore’s not about to let first impressions get in the way of this grand adventure. Tackling its many unique challenges with her can-do attitude, she starts making things happen to make Alaska seem more like home. Soon, she and her family are able to start settling in and enjoying their new surroundings—everyone except her mother, that is. So, in order to stay, Terpsichore hatches a plan to convince her that it’s a wonderful—and civilized—place to live . . . a plan that’s going to take all the love, energy, and Farmer Boy expertise Terpsichore can muster.

    If she ever wants to lift the cloud of grief over her family and community, she must complete the research her late mother began. She must follow the sharks.Wherever the sharks led, Lucy Everhart’s marine-biologist mother was sure to follow. In fact, she was on a boat far off the coast of Massachusetts, preparing to swim with a Great White, when she died suddenly. Lucy was eight. Since then Lucy and her father have done OK—thanks in large part to her best friend, Fred, and a few close friends and neighbors. But June of her twelfth summer brings more than the end of school and a heat wave to sleepy Rockport. On one steamy day, the tide brings a Great White—and then another tragedy, cutting short a friendship everyone insists was “meaningful” but no one can tell Lucy what it all meant. To survive the fresh wave of grief, Lucy must grab the line that connects her depressed father, a stubborn fisherman, and a curious old widower to her mother’s unfinished research. If Lucy can find a way to help this unlikely quartet follow the sharks her mother loved, she’ll finally be able to look beyond what she’s lost and toward what’s left to be discovered.

    She wants to contribute, but it’s hard to be separated from her family by 15 long, unfamiliar miles. Then the unthinkable happens: May is abandoned. Trapped in a tiny snow-covered sod house, isolated from family and neighbors, May must prepare for the oncoming winter. While fighting to survive, May’s memories of her struggles with reading at school come back to haunt her. But she’s determined to find her way home again.Caroline Starr Rose’s fast-paced novel, written in beautiful and riveting verse, gives readers a strong new heroine to love.

    A remarkable memoir from Leon Leyson, one of the youngest children to survive the Holocaust on Oskar Schindler’s list.Leon Leyson (born Leib Lezjon) was only ten years old when the Nazis invaded Poland and his family was forced to relocate to the Krakow ghetto. With incredible luck, perseverance, and grit, Leyson was able to survive the sadism of the Nazis, including that of the demonic Amon Goeth, commandant of Plaszow, the concentration camp outside Krakow. Ultimately, it was the generosity and cunning of one man, a man named Oskar Schindler, who saved Leon Leyson’s life, and the lives of his mother, his father, and two of his four siblings, by adding their names to his list of workers in his factory—a list that became world renowned: Schindler’s List.This, the only memoir published by a former Schindler’s List child, perfectly captures the innocence of a small boy who goes through the unthinkable. Most notable is the lack of rancor, the lack of venom, and the abundance of dignity in Mr. Leyson’s telling. The Boy on the Wooden Box is a legacy of hope, a memoir unlike anything you’ve ever read.

    In the summer of 1908, in Muskegon, Michigan, a visiting troupe of vaudeville performers is about the most exciting thing since baseball. They’re summering in nearby Bluffton, so Henry has a few months to ogle the elephant and the zebra, the tightrope walkers and — lo and behold — a slapstick actor his own age named Buster Keaton. The show folk say Buster is indestructible; his father throws him around as part of the act and the audience roars, while Buster never cracks a smile. Henry longs to learn to take a fall like Buster, "the human mop," but Buster just wants to play ball with Henry and his friends. With signature nostalgia, Scott O’Dell Award–winning graphic novelist Matt Phelan visualizes a bygone era with lustrous color, dynamic lines, and flawless dramatic pacing.

    Owens grabbed a brick and hurled it at the trash picker. Arthur had his reasons, and the brick hit the Junk Man in the arm, not the head. But none of that matters to the judge—he is ready to send Arthur to juvie for the foreseeable future. Amazingly, it’s the Junk Man himself who offers an alternative: 120 hours of community service . . . working for him. Arthur is given a rickety shopping cart and a list of the Seven Most Important Things: glass bottles, foil, cardboard, pieces of wood, lightbulbs, coffee cans, and mirrors. He can’t believe it—is he really supposed to rummage through people’s trash? But it isn’t long before Arthur realizes there’s more to the Junk Man than meets the eye, and the “trash” he’s collecting is being transformed into something more precious than anyone could imagine. . . . Inspired by the work of American folk artist James Hampton.