She is revered for her fearless honesty in the pursuit of her craft.But Garner also courts controversy, not least because she refuses to be constrained by the rules of literary form. She has never been afraid to write herself into her nonfiction, and many of her own experiences help to shape her fiction. But who is the ‘I’ in Helen Garner’s work?Bernadette Brennan’s A Writing Life is the first full-length study of Garner’s forty years of work, a literary portrait that maps all of her books against the different stages of her life.Brennan has had access to previously unavailable papers in Garner’s archive, and she provides a lively and rigorous reading of the books, journals and correspondence of one of Australia’s most beloved women of letters.

    Dismissing concerns from family and friends that her safety and career were at risk, she arrived with no teaching experience whatsoever, to work at a high school in a town she'd never heard of, where the winters are frigid and plunge to sub-zero temperatures.During her childhood on an isolated cattle station in Central Australia, Tanya had always dreamed of adventure and romance in Europe but the Czech Republic was not the stuff of her dreams. On arrival, however, she falls headlong into misadventures that change her life forever.This land of castles, history and culture opened up to her and she to it. In love with Prague and her people, particularly with the charismatic Karel, who takes her into his home, his family and as far as he can into his heart, Tanya learns about lives very different to hers.Alice to Prague is a bittersweet story of a search for identity, belonging and love, set in a time, a place and with a man that fill Tanya's life with contradictions.

    Songwriter. Swamp child. Soul man. Tex Perkins is a true rock'n'roll animal. In this loud, uncut, no-holds-barred, laugh-out-loud and take-no-prisoners memoir, the enigmatic king of the Australian music underground lays bare an extraordinary life lived on the road, on the stage and on the edge.Raised a bible-thumping Catholic and beaten bloody on the streets of Brisbane for being a "cow-punk", skinny Gregory Perkins flees to Sydney and mutates into "Tex", rogue leader of the Dums Dums, Thug and Salamander Jim before finding a strange kind of success, celebrity, sex symboldom and icon status as Tex Perkins, snake-hipped, honey-voiced, often bloodied frontman of influential Aussie bands the Cruel Sea, Beasts of Bourbon and Tex, Don & Charlie... and inventor of "Zoneball".Gigs. Albums. Tours. Fights. Feuds. Arrests. Drugs. High times. Low roads. This is a wild ride of a life written loudly, proudly and full of punk energy.

    Brolga lives in a simple tin shed in the outback where he raises orphaned baby kangaroos. It is a sad fact of life that kangaroo mothers are at the mercy of speeding cars in this part of the world - killed on the road their young still tucked up in their pouches. These young joeys holding on to life have been given a second chance thanks to the kindness and dedication of Brolga who carefully retrieves them and nurses them back to health. Brolga has been rescuing these special creatures for years slowly and painstakingly creating a kangaroo sanctuary for the many kangaroos he has saved reared and loved. He has dedicated his life to observing how kangaroo mums care for their babies and does everything he can to replicate this. The baby kangaroos traumatised by losing their mother so early are tucked up into pillow cases and kept warm and comforted next to Brolga at night. We see him getting up at 4am to bottle feed them washing them in a little tub taking them to the supermarket and generally mothering them with heart breaking tenderness. Charting Brolga's life with the joeys and honing in on his relationship with one or two in particular Kangaroo Dundee tells the heart-warming sometimes funny sometimes poignant story of one man's unique relationship with a group of extraordinary animals.

