Henry Lawson is too often regarded as a legend rather than a writer to be enjoyed.In this selection John Barnes reveals Lawson not only as a writer who has delighted past generations.His short stories, some humourous, some wry, some moving are, above all, enjoyable.Stories includeThe Drover's WifeThe Bush UndertakerIn a Dry SeasonThe Union Buries its DeadHungerford'Rats'An Old Mate of Your Father'sMitchell: A Character SketchOn the Edge of a Plain'Some Day'Shooting the MoonOur PipesBill, the Ventriloqual RoosterThe Geological SpielerThe Iron-Bark ChipThe Loaded DogBrighten's Sister in LawA Double Buggy at Lahey's Creek'Water them Geraniums'Joe Wilson's CourtshipTelling Mrs BakerA Child in the Dark, and A Foreign Father

    Sarah Krasnostein's The Trauma Cleaner is a love letter to an extraordinary ordinary life. In Sandra Pankhurst she discovered a woman capable of taking a lifetime of hostility and transphobic abuse and using it to care for some of society's most in-need people.Sandra Pankhurst founded her trauma cleaning business to help people whose emotional scars are written on their houses. From the forgotten flat of a drug addict to the infested home of a hoarder, Sandra enters properties and lives at the same time. But few of the people she looks after know anything of the complexity of Sandra's own life. Raised in an uncaring home, Sandra's miraculous gift for warmth and humour in the face of unspeakable personal tragedy mark her out as a one-off.

    but the war isn't over.For Ellie Linton, being back on the farm with her parents is what makes the terrible things that happened during the war -- the things she, Homer, Lee, Fi, and the others had to do -- all worthwhile. It's where she belongs.But the war won't let her go. A devastating tragedy has shattered any hope she ever had to reclaim her life, or herself. It's a new kind of fight. And the enemy isn't always from the other side of the border.Another spectacular novel of war and its consequences by bestselling author John Marsden.

    Beneath these killing fields of the Western Front, another war was taking place, a deadly game 30 meters down, played between thousands of troops. These were not infantrymen, but miners. Their mutual goal was to tunnel beneath "no man's land," under the opposing lines and destroy the German enemy from below. Unfortunately, the Germans had the same idea and were digging in from the other side. Over 4,585 Australian miners took part in this secret subterranean war, fighting under stress and conditions that terrified even the most hardened infantryman on the surface. The 1st Australian Tunneling Division was responsible for the mines set under "Hill 60," a high point that dominated that part of the killing fields of Belgium. They were led by Captain Oliver Woodward who had started his mining career in Charters Towers, Queensland and went on to head BHP in Australia. His bravery and that of his men in guarding those underground mines and their subsequent massive explosions broke the gridlocked trench warfare that had continued for three years. Through exhaustive research, Will Davies has uncovered first-hand accounts of life for the tunnelers and soldiers at the front. In sharing their hopes, dreams, victories, and disappointments he tells the broad story of day after day in the mud at the front line and uncovers the glorious spirit of these men who fought and died for their countries. Beneath Hill 60 is an unforgettable story.

    Ranging over a period of some six years, the story is set during the late 1930s and early 1940s; but it is not so much a tale of this period as Herbert's analysis and indictment of the steps by which we came to the Australia of today. Herbert parallels an intimate personal narrative with a tale of approaching war and the disconnect between modern Australia and its first inhabitants. With enduring portraits of a large cast of local and international characters, Herbert paints a scene of racial, familial, and political disparity. He lays bare the paradoxes of this wild land, both old and wise, young flawed. Winner of the Miles Franklin Award on first publication in 1975, Poor Fellow, My Country is masterful storytelling, an epic in the truest sense. This is the decisive story of how Australia threw away her chance of becoming a True Commonwealth. It is undoubtedly Herbert's supreme contribution to Australian literature.

    A community betrayed ... The whistle-blower priest who paid the ultimate price Glen Walsh and Steven Alward were childhood friends in their tight-knit working-class community in Shortland, on the outskirts of Newcastle, New South Wales. Both proud altar boys at the local Catholic church, they went on to attend the city's Catholic boys' highs schools: Glen to Marist Brothers and Steven to St Pius X. Both did well: Steven became a journalist; Glen a priest. But when Glen discovered another priest was sexually abusing boys, he reported the offending to police, breaking Canon Law and his vows to the Catholic 'brotherhood' in the process. Just weeks before he was due to give evidence at a key trial against the highest cleric to ever be charged with covering up child abuse, Father Glen Walsh was dead. Two months later, his friend Steven also died, only weeks before he was to marry the love of his life. Ensuing investigations revealed that at least 60 men in the region had taken their own lives. Why? What had happened, and why were so many from the three Catholic high schools in the area?By six-time Walkley Award-winning investigative reporter Suzanne Smith, The Altar Boys is the powerful expose of widespread and organised clerical abuse of children in an Australian city, and how the cover-up in the Catholic Church in Australia extended from parish priests to every echelon of the organisation. Focusing on two childhood friends, their families and community, this gripping and explosive story is backed by secret documents, diary notes and witness accounts, and details a deliberate church strategy of using psychological warfare against witnesses in key trials involving paedophile priests.

    These essays traverse cities and spaces, bodies and histories, moving through forms and modes to find a closer kind of truth. Blueberries is ripe with acid, promise, and sweetness.

