The Kingdom of Delfinnia is in chaos. After assassins kill the king and his family, greedy self serving men battle one another for the crown. Unknown to them is that one heir yet lives, a baby boy now hidden and protected. In the mage city of Caldaria is a boy named Luxon. A young mage who will discover his past and his powers. For he will one day become known as the Legendary, the wizard who would break the world, the man who would embrace death and live and the hero who would give a realm its greatest king. Sent on a quest to find the one responsible for the King's assassination Luxon teams up with Ferran of the Blackmoor the legendary Nightblade and hunter of fell beasts, Sophia Cunning the land’s greatest witch hunter and Kaiden, a noble knight sworn to defend the world from darkness. Together they find the answers they seek, but the truth is far worse than anyone could possibly imagine. The Heir to the Sundered Crown is a fantasy tale that will ignite the imagination and set the stage for an epic battle between the light and the darkness.

    Doesn't everyone? But I had no idea that a little luck could mean bad luck too. What started as a perfectly polished plan turned tainted and tarnished. I was just trying to get back on my feet, back to the lucky side of life. But then everything changed... One look, one touch, one taste, And now, suddenly, my luck is improving. This just might be the trip I'd wanted all along. In this 21 book boxed set, from New York Times, USA Today, and other bestselling authors, find out just how lucky you can be with just one click. You'll be packing your bags and hoping Ireland will have just that sexy sort of magic you've been looking for. Contributing Authors: Theresa Troutman Amanda Heartley Andie M. Long Maggie Dallen Emma Tharp Rachelle Ayala Josie Kerr Heather Young-Nichols Tee Smith Bethany Lopez Tracy Lorraine Ja'Nese Dixon Monica Corwin Caitlyn Lynch Eva Winters K.L. Shandwick Alyson Reynolds Taige Crenshaw and McKenna Jeffries Aaliyah Burke Marissa & Thomas Dobson Emma Nichols

    

    It's become more expensive, more exclusive, and effectively off-limits to huge swaths of the potential sports-loving population. Youth registration numbers are stagnant; efforts to appeal to new Canadians are often grim at best; the game, increasingly, does not resemble the country of which it's for so long been an integral part. These signs worried Sean Fitz-Gerald. As a lifelong hockey fan and father of a young mixed-race son falling headlong in love with the game, he wanted to get to the roots of these issues. His entry point: a season with the Peterborough Petes, a storied OHL team far from its former glory in a once-emblematic Canadian city that is finding itself on the wrong side of the country's changing demographics. Fitz-Gerald profiles the players, coaches and front office staff, a mix of world-class talents with NHL aspirations and Peterborough natives happy with more modest dreams. Through their experiences, their widely varied motivations and expectations, we get a rich, colourful understanding of who ends up playing hockey in Canada and why. Fitz-Gerald interweaves the action of the season with portraits of public figures who've shaped and been shaped by the game: authors who captured its spirit, politicians who exploited it, and broadcasters who try to embody and sell it. He finds his way into community meetings full of angry season ticket holders, as well as into sterile boardrooms full of the sport's institutional brain trust, unable to break away from the inertia of tradition and hopelessly at war with itself. Before the Lights Go Out is a moving, funny, yet unsettling picture of a sport at a crossroads. Fitz-Gerald's warm but rigorous journalistic approach reads, in the end, like a letter to a troubled friend: it's not too late to save hockey in this country, but who has the will to do it?

    Soft spoken and ever courteous, you've never met a creature quite so charming. But tread carefully, for this frog has quite a secret to share!Approximately 40 pages in all. Originally this picture book was intended for children 3 to 6, but as I wrote it, I realized that it's really meant for all children AND their parents. (Read it together. You'll get a big laugh at the end!)Descriptions of my other popular children's books are included after the main feature (an additional 5 pages).

    Aside from the bruises on her neck, the body is fresh and clean. They're afraid of her and attracted to her. Although hesitant, the boys decide to hide the body in a ditch in the woods in order to keep her as their girlfriend—to converse, to flirt, to practice, to love. What follows is a story of adolescence, friendship, love, envy, hatred, and horror. Jon Athan, the author of Mason's Television and The Abuse of Ashley Collins, brings you a disturbing tale of human horror. Could you love a dead body? WARNING: This book contains scenes of graphic violence, disturbing themes, and some sexual references. Some of these scenes involve violence committed by and against minors. This book is not intended for those easily offended or appalled. Please enjoy at your own discretion.

