Beginning with first-hand accounts of the reaction to Chamberlain's declaration of war in 1939, Kershaw portrays the many aspects of war through the words of those who were there, from the sailors of the little ships of Dunkirk to German soldiers preparing for Operation 'Sea Lion'. He takes us from the nightly horrors of the Blitz to battles in the limitless desert of North Africa, and from jungle war in Burma to Lancaster bombers over Germany and the beaches of Normandy. Featuring new interviews with veterans and civilians from Britain, the Commonwealth and Germany as well as diaries, letters, and first-hand accounts, this is a testimony to the remarkable men and women who lived through the Second World War -- whose refusal to surrender changed them, and Britain, forever.

    A gathering of twenty-two interviews with Atwood by other writers, including Graeme Gibson, Joyce Carol Oates, Geoff Hancock.

    You might have heard the rumours—whispers of an evil plot involving time travel, dangerous experiments, a secret fortress, a terrible book, famous authors and, regrettably, murder. You might also have heard of heroes who were caught up in this plot, fighting to do the right thing. That sounds a lot more impressive than it actually was. My name is Boone Shepard. I’m here to set the record straight.”Boone is taking a break from writing for The Chronicle newspaper to hunt down and destroy every last copy of a very rare, very dangerous book. But then his editor calls to demand he investigate a missing persons case deep in the Scottish Highlands—in the company of his rival, photographer Promethia Peters—and he is forced to abandon his personal goals and get back to work. Restless and begrudging, Boone is unprepared when this hunt leads him back to the one story that won’t stop chasing him—his own. Boone Shepard is the first in a series of young adult novels following the adventures of an Australian expat, errant journalist and accidental hero.

    Less well known is Gaddis's body of excellent critical writings. Here is a wide range of his original essays, some published for the first time. From "Stop Player. Joke No. 4", Gaddis's first national publication and the basis for his projected history of the player piano, to the title essay about missed opportunities in America during the past fifty years, to "Old Foes with New Faces", an examination of the relationship between the writer and the problem of religion-this diverse collection displays the power of an autonomous literary intelligence in an age increasingly dominated by political and religious conservatism.

    

    Packed with drawing guides, fun games, brilliant puzzles and perfect pranks to play on older sisters - this is the annual everyone will want!Please note: this e-edition has not been optimized for Kindle.

    To show how this transformation came about--and why it remained incomplete--The Factory of Facts  combines family anecdote and ancestral legend; detailed forays into Belgian history, language, and religion; and deft synopses of the American character.

    The arrival of an old friend of the woman brings into the open feelings and fears previously suppressed.

    Collectively these pieces offer a fascinating portrait of the author himself, his extraordinary life, restless and ever-curious mind.

    They showed that “the modern”need not be at war with the past: constructivists and conservatives could work together, and even the Bauhaus émigré László Moholy-Nagy was beguiled into taking photos for Betjeman’s nostalgic An Oxford University Chest.A rich network of personal and cultural encounters was the backdrop for a modern English renaissance. This great imaginative project was shared by writers, painters, gardeners, architects, critics, and composers. Piper abandoned purist abstracts to make collages on the blustery coast; Virginia Woolf wrote in her last novel about a village pageant on a showery summer day. Evelyn Waugh, Elizabeth Bowen,and the Sitwells are also part of the story, along with Bill Brandt and Graham Sutherland, Eric Ravilious and Cecil Beaton.

    Miller always said that his best writing was in his letters, and this unbuttoned missive to his friend Alfred Perlès is not only his longest (nearly 80 pages!) but his best—an exuberant, rambling, episodic, humorous account of his visit to New York in 1935 and return to Europe aboard a Dutch ship. Despite its high repute among Miller devotees, Aller Retour New York has never been easy to find. It was first brought out in Paris in 1935 in a limited edition, and a second edition, “Printed for Private Circulation Only,” was issued in the United States ten years later. It is now available in paperback as a Revived Modern Classic, with an introduction by George Wickes that illuminates the people and personal circumstances which inform Aller Retour New York.

    When Dionysus the Renegade faked a Sophocles text in 400 BC (cunningly inserting the acrostic “Heraclides is ignorant of letters”) to humiliate an academic rival, he paved the way for two millennia of increasingly outlandish literary hoaxers. The path from his mischievous stunt to more serious tricksters like the fake Howard Hughes “autobiography” by Clifford Irving, Oprah-duper James Frey, takes in every sort of writer: from the religious zealot to the bored student, via the vengeful academic and the out-and-out joker. But whether hoaxing for fame, money, politics, or simple amusement, each perpetrator represents something unique about why we write. Their stories speak volumes about how reading, writing, and publishing have grown out of the fine and private places of the past into big-business, TV-book-club-led mass-marketplaces which, some would say, are ripe for the ripping. For the first time, the complete history of this fascinating sub-genre of world literature is revealed. Suitable for bookworms of all ages and persuasions, this is true crime for people who don’t like true crime, and literary history for the historically illiterate. A treat to read right through or to dip into, it will make you think twice next time you slip between the covers of an author you don’t know . . . .

    He was a prolific literary critic and book reviewer. Between the two world wars, before making his name, he kept company with rowdy, hard-up writers and painters--and painters' models--in the London where Augustus John and Wyndham Lewis loomed large. He counted Evelyn Waugh and Henry Green among his lifelong friends, and his circle included the Sitwells, Graham Greene, George Orwell, Philip Larkin, and Kingsley Amis, among many others. Now, drawing on his letters, diaries, and interviews, Hilary Spurling--herself a longtime friend of Powell's-- has written a fresh and masterful portrait of the man, his work, and his time. Insightful, poignant, and cinematic in scope, this biography is as much a brilliant tapestry of a seminal moment in London's literary life as it is a revelation of an iconic literary figure.

    The unsolved killings had been labeled the Professor Murders, and the case file had become known as the Professor’s Dozen... it has been 6 years since the last killing, and this latest murder is number 13 now, making it a baker’s dozen. Where has the killer been all these years and why have they returned? Since her father had died before she’d been born, and her mother Laura hadn’t bothered with dating afterwards, Gwen romanticized that the trunk containing the letters she’d found in the back of her mother’s closet, might have been love letters from her father to her mother… but they weren’t. And though they had been written in what Gwen thought was her mother’s handwriting, and based on the city addressed on the envelopes, had been penned ‘Dear Mother’ to Gwen’s grandmother. But strangely enough, there had been no return address marked on any of them. And for whatever reason, they had all been signed, ‘Love Rachel’.

    Tanwen is pretty, pert, a bubbly extrovert but very selfish and as slim and sharp as a needle. Donna is plain, placid and shy, although very warm-hearted and as sturdy and useful as a pin. In 1924, when the girls are fourteen, their mother Gwyneth insists both become apprentices at The Cardiff Drapers, where she once worked. Her dressmaking pays little and the girls' wages will help bring more money in.Tanwen is in great demand when she becomes the store model, but much to both girls' dismay, Gwyneth insists Donna goes along with her sister when she has a date. Donna ends up playing gooseberry or in the company of a boy she doesn't like - until she meets tall, handsome Dylan Wallis and falls in love. But Tanwen sets her heart on Dylan with disastrous consequences for them all...