Each one has her own reason for wanting to get the heck out of their nowheresville town, even just for the weekend. So they climb into Jesse's mom's "borrowed" station wagon and head south.Hearts will be broken, friendships will be tested, and a ridiculously hot stranger could change the course of everything.

    He has only one friend, Earl, and together they spend their time making movies, their own incomprehensible versions of Coppola and Herzog cult classics.Until Greg’s mother forces him to rekindle his childhood friendship with Rachel.Rachel has been diagnosed with leukemia—-cue extreme adolescent awkwardness—-but a parental mandate has been issued and must be obeyed. When Rachel stops treatment, Greg and Earl decide the thing to do is to make a film for her, which turns into the Worst Film Ever Made and becomes a turning point in each of their lives.And all at once Greg must abandon invisibility and stand in the spotlight.

    A year after surviving a car accident that killed her friend Trent and left her body and face scarred, she can’t move forward. The only person who seems to understand her is Trent’s brother, Max.As Sadie begins to fall for Max, she's unsure if she is truly healed enough to be with him — even if Max is able to look at her scars and not shy away. But when the truth about the accident and subsequent events comes to light, Sadie has to decide if she can embrace the future or if she'll always be trapped in the past.

    And she thinks Will is emotionally unavailable, slightly brittle and very mistrustful. They’re both right.But the more they bicker, the worse Blossom behaves, and they realise they have to form some sort of truce in order to dog-parent (or “pawrent” as Margot calls it, to which Will rolls his eyes) her together. It’s almost as if Blossom has plans of her own…