    The novel has been hailed as one of the most striking early examples of postmodernism and has become a famous test case for theories about reading because of the apparent impossibility of deciding between several radically different interpretations. Does the book have two narrators, as it first appears, or one? How much is fantasy and how much is reality? Whose fantasy and whose reality are they? Brian Boyd, Nabokov's biographer and hitherto the foremost proponent of the idea that Pale Fire has one narrator, John Shade, now rejects this position and presents a new and startlingly different solution that will permanently shift the nature of critical debate on the novel. Boyd argues that the book does indeed have two narrators, Shade and Charles Kinbote, but reveals that Kinbote had some strange and highly surprising help in writing his sections. In light of this interpretation, Pale Fire now looks distinctly less postmodern--and more interesting than ever.In presenting his arguments, Boyd shows how Nabokov designed Pale Fire for readers to make surprising discoveries on a first reading and even more surprising discoveries on subsequent readings by following carefully prepared clues within the novel. Boyd leads the reader step-by-step through the book, gradually revealing the profound relationship between Nabokov's ethics, aesthetics, epistemology, and metaphysics. If Nabokov has generously planned the novel to be accessible on a first reading and yet to incorporate successive vistas of surprise, Boyd argues, it is because he thinks a deep generosity lies behind the inexhaustibility, complexity, and mystery of the world. Boyd also shows how Nabokov's interest in discovery springs in part from his work as a scientist and scholar, and draws comparisons between the processes of readerly and scientific discovery.This is a profound, provocative, and compelling reinterpretation of one of the greatest novels of the twentieth century.

    The concept of modernity—the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours—is a relatively recent Western invention and one whose time may already have passed, if we believe its postmodern challengers. Calinescu documents the rise of cultural modernity and, in tracing the shifting senses of the five terms under scrutiny, illustrates the intricate value judgments, conflicting orientations, and intellectual paradoxes to which it has given rise.Five Faces of Modernity attempts to do for the foundations of the modernist critical lexicon what earlier terminological studies have done for such complex categories as classicism, baroque, romanticism, realism, or symbolism and thereby fill a gap in literary scholarship. On another, more ambitious level, Calinescu deals at length with the larger issues, dilemmas, ideological tensions, and perplexities brought about by the assertion of modernity.

    the golden age of the European novel discovers a new collective protagonist: youth. It is problematic and restless youth—“strange” characters, as their own creators often say—arising from the downfall of traditional societies. But even more than that, youth is the symbolic figure for European modernity: that sudden mix of great expectations and lost illusions that the bourgeois world learns to “read”, and to accept, as if it were a novel.The Way of the World, with its unique combination of narrative theory and social history, interprets the Bildungsroman as the great cultural mediator of nineteenth-century Europe: a form which explores the many strange compromises between revolution and restoration, economic take-off and aesthetic pleasure, individual autonomy and social normality. This new edition includes an additional final chapter on the collapse of the Bildungsroman in the years around the First World War (a crisis which opened the way for modernist experiments), and a new preface in which the author looks back at The Way of the World in the light of his more recent work.

    Maybe both.To crack it, the sisters must dive deep into a murky demimonde of crooked cops, low-rent thugs and high-class brothels.In the middle of it all, Jackie falls for hunky homicide cop, Harry Bull. Harry is from an old Savannah family but… might just have a skeleton or two rattling around in his closet.

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.

    She is what some may calla simple beauty but can be hardcore if pushed, sweet on the inside with hard shell on the outside. She is kind and generally enjoys pleasing those around her whom she cares for. Although Nicole has the qualities to be considered as wife material, she has no love interest and not many opportunities knocking at her door. Broderick “Brock” Walker is a 32-year-old complex thuggish pretty boy if ever there was one. He is not the typical thug; he takes pride in his appearance so no sagging, slouching, and grimy look for him. Just by his appearance, he is the epitome of the saying; there is more to this book than just the cover. Because of a messy break-up recently from a long-term girlfriend, who does not know when to give up, he is not interested in another relationship at the moment.