does it even exist?When Daring Do visits her old pal A. B. Ravenhoof, the ex-adventurer reveals that there may be more in the sky than meets the eye...Somewhere above Equestria floats a cloud city completely hidden from sight by ancient magic. Legend says the hidden kingdom is home to a unique type of Pegasus, along with a mysterious treasure called the Halo of Cirrostrata.As soon as she learns about it, Daring Do can't get her head out of the clouds! She has to see it. But how?Many dangers await those who try to enter the forbidden city of Cirrostrata.Can the brave adventurer find the secret island in the air, even if it means flying blind?

    So when they look out their window and see a little house they never knew was there, of course they must visit (especially when their parents tell them not to!). Going through the boiler room, they’re amazed to find to a secret backyard with a garden, a porch, and a statue of a cat. And they’re even more amazed when that cat starts to talk. . . . Welcome to the world of Mrs. Noodlekugel, where felines converse and serve cookies and tea, vision-impaired mice join the party (but may put crumbs up their noses), and children in search of funny adventures are drawn by the warm smell of gingerbread and the promise of magical surprises.

    In the seaside village of Frip live three families: the Romos, the Ronsens, and a little girl named Capable and her father. The economy of Frip is based solely on goat’s milk, and this is a problem because the village is plagued by gappers: bright orange, many-eyed creatures the size of softballs that love to attach themselves to goats. When a gapper gets near a goat, it lets out a high-pitched shriek of joy that puts the goats off giving milk, which means that every few hours the children of Frip have to go outside, brush the gappers off their goats, and toss them into the sea. The gappers have always been everyone’s problem, until one day they get a little smarter, and instead of spreading out, they gang up: on Capable’s goats. Free at last of the tyranny of the gappers, will her neighbors rally to help her? Or will they turn their backs, forcing Capable to bear the misfortune alone? Featuring fifty-two haunting and hilarious illustrations by Lane Smith and a brilliant story by George Saunders that explores universal themes of community and kindness, The Very Persistent Gappers of Frip is a rich and resonant story for those that have all and those that have not.

    Whenever he goes anywhere, he always relies on what Garis describes as "his candy-striped walking cane" - this is a cane striped red and white like a peppermint candy cane.The books are illustrated by August Lenox.

    First published in 1921, the poem's message about the individual worth of those often overlooked strikes a familiar chord in a society struggling to come to terms with its own victims of homelessness, drug abuse, and alienation.The poem is made new with the addition of Greg Newbold's illustrations. Newbold's images -- which are rich in detail, and made even more so by his use of color and light and his painterly style -- evoke a bygone era that is old-fashioned, small-town, pleasantly nostalgic. Newbold's work in Touch of the Master's Hand has already been recognized by the Society of Illustrators and Communication Arts magazine with a 1996 Award of Merit.

    She has never known her mother, and her relationship with her father is filled with misunderstanding and tears. The young girl learns to depend wholly upon her faith in her heavenly father.

    A fun retelling of Kenneth Grahame's classic tale for beginning chapter book readers!The classic tale!

    Chebron, the son of a high Egyptian priest, flees for his life taking his sister Mysa, one of the household slaves Amuba and several companions with him. They escape through closely guarded Egyptian exits only to find themselves in unfamiliar and dangerous lands inhabited by a very different culture of people. Along the way, the roving band of refugees encounters and befriends a Hebrew girl, who exposes them to very strange ideas including the worship of "one true God."

    This edition features the classic black-and-white artwork from Garth Williams.Little House in the Big Woods takes place in 1871 and introduces us to four-year-old Laura, who lives in a log cabin on the edge of the Big Woods of Wisconsin. She shares the cabin with her Pa, her Ma, her sisters Mary and Carrie, and their lovable dog, Jack.Pioneer life isn’t easy for the Ingalls family, since they must grow or catch all their own food as they get ready for the cold winter. But they make the best of every tough situation. They celebrate Christmas with homemade toys and treats, do their spring planting, bring in the harvest in the fall, and make their first trip into town. And every night, safe and warm in their little house, the sound of Pa’s fiddle lulls Laura and her sisters into sleep.The nine books in the timeless Little House series tell the story of Laura’s real childhood as an American pioneer, and are cherished by readers of all generations. They offer a unique glimpse into life on the American frontier, and tell the heartwarming, unforgettable story of a loving family.

    Readers will laugh and learn along with Wally as he discovers all about loving his enemies-even the camp's number one, all-American bad guy. Whether they're long-time McDoogle fans or first-time readers, kids will appreciate the indestructible quality and added illustrations in this upgraded edition.

    Printed in large, easy-to-read type.

    But her sudden popularity left her quite unspoiled. A singular modesty, a childlike simplicity, a deep and beauti ful religious faith, were the qualities that endeared her to her friends and that are still evidenced by what was written of her at her death, which occurred in Dorchester October 1, 1866. As her pastor, Rev. Nathaniel Hall, declared in his memorial discourse, She received her success with a simple gladness, less that she was famous than that she might be useful; less that she had gained the public's applause than that she had touched, to issues human and philanthropic, the public's heart, and caused her poor 'lamplighter' to be the means of illumining other and direr darkness than that of night.

    What secrets does this old ball have to tell? Her mom certainly isn't sharing anyespecially when it comes to Izzy's father, who died before Izzy was born. But when she spends the summer in her Nana's remote New Mexico village, Izzy discovers long-buried secrets that come alive in an enchanted landscape of watermelon mountains, whispering winds, and tortilla suns. Infused with the flavor of the southwest and sprinkled with just a pinch of magic, this heartfelt middle grade debut is as rich and satisfying as Nana's homemade enchiladas.

    Recently, Kessinger Publishing's rare reprints has re-issued the book. The protagonist, Roger Stetworth, unwillingly joins a slave ship called the -Golden Hind- captained by Luke Chilton. (When Chilton demanded that Roger -sign aboard- he refused and was clubbed on the head and thrown overboard.) He is rescued by the -Hurst Castle- and doctored by a painfully stereotyped Irishman. The -Hurst Castle- is abandoned but does not founder in a gale and the crew, unable to get to him, are forced to leave Stetworth marooned aboard. The ship drifts into the center of the Sargasso Sea where Stetworth finds himself in a ships' graveyard in which survivors of previous shipwrecks still inhabit the forgotten ships. Stetworth must rely on his own ingenuity to get free from the choking sargasso weeds........ Thomas Allibone Janvier (July 16, 1849 - June 18, 1913) was an American story-writer and historian, born in Philadelphia of Provencal descent. Early life and marriage: Janvier received a public school education, then worked in Philadelphia for newspapers from 1870-81. In 1878 he married Catherine Ann Drinker (May 1, 1841- July 19, 1922), an artist who was the first woman teacher at the Pennsylvania Academy of the Fine Arts and first teacher to Cecilia Beaux. Later in life, she accompanied her husband on his travels while writing books and translating books from the Provencale language. Many of Janvier's published works would be dedicated -To C. A. J.- New York: Janvier went to New York in 1881. From 1884-94, he lived in the Washington Square district of New York. A few years after arriving, he published the Ivory Black Stories, tales of artist life, which were reprinted in book form in 1885 as Color Studies. In them he pictured the life and color of what was then considered the Latin quarter of the city, with the old-fashioned French restaurants, the artist colony to the north, and the studios in Tenth Street where Abbey, Millet, F. Hopkinson Smith, Laffan and others made the Tile Club famous. He published many stories and articles in Harper's Magazine.[2] Travels and death: Janvier spent several years in Colorado, New Mexico and Mexico, thereby gaining inspiration and material for much of his literary work. His travels in Mexico produced the Aztec Treasure House and his stories of Old New Spain. He and his wife also lived for three years in Avignon, Provence, France, where they became friends with Mistral and Felix Gras. Catherine A. Janvier's translations of the latter's work introduced him to English-speaking readers.His books from this period include An Embassy to Provence, Christmas Kalends of Provence and The South of France. He was made an honorary member of the Felibrige society in France, and of the Fol Lore Society of London, where he and his wife lived from 1897 to 1900, and the Century Club in New York. Janvier died in New York on June 18, 1913. He is interred in Moorestown, New Jersey. Literary family: Janvier's sister, Margaret Thomson Janvier (1844-1913), was born in New Orleans. Under the pen name Margaret Vandergrift she wrote many juveniles, among which are: The Absent-Minded Fairy, and Other Verses (1884); The Dead Doll, and Other Verses (1900); Under the Dog-Star (1900); and Umbrellas to Mend (1905). Janvier's niece, Emma P. Spicer, going by the stage name of Emma Janvier, was a well-known comedian on Broadway and elsewhere from the turn of the century until her death in the early 1920s. Janvier was also related to Philadelphia businessman and poet Francis De Haes Janvier.

    The sequel to Johanna Spyri's "Heidi", this is a Classic story for children and teens beautifully illustrated in Color & B/W by June Goldsborough.