It is losing its identity, its lands, and its dignity. He not only adapts, he perseveres and, over time, becomes a leader—and on occasion, the hand of vengeance against those who would destroy his adopted people.Yellow Hair documents the injustices done to the Sioux Nation from their first treaty with the United States in 1805 through Wounded Knee in 1890. Every death, murder, battle, and outrage written about actually took place. The historical figures that play a role in this fact-based tale of fiction were real people and the author uses their real names. Yellow Hair is an epic tale of adventure, family, love, and hate that spans most of the 19th century. This is American history.Awarded Book of the Year by Just Reviews.Awarded Best Historical Fiction of 2016 by Colleen's ReviewsAndrew Joyce is the recipient of the 2013 Editor’s Choice Award for Best Western for his novel, Redemption: The Further Adventures of Huck Finn and Tom Sawyer.

    The war may be waning, but the city known as La Serenissima is still occupied and the people of Italy fear the power of the Third Reich. One night, under a canopy of stars, a fisherman named Cenzo comes across a young woman’s body floating in the lagoon and soon discovers that she is still alive and in trouble.Born to a wealthy Jewish family, Giulia is on the run from the SS. Cenzo chooses to protect Giulia rather than hand her over to the Nazis. This act of kindness leads them into the world of Partisans, random executions, the arts of forgery and high explosives, Mussolini’s broken promises, the black market and gold, and, everywhere, the enigmatic maze of the Venice Lagoon.

    5Established in 1898 in the heart of Paris on Place Vendôme, the Hôtel Ritz instantly became an icon of the city frequented by film stars and celebrity writers, American heiresses and risqué flappers, politicians, playboys, and princes. When France fell to the Germans in June 1940, it was the only luxury hotel of its kind allowed in the occupied city by order of Adolf Hitler.Tilar J. Mazzeo traces the history of this cultural landmark from its opening in fin de siècle Paris. At its center, The Hotel on Place Vendôme is an extraordinary chronicle of life at the Ritz during wartime, when the Hôtel was simultaneously headquarters to the highest-ranking German officers, such as Reichsmarshal Hermann Göring, and home to exclusive patrons, including Coco Chanel. Mazzeo takes us into the grand palace's suites, bars, dining rooms, and wine cellars, revealing a hotbed of illicit affairs and deadly intrigue, as well as stunning acts of defiance and treachery, where refugees were hidden in secret rooms, a Jewish bartender passed coded messages for the German resistance, and Wehrmacht officers plotted to assassinate the Führer. Yet, as she makes clear, not everyone at the Ritz in the spring of 1940 would survive to the war's end.Rich in detail, illustrated with black-and-white photos, The Hotel on Place Vendôme is a remarkable look at this extraordinary place and the people and events that made it legend; the crucible where the future of post-war France-and all of post-war Europe-was transformed.

    On May 11, 1945, McKinney returned fire on the Japanese attacking his unit, using every available weapon-even his fists-standing alone against wave after wave of dedicated Japanese soldiers. At the end, John McKinney was alive-with over forty Japanese bodies before him. This is the story of an extraordinary man whose courage and fortitude in battle saved many American lives, and whose legacy has been sadly forgotten by all but a few. Here, the proud legacy of John McKinney lives on.

    Now Gerrit Laninga—a man who puts God and country above all else—arrives at her house, needing help. She is terrified for herself and terrified for her family, but most of all, terrified of the pain she might feel again if she allows herself to love Gerrit. Her hope is to be free from her paralyzing fear.Gerrit is a known and hunted Dutch Resistance member. When he comes to Cornelia’s home for shelter, he’s drawn to her strength and kindness. When he asks her to contact the local Resistance on his behalf, she refuses. Gerrit is determined to find a way to continue his underground work without putting Cornelia or her family in harm’s way.When things start to unravel and Gerrit’s life depends on her actions, she must summon her courage and learn to depend on the perfect love that drives out all fear. But will her new love be snatched away before it has a chance to bloom?

    Karl, a former soldier and successful businessman, dutifully answers the call to defend his country, while contemplative academic Gerhard is coerced into informing for the Gestapo. Soon the brothers are serving in the SS, and as Hitler’s hateful agenda brings about unspeakable atrocities, they find themselves with innocent blood on their hands.Following Germany’s eventual defeat, Karl and Gerhard are haunted by their insurmountable guilt, and each seeks a way to escape from wounds that will never heal. They survived the war and its revelation of systematic horrors, but can they survive the unshakable knowledge of their own culpability?

    Here he is sentenced to death again: he is diagnosed with tuberculosis and his doctors inform him that he has six months to live. But Miklós decides to wage war on his own fate: he writes 117 letters to 117 Hungarian girls, all of whom are being treated in the Swedish camps, with the aim of eventually choosing a wife from among them.Two hundred kilometres away, in another Swedish rehabilitation camp, nineteen-year-old Lili receives Miklós’s letter. Since she is bedridden for three weeks due to a serious kidney problem, out of boredom — and curiosity — she decides to write back.The slightly formal exchange of letters becomes increasingly intimate. When the two finally manage to meet, they fall in love and are determined to marry, despite the odds that are against them.Based on the original letters written by Miklós and Lili (ninety-six altogether), Fever at Dawn is a tale of passion, striving, and betrayal; true and false friendships; doubt and faith; and the redeeming power of love.