    Every morning she uses 100 strokes to brush her hair, 160 strokes to brush her teeth. She remembers the day she started to count, how she used numbers to organize her adolescence, her career, even the men she dated. But something went wrong. Grace used to be a teacher, but now she's surviving on disability checks. According to the parents of one of her former students, "she's mad."Most people don't understand that numbers rule, not just the world in a macro way but their world, their own world. Their lives. They don't really understand that everything and everybody are connected by a mathematical formula. Counting is what defines us...the only thing that gives our lives meaning is the knowledge that eventually we all will die. That's what makes each minute important. Without the ability to count our days, our hours, our loved ones...there's no meaning. Our lives would have no meaning. Without counting, our lives are unexamined. Not valued. Not precious. This consciousness, this ability to rejoice when we gain something and grieve when we lose something—this is what separates us from other animals. Counting, adding, measuring, timing. It's what makes us human.Grace's father is dead and her mother is a mystery to her. Her sister wants to sympathize but she really doesn't understand. Only Hilary, her favorite niece, connects with her. And Grace can only connect with Nikola Tesla, the turn-of-the-twentieth-century inventor whose portrait sits on her bedside table and who rescues her in her dreams. Then one day all the tables at her regular café are full, and as she hesitates in the doorway a stranger—Seamus Joseph O'Reilly (19 letters in his name, just like Grace's)—invites her to sit with him. Grace is not the least bit sentimental. But she understands that no matter how organized you are, how many systems you put in place, you can't plan for people. They are unpredictable and full of possibilities—like life itself, a series of maybes and what-ifs.And suddenly, Grace may be about to lose count of the number of ways she can fall in love.

    Peopled by an ensemble cast, the local publican the single mother who manages the pub’s kitchen, the unhappily married couple that runs the corner store, a newcomer from Johannesburg with a murky past, a snivelling B&B proprietor and a determined ex-girlfriend, Wood Green artfully evokes the claustrophobia of small-town life. While Michael believes he is making a new life for himself, Lucian has other plans. Rabin writes with wit and intelligence – and deftly executes an unsuspected plot twist – in his exploration of the perils of literary ambition and the elusive prospect of artistic legacy.

    He lives with his mother and sister Katie, all dutifully cared for by Aunt Dettie, their father's sister, who believes herself sympathetic to his pain. Their father abandoned the family some time ago, but when their mother begins to date again, Aunt Dettie reacts very badly. After an unexpected phone call, Aunt Dettie packs Sam and Katie into the backseat of her car and tells them that she's taking them to Perth to be reunited with their father. As Dettie drives the children across Australia in the middle of a sweltering and dangerous bushfire season, her behaviour becomes increasingly erratic, and the children begin to realise that there is something very wrong. Voiceless, Sam can only watch helplessly as the family trip becomes a smoke-filled nightmare.

    It's a culture that manifests itself as the ultimate example of resilience, strength and beauty. It’s also a culture that has consistently been led by its women.My Tidda, My Sister shares the experiences of many Indigenous women and girls, brought together by author and host of the Tiddas 4 Tiddas podcast, Marlee Silva. The voices of First Nations’ women that Marlee weaves through the book provide a rebuttal to the idea that 'you can’t be what you can’t see'. For non-Indigenous women, it demonstrates the diversity of what success can look like and offers an insight into the lives of their Indigenous sisters and peers.Featuring colourful artwork by artist Rachael Sarra, this book is a celebration of the Indigenous female experience through truth-telling. Some stories are heart-warming, while others shine a light on the terrible realities for many Australian Indigenous women, both in the past and in the present. But what they all share is the ability to inspire and empower, creating a sisterhood for all Australian women.Also features foreword by Helpmann and AACTA award-winning actor Leah Purcell.

    This book is the first of its kind to address and educate a broad audience about our colonial contextual history, in a highly original way. It pulls apart the myths at the heart of our nationhood and challenges Australia to come to terms with its own past and its place within and on ‘Indigenous Countries’.This title speaks to many First Nations’ truths; stolen lands, sovereignties, time, decolonisation, First Nations perspectives, systemic bias and other constructs that inform our present discussions and ever-expanding understanding. This title is a timely, thought-provoking and accessible read.There is no part of this placethat was notis notcared forlovedby an Aboriginal or Torres Strait Islander nationThere are no treesrivershillsstarsthat were notare notsomeone’s kin

    With courage and compassion she addresses her own frailties and fears, and asks the big questions about life, about the shadows we inherit and the gifts we pass on.Honest, poignant, utterly captivating, Reckoning announces the arrival of a fearless writer and natural storyteller. It will touch the lives of its readers.Magda Szubanski is one of Australia’s best known and most loved performers. She began her career in university revues, then appeared in a number of sketch comedy shows before creating the iconic character of Sharon Strzelecki in ABC-TV’s Kath and Kim. She has also acted in films (Babe, Babe: Pig in the City, Happy Feet, The Golden Compass) and stage shows. Reckoning is her first book.

    Mia is a 13-year-old girl from a remote community in the Kimberley. She is saddened by the loss of her brother as he distances himself from the family. She feels powerless to change the things she sees around her, until one day she rescues her totem animal, the dirran black cockatoo, and soon discovers her own inner strength. A wonderful small tale on the power of standing up for yourself, culture and ever-present family ties.

    When she goes to visit him and takes a tour of Oxford and Rhodes House, she begins questioning her belief in a system she has previously revered, as she learns the truth behind what Virginia Woolf described almost a century earlier as the 'stream of gold and silver' that flows through elite institutions and dictates decisions about who deserves to be educated there. The question that forms in her mind drives the following two years of conversations and investigations: who gets to be smart?Interrogating the adage, 'knowledge is power', and calling institutional prejudice to account, Bri once again dives into her own privilege and presumptions to bring us the stark and confronting results. Far from offering any 'equality of opportunity', Australia's education system exacerbates social stratification. The questions Bri asks of politics and society have their answers laid bare in the response to the Ramsay Centre for Western Civilisation, COVID-19, and the Black Lives Matter protests of 2020.