    Home comes and goes, like thoughts, like the clouds drifting over our slightly wild blue garden. It doesn't make sense, for I am loved by my husband and our children who scamper in and out during the day. I am loved by the dog even, who likes to listen with me to opera in the evening. Still, the feeling that home is somewhere in general and nowhere in particular returns, quite predictably, when I remember my mother." --So begins THE UNQUIET DAUGHTER: A journalist born of the wartime love triangle that inspired the one in Graham Greene's THE QUIET AMERICAN, searches for her father after barely surviving a bizarre youth of privilege, estrangement and cruelty. As she yearns for her father's love and presence -- and that of anyone in her family abroad who was kept from her -- Danielle's tall, beautiful, French and Vietnamese mother leaves her in burlesque house dressing rooms in the American Midwest, in convent schools in Long Island and Dublin, and with strangers in New York City. Meanwhile she lies to Danielle about who they are and their past for decades in this sometime-humorous near-tragic love story between a daughter and a mother and more. In the end we learn if Flood's journey through the truth of what happened between her parents in early 1950's Saigon satisfies her life-long quest for who she is. A story of resilience and love on many levels. A tale of the power of love."Powerful," "compelling," "heartbreaking," "a gripping story of self-doubt and self-discovery." --PUBLISHERS WEEKLY"The similarities in THE UNQUIET DAUGHTER between Flood’s parents’ lives and the plot of Graham Greene novel, THE QUIET AMERICAN, “are tantalizingly close, far too close to be coincidental; as Flood writes in the Prologue: ‘I came from a love triangle much like the one Greene describes in his novel. I am the sequel he never wrote.’“…As sequels go, Danielle Flood’s life story could easily be a Graham Greene novel, full of dark twists and turns, betrayals, heartbreak and the saddest of all forms of unrequited love …“…moving and at times imbued with humour…the tension is all too believable, but so is the joy…forgiveness and healing are at the heart of the story and the author’s ability to forgive is almost as powerful as the complex plot itself.” --THE CATHOLIC WORLD REPORT"I loved it." -- Sara Nelson, as books editor of O, THE OPRAH MAGAZINE."THE UNQUIET DAUGHTER by Danielle Flood is the true story of an exceptional woman. It takes the reader on an amazing journey. Exotic, mysterious, exciting, and romantic.Bravo Danielle Flood. It's a classic." -- Oscar-nominated actor Elliott Gould"When I was 13 or so, the Vietnam War in full flower, reading Graham Greene's THE QUIET AMERICAN let me appreciate fiction in a whole new way. Years later, Danielle Flood's riveting memoir-cum-mystery-story has let me appreciate Greene and his novel - and the intersections of fiction and nonfiction - in new ways. Such a story! And so beautifully told." -- Kurt Andersen, novelist, host of the public radio show STUDIO 360"Holy Moly, Mother of God...It's a knockout...Ferociously honest and gorgeously written, Flood's memoir is a fiercely tragic story of her search for her real father, her knotted relationship with her complicated mother-and her hard-won understanding of herself. About memory, love, loss and time, Flood's engrossing debut shines like mica and is as polished as platinum." -- Caroline Leavitt, NEW YORK TIMES bestselling author."Passionate and unflinchingly honest, this is a fascinating memoir...Danielle Flood is the child of an affair so much like the one described in the love triangle of Greene's novel, THE QUIET AMERICAN that she is perfectly right to make her startling claim, 'I am a sequel he never wrote." --Michael Shelden, author, GRAHAM GREENE THE ENEMY WITHIN"In Danielle Flood's clear eyed memoir of her early life with her exquisitely beautiful and deeply troubled mother, this truth echoes: the fact that a child could survive such emotional devastation and cruelty is a testament to her resilience and her valiant spirit." -- Leslie Daniels, author, CLEANING NABOKOV'S HOUSEFor a limited time, you can read and excerpt -- the prologue and the first two chapters -- of THE UNQUIET DAUGHTER at http://www.danielleflood.com

    We think that if we can achieve perfection, we will achieve happiness. We believe that if we can avoid pain, we can also avoid abandonment and loneliness and unworthiness. Perfection is the thief of joy. It’s a lie that keeps us in a stranglehold of chaos and people-pleasing and addiction and lack. Perfection says we are never good enough. It holds us back from being our truest, most authentic selves. Author Vitale Buford spent nearly three decades of her life in the web of perfection. The roots of her perfection were born in her childhood - she had a dysfunctional home-life fraught with alcoholism, workaholism and shame. This combination created an environment of neglect, where the only way Vitale got attention was to be perfect. She was praised for being an “easy child,” “pretty,” and “self-motivated,” so that’s what she tried to be. Her need for perfection and outside success was coupled with her body image obsession. It was also a distraction from the pain of abandonment and loneliness she experienced in her childhood. It was the perfect storm – she tied her self-worth to her external success and her appearance, and hence, her addiction to perfection was born. The need for perfection followed her to college, and when she started gaining weight, she became obsessed with dieting to make her body smaller and more acceptable. She worked hard in college and got good grades, but her body shame was all consuming. Her junior year of college, she was introduced to Adderall as a “study drug.” She used it for a few months – and ended up losing 20 pounds; she also got her best grades ever with her most rigorous course load. She was sure she had discovered the “perfect drug.” She was able to obtain her own prescription the following year. It hooked her immediately. She was addicted not only to Adderall but also to the perfection and the weight loss and her newfound ability to accomplish projects and tasks with ease. This was the beginning of a 10-year love affair with Adderall. In Addicted to Perfect, Vitale shares the highs and lows of having been a slave to Adderall, the destructive relationships that ensued, and the way that she finally broke free. She details the many twists and turns involved in the years leading up to her getting sober and the eating disorder that followed her into sobriety. It took parenthood and radical honesty for her to begin the road to true healing. Perfectionism is no longer something that enslaves her, and Vitale’s story is one of hope that no matter where you are in your life, you can release the grip of perfection. You can heal your pain and your abandonment and your loneliness and your fear and your guilt and your shame. You can experience true freedom, and most importantly, replace perfection with self-love.

    His mission was straightforward: to help the refugees who had settled in the sprawling slums of Nairobi, Kenya, to begin small businesses and earn a living. He imagined that he would be teaching them much, and he did. But the Kenyans and refugees with whom the author worked - from Rwanda, Somalia, Sudan, Uganda, Ethiopia - would end up teaching him much more about life, about survival and faith, and about love and friendship.

    But instead, separated from his siblings, young Tommy was thrown to the wolves.Tommy Rhattigan takes us, in his own inimitable way, back to his own childhood of pranks, cruelty and laughter grown from a need to survive his daily torment and to stick two fingers up to the system that was failing him so spectacularly.

    Savage, true and deeply relatable - finally, a book that resists the sanitised, acceptable face of parenting. You might not feel better, but at least you'll feel less alone.

    This work is a collection of 50 of Monty's best columns, that will provide a practical guide and a poetic record of the garden's changing seasons.

    How school and later university became her escape route from a family filled with secrets and violence. It is also a story of how, as a mature woman and a mother herself, she came to face what had happened to her as a child. How she had to bring long-buried memories into the light in order to move on.

    'They've let off an atom bomb today. Right here in W.A. Atom bombs worry the blazes out of me, and I want you at home.'In the sleepy and conservative 1950s the British began a series of nuclear tests in the Montebello archipelago off the west coast of Australia. Even today, few people know about the three huge atom bombs that were detonated there, but they lodged in the consciousness of the young Robert Drewe and would linger with him for years to come.In this moving sequel to The Shark Net, and with his characteristic frankness, humour and cinematic imagery, Drewe travels to the Montebellos to visit the territory that has held his imagination since childhood. He soon finds himself overtaken by memories and reflections on his own 'islomania'. In the aftermath of both man-made and natural events that have left a permanent mark on the Australian landscape and psyche – from nuclear tests and the mining boom to shark attacks along the coast – Drewe examines how comfortable and familiar terrain can quickly become a site of danger, and how regeneration and love can emerge from chaos and loss.

    She had read letters sent from my abuser to me…But she never spoke to me about them, or what they described. And she never intervened to stop the abuse…Now she is dying and the past is rising to the surface like a bruise.When Gemma Carey was twelve years old, a man twice her age would sneak into her bedroom on a weekly basis and sexually assault her. When Gemma was seventeen, she took the perpetrator to court without anyone else knowing and had him placed on the child sex offenders register. When she was thirty-three, her mother died of cancer. For twenty years, her mother had known about this man. But why had she not acted to protect her daughter? Could the genesis of this betrayal be found in her own family history?No Matter Our Wreckage is the story of past and present colliding. It seeks to capture the complexity of forces which lead to abuse; to understand the intertwined narratives of mothers and daughters and how trauma becomes encoded in our DNA through generations. It explores grooming and the intricacies of consent, and how as a society we have not yet figured out how to deal with these types of crimes or the people who commit them.No Matter Our Wreckage is a powerful, poetic and unflinching memoir about what it means not to matter, and how an extraordinary woman refused to listen to the stories she was being told about herself - by her history, by her abuser, by her mother, by society. It is only by speaking out that Gemma Carey learns she can break free from her past and reclaim her life, her self and her future.

    Fiona has also had successful shows at the Edinburgh and Adelaide fringe festivals, the Just for Laughs Festival in Montreal and the Melbourne International Comedy Festival.This book contains her stories - funny and sometimes sad stories about her upbringing as part of a large Irish-Catholic family on a wheat farm in South Australia, her chaotic and disorganised family life ever since, living in Alice Springs and making it as a stand-up comedian. She also talks of a darker side of the life of many performers - alcohol.This book is for anyone who likes to laugh (and cry), who wants to read about a woman living her life on her terms.

    A horrific accident thrusts his mother and siblings into a world impossible for them to navigate, a life of poverty and drug addictionOne Hundred Years of Dirt is an unflinching memoir in which the mother is a hero who is never rewarded. It is a meditation on the anger, fear of others and an obsession with real and imagined borders. Yet it is also a testimony to the strength of familial love and endurance.