This collection features new stories from all the Zelmer Pulp regulars as well as stunning noir photography from Mark Krajnak and an introduction by Brit Grit Godfather Paul D. Brazill.Zelmer Pulp arrives with both guns out in this Volume 1 noir collection.

    One day Richard decides to make an ambitious film, which turns into a fiasco. Enraged, he exacts revenge on all who have crossed him.

    But sometimes, there are reasons for a fury like Tommy's. Tommy's relationship with Donna, the daughter of a man he hates almost as much as his own father, has led to more outbursts than anything else in Tommy's firecracker existence. With her unearthly beauty and a passion that rivals Tommy's own, he couldn't help but fall for her. But as everybody knows, the stories of star-crossed lovers never have happy endings -- especially not with explosive parties like these. Cropper's Cabin is Jim Thompson's hair-raising thriller of what no writer has known better before or since -- the hardscrabble existence of small-town American lives set to blow.

    It came from behind the five peaks. The beam drove up through a column of blue haze whose edges were marked as sharply as the rain that streams from the edges of a thunder cloud. It was like the flash of a searchlight through an azure mist. It cast no shadows.As it struck upward the summits were outlined hard and black and I saw that the whole mountain was shaped like a hand. As the light silhouetted it, the gigantic fingers stretched, the hand seemed to thrust itself forward. It was exactly as though it moved to push something back. The shining beam held steady for a moment; then broke into myriads of little luminous globes that swung to and fro and dropped gently