    A granddaughter of Holocaust survivors, Jordana attended the trial. She realized that by witnessing history she gained the knowledge and legitimacy to be able to stand in the footsteps of the survivors.

    This mirror didn't show you your reflection. It showed you your soul - it showed you who you really were. The wizard couldn't look at it without turning away. The king couldn't look at it. The courtiers couldn't look at it. A chestful of treasure was offered to anyone who could look at it for sixty seconds without turning away. And no one could.The Zone of Interest is a love story with a violently unromantic setting. Can love survive the mirror? Can we even meet each other's eye, after we have seen who we really are?In a novel powered by both wit and pathos, Martin Amis excavates the depths and contradictions of the human soul.

    An unexpected phone call hurls Reshef into an intensive two-year journey, during which he has to solve a mystery that took shape in the 1930s and gradually unfolded in the present. A mysterious lot, a forgotten bank account, a people long gone – along with their memory which were obliterated during the Holocaust. All of these rise to the surface, bearing with them memories and emotions previously hidden away in the shoebox. “I had no intention of writing a book. I had no need to write a story in general nor a story about my family and the Holocaust in particular. But life being what it is, sometimes things happen in mysterious, even surprising ways. Stuff that used to take center stage moves to the background, and background stuff moves downstage and center. That’s what happened in my case.” (Yaron Reshef)

    Srulik is only eight years old when he finds himself all alone in the Warsaw ghetto. He escapes into the countryside where he spends the ensuing years hiding in the forest, dependent on the sympathies and generosity of the poor farmers in the surrounding area. Despite the seemingly insurmountable odds, several chases, captures, attempted executions, and even the loss of his arm, Srulik miraculously survives.

    She brought them food and books, but they were caught and paid a terrible price. Maria's stirring story is one of five featured in this important book of young people putting their lives on the line for others.

    Anne-Marie O'Connor, writer for the Washington Post, formerly of the Los Angeles Times, tells the galvanizing story of the Lady in Gold, Adele Bloch-Bauer, a dazzling Viennese Jewish society figure; daughter of the head of one of the largest banks in the Hapsburg Empire, head of the Oriental Railway, whose Orient Express went from Berlin to Constantinople; wife of Ferdinand Bauer, sugar-beet baron. The Bloch-Bauers were art patrons, and Adele herself was considered a rebel of fin de siècle Vienna (she wanted to be educated, a notion considered "degenerate” in a society that believed women being out in the world went against their feminine "nature"). The author describes how Adele inspired the portrait and how Klimt made more than a hundred sketches of her-simple pencil drawings on thin manila paper. And O'Connor writes of Klimt himself, son of a failed gold engraver, shunned by arts bureaucrats, called an artistic heretic in his time, a genius in ours. She writes of the Nazis confiscating the portrait of Adele from the Bloch-Bauers' grand palais; of the Austrian government putting the painting on display, stripping Adele's Jewish surname from it so that no clues to her identity (nor any hint of her Jewish origins) would be revealed. Nazi officials called the painting, "The Lady in Gold" and proudly exhibited it in Vienna's Baroque Belvedere Palace, consecrated in the 1930s as a Nazi institution. The author writes of the painting, inspired by the Byzantine mosaics Klimt had studied in Italy, with their exotic symbols and swirls, the subject an idol in a golden shrine. We see how, sixty years after it was stolen by the Nazis, the Portrait of Adele Bloch-Bauer became the subject of a decade-long litigation between the Austrian government and the Bloch-Bauer heirs, how and why the U.S. Supreme Court became involved in the case, and how the Court's decision had profound ramifications in the art world. In this book listeners will find riveting social history; an illuminating and haunting look at turn-of-the-century Vienna; a brilliant portrait of the evolution of a painter; a masterfully told tale of suspense. And at the heart of it, The Lady in Gold-the shimmering painting, and its equally irresistible subject, the fate of each forever intertwined.

    In December 1944, during the bloody Battle of the Bulge, teams of German commandos disguised as American soldiers slipped behind the US front lines. Riding in captured US jeeps, they committed sabotage, sowed confusion and caused paranoia among American troops. Word quickly spread that the undercover commandos were out to kill US General Eisenhower. Popular legend has made the false flag operation out to be a skilled and menacing ploy with cunning German spies speaking American English. Their commander, propaganda hero SS Lt. Col. Otto Skorzeny, seemed a mastermind. But the reality was much different, and all the more deadly. The planning and training were slapdash, the mission desperate, its chances slim to none. Sitting Ducks is a fast read equaling about 49 print pages.

    Josef Mengele has come to symbolize both the evil of the Nazi regime and the failure of justice in the postwar world. Drawing on new scholarship and sources, historian David G. Marwell examines Mengele’s life and career, chronicling his university studies, which led to two PhDs and a promising career as a scientist; his wartime service, in combat and at Auschwitz, where his “selections” determined the fate of countless innocents and his “scientific” pursuits resulted in the traumatization and death of thousands more; and his postwar refuge in Germany and South America.Mengele describes the international search in 1985, which ended in a cemetery in Sao Paulo, Brazil, and the dogged forensic investigation that produced overwhelming evidence that Mengele had died―but failed to convince those who, arguably, most wanted him dead. This is a story of science without limits, escape without freedom, and resolution without justice.