In The Affair of the German Dispatch-Box, Hazell hatches a daring plan to retrieve a highly sensitive government document before it reaches the German Ambassador. In Sir Gilbert Murrell's Picture, when an entire wagon containing valuable paintings disappears from a goods train, Hazell's skill is needed. In The Affair of the Corridor Express, a multimillionaire's son disappears from a moving train. Hazell must find the kidnappers before the boy is lost forever. In The Stolen Necklace, a lady begs Hazell to help when the diamond necklace that she borrowed is stolen from her suitcase. In The Affair of the Birmingham Bank, customers keep drawing money from a Midlands bank, so gold reserves are sent by train. Hazell must guard against train robbery.

    The moment Frank Limosin sees gorgeous eighteen-year-old Suki Flood sitting on the rear deck of the red Trans Am in the hot empty desert, he feels trouble in the air. The Trans Am has a flat tire. They're over ten miles from the nearest highway. And Suki, dressed in short shorts and a tiny halter top, doesn't know how to change a tire. Against Suki's will, Frank gives her a lesson in tire changing, then he thinks that's it, he'll never see her again. How wrong can one man be? Because Suki turns out to be fifty times more trouble than Frank ever dreamed possible. He saved her once. Now he has to save her again and again and again . . .

    This engaging collection spanning thirty years displays his characteristic powers with twelve short stories from a number of genres. He explores the uncanny peculiarities of everyday life, as well as its underside, offers haunting ghost stories, and makes an important contribution to the newly emerging form of the detective novel.

    Ebook ISBN: 9780872866652). Film opened March 20, 2015 starring Sean Penn, Javier Bardem, Idris Elba and Ray Winstone, directed by Pierre Morel (Taken).Martin Terrier is a hired killer who wants out of the game — so he can settle down and marry his childhood sweetheart. After all, that's why he took up this profession! But "the company" won't let him go: they have other plans. Once again, the gunman must assume the prone firing position. A tour de force, this violent tale shatters as many illusions about life and politics as it does bodies. Jean-Patrick Manchette subjects his characters and the reader alike to a fierce exercise in style. This tightly plotted, corrosive parody of "the success story" is widely considered to be Manchette's masterpiece, and was named a New York Times "Notable Book" in 2002. The Prone Gunman is a classic of modern noir."For Manchette and the generation of writers who followed him, the crime novel is no mere entertainment, but a means to strip bare the failures of society, ripping through veils of appearance, deceit, and manipulation to the greed and violence that are the society's true engines."—Boston Globe"There's not a superfluous word or overdone effect . . . one of the last cool, compact and shockingly original crime novels Manchette left as his legacy to modern noir fiction."—New York Times"For the first time readers can experience in English translation the masterful thriller considered Manchette's finest, proof positive that the French knew what they were talking about when they labeled this sort of novel 'noir'." —Publishers Weekly"This superbly muscular translation of the late French mystery writer Jean-Patrick Manchette's most celebrated work, The Prone Gunman, is the third volume issued [by] City Lights Noir. The series may prove to be the most needed contribution to contemporary fiction by any publisher in a good long while." —The San Francisco ChronicleJean-Patrick Manchette was a French crime novelist credited with reinventing and reinvigorating the genre. He wrote ten short novels in the 1970s and early 80s, and is widely recognized as the foremost French crime fiction author of that time. His stories are violent, existentialist explorations of the human condition and French society. Jazz saxophonist and screenwriter, Manchette was also a left-wing activist influenced as much by the writings of the Situationist International as by Dashiell Hammett. Jean-Patrick Manchette's other work, 3 to Kill is also published by City Lights Publishers.

    The kids listen idly to rockabilly on the radio and waste their weekends at the Dairy Queen. And an undetected menace simmers under the heat that clings to the skin like molasses... For thirteen-year-old Stanley Mitchell, the end of innocence comes with his discovery of the mysterious long-ago demise of two very different young women. In his quest to unravel the truth about their tragic fates, Stanley finds a protector in Buster Lighthorse Smith, a black, retired Indian-reservation cop and a sage on the finer points of Sherlock Holmes, the blues, and life's faded dreams. But not every buried thing stays dead. And on one terrifying night of rushing creek water and thundering rain, an arcane, murderous force will rise from the past to threaten the boy in a harrowing rite of passage... Vintage Lansdale, A Fine Dark Line brims with exquisite suspense, powerful characterizations, and the vibrant evocation of a lost time.

    Ron Decker is a newbie, a drug dealer whose shot at a short two-year stint in the can is threatened from inside and outside. He's got to keep a spotless record or it's ten to life. But at San Quentin, no man can steer clear of the Brotherhoods, the race wars, the relentlessness. It soon becomes clear that some inmates are more equal than others; Earl Copen is one of them, an old-timer who has learned not just to survive but to thrive behind bars. Not much can surprise him-but the bond he forms with Ron startles them both; it's a true education of a felon.

    With his guard down, he doesn’t think twice when he hears a knock on the door. The next day, he finds himself in the hospital, badly bruised and with his jaw wired shut. He thinks back over ten years of cases wondering who would want to beat him into unconsciousness, steal his gun and badge, and most importantly, make off with his prized dentures. But the pieces never quite add up to revenge, and the few clues he has keep connecting to a dimwitted hooker, and her ex-con boyfriend and the bizarre murder of a Hare Krishna pimp.Chronically depressed, constantly strapped for money, always willing to bend the rules a bit, Hoke Moseley is hardly what you think of as the perfect cop, but he is one of the the greatest detective creations of all time.

