When her estranged friend Karin leaves her a key to a public locker in the Copenhagen train station, Nina gets suckered into her most dangerous project yet. Inside the locker is a suitcase, and inside the suitcase is a three-year-old boy: naked and drugged, but alive.Is the boy a victim of child trafficking? Can he be turned over to authorities, or will they only return him to whoever sold him? When Karin is discovered brutally murdered, Nina realizes that her life and the boy’s are in jeopardy, too. In an increasingly desperate trek across Denmark, Nina tries to figure out who the boy is, where he belongs, and who exactly is trying to hunt him down.

    That's what his mother always told him.Now, he is a true crime writer, with one grisly success--and movie adaptation--to his name, along with a series of subsequent lesser efforts that have paid the bills but not much more. But now he is being offered the chance for the big break: To move into the house--what the locals call "The Devil House"--in which a briefly notorious pair of murders occurred, apparently the work of disaffected 1980s teens. He begins his research with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected--back into his own work and what it means, back to the very core of what he does and who he is.

    They never dreamed they would find Louise: a quiet, polite, devoted woman who sings to the children, cleans the family's chic apartment in Paris's upscale tenth arrondissement, stays late without complaint, and hosts enviable kiddie parties. But as the couple and the nanny become more dependent on one another, jealousy, resentment, and suspicions mount, shattering the idyllic tableau.

    But one hot New York summer she meets Mark Reilly, a fellow Brit, and is swept up in a love affair that changes all her ideas about what marriage might mean.Now, living in their elegant, expensive London townhouse and adored by her fantastically successful husband, she knows she was right to let down her guard.But when Mark does not return from a business trip to the U.S. and when the hours of waiting for him stretch into days, the foundations of Hannah's certainty begin to crack. Why do Mark's colleagues believe he has gone to Paris not America? Why is there no record of him at his hotel? And who is the mysterious woman who has been telephoning him over the last few weeks?Hannah begins to dig into her husband's life, uncovering revelations that throw into doubt everything she has ever believed about him. As her investigation leads her away from their fairytale romance into a place of violence and fear she must decide whether the secrets Mark has been keeping are designed to protect him or protect her...

    She's found new friends and has even started to fall for mysterious outsider Ollie Larsson. But her past isn't far behind.Then, one by one, the students of Osborne Hugh begin to die in a series of gruesome murders, each with increasingly grotesque flair. As the terror grows closer and her feelings for Ollie intensify, Makani is forced to confront her own dark secrets.

    All they want is a fresh start, but behind North Manor's doors lurks a history that leaves them feeling more alone...and more tormented.As the cold New England autumn arrives, and Jane settles in to her new home, she finds solace in old books and memories of her dad. She steadily begins making new friends, but also faces bullying from the resident "bad seed," struggling to tamp down her own worst nature in response. Jane's mom also seems to be spiraling with the return of her childhood home, but she won't reveal why. Then Jane discovers that the "storage room" her mom has kept locked isn't for storage at all — it's a little girl's bedroom, left untouched for years and not quite as empty of inhabitants as it appears....Is it grief? Mental illness? Or something more...horrid?