    Mixing it up with the wrong people in New York, he escaped to L.A.—only to hit rock-bottom after too many nightmares and too much booze.Now forty-six and sober, JD is working hard to get it together. Living in Malibu at his mother's house in Point Dume, he's got a new job selling used cars with his friend Woody and a new girlfriend. But just as things are looking up, JD discovers a gruesome murder. Now the ex-private detective has to make a choice.Determined to exact vengeance, he follows a twisting trail of clues that leads him to unexpected truths about himself and his new life—and to a psychopathic killer with an eerie connection to his past. And, as JD soon learns, this time there's no easy way out.

    

    But one night, this model husband and devoted father discovers his boss is bankrupt and that his own carefully tended life is in ruins. Before, he had watched impassively as the trains swept by; now he catches the first one out of town, and soon commits murder before the night is out. How reliable is even the most reliable man's identity? Georges Simenon (1903-1989) was born in Liege, Belgium. He went to work as a reporter at the age of fifteen and in 1923 moved to Paris, where under various pseudonyms he became a highly successful and prolific author of pulp fiction while leading a dazzling social life. In the early 1930s, Simenon emerged as a writer under his own name, gaining renown for his detective stories featuring Inspector Maigret. He also began to write his psychological novels, or romans durs - books in which he displays a sympathetic awareness of the emotional and spiritual pain underlying the routines of daily life. Having written nearly two hundred books under his own name and become the best-selling author in the world, Simenon retired as a novelist in 1973, devoting himself instead to dictating memoirs that filled thousands of pages.

    To avenge what you have done you will die. But what has Manno the pharmacist done? Nothing that he can think of. The next day he and his hunting companion are both dead. The police investigation is inconclusive. However, a modest high school teacher with a literary bent has noticed a clue that, he believes, will allow him to trace the killer. Patiently, methodically, he begins to untangle a web of erotic intrigue and political calculation. But the results of his amateur sleuthing are unexpected—and tragic. To Each His Own is one of the masterworks of the great Sicilian novelist Leonardo Sciascia—a gripping and unconventional detective story that is also an anatomy of a society founded on secrets, lies, collusion, and violence.

    This 50th Anniversary edition contains a new foreword by his publisher and friend, Jay Shore, and an introduction by his sister, Diane Craddock, as well as a selection of photos, drawings and other writings by Craddock."Superb in the tradition of Kerouac’s On The Road, with overtones of Ken Kesey and Hunter Thompson’s Hell’s Angels, but Craddock’s style is all his own." — Robert Kirsch, Los Angeles Times"The definitive book of the acid-freak movement. A psychedelic pilgrim’s progress of beauty, intelligence, sensitivity." — Joseph Haas, Chicago Daily News"An astounding book, so good it defies praise. The writing is superb. Craddock is a born writer with an iceberg of talent." — Shane Stevens, Chicago Sun Times"Willam J. Craddock’s masterpiece, legendary to those in the know, is as exhilarating now as ever." — Elizabeth McKenzie, author of The Portable Veblen, long listed for the 2016 National Book AwardMostly autobiographical, Be Not Content begins with the 16-year-old Craddock riding his beloved Harley Davidson with the Hells Angels, the outlaw motorcycle club, and getting into brawls and being chased by the cops. It’s an unexpected anomaly for this bright, middle-class kid from Los Gatos, California. Craddock then takes us through his college days publishing an underground newspaper, attending poetry readings with Alan Ginsberg, tripping at one of the first acid tests, and taking for days on end the strongest, most pure doses LSD. All of it done for the purpose of Craddock discovering the meaning of life.Barely 21 when he finished writing it, Doubleday bought the book in 1968 but held up publication until 1970. The first edition sold out with collectors prizing the few copies available, and copies going for as much as $950 on the Internet. Be Not Content is a powerful literary coming of age narrative that millions of Americans can personally identify with – an unforgettable time in the cultural and sociological history of America.

    Intrigued and unnerved, she turns to her neighbours: Vandoosler, an ex-cop, and three impecunious historians, Mathias, Marc and Lucien - the three evangelists. They agree to dig around the tree and see if something has been buried there. They find nothing but soil.A few weeks later, Sophia disappears and her body is found burned to ashes in a car. Who killed the opera singer? Her husband, her ex-lover, her best friend, her niece? They all seem to have a motive.Vandoosler and the three evangelists set out to find the truth.

    They promised to stay true to one another and swore that nothing would break their bond. But people and circumstances change. Ugo and Manu have been drawn into the criminal underworld of Europe's toughest, most violent and vibrant city. When Manu is murdered and Ugo returns from abroad to avenge his friend's death, only to be killed himself, it is left to the third in this trio, Detective Fabio Montale, to ensure justice is done. Despite warnings from both his colleagues in law enforcement and his acquaintances in the underworld, Montale cannot forget the promise he once made Manu and Ugo. He's going to find their killer even if it means going too far.In Izzo's novels, Marseilles is explosive, tragic, breathtakingly beautiful and deadly. Asked to explain the astounding success of his now legendary Marseilles triology, Izzo credits his beloved native city: "Essentially, I think I have been rewarded for having depicted the real beauty of Marseilles, its gusto, its passion for life, and the ability of its inhabitants to drink life down to the last drop." Fabio Montale is the perfect protagonist in this city of melancholy beauty. A disenchanted cop with an inimitable talent for living who turns his back on a police force marred by corruption and racism and, in the name of friendship, takes the fight against the mafia into his own hands.

    As one of the world s greatest tenors, Maestro Vezzi, is found brutally murdered in his dressing room at Naples famous San Carlo Theatre, the enigmatic and aloof Commissario Ricciardi is called in to investigate. Arrogant and bad-tempered, Vezzi was hated by many, but with the livelihoods of the opera at stake, who would have committed this callous act? Ricciardi, along with his loyal colleague, Maione, is determined to discover the truth. But Ricciardi carries his own secret: will it help him solve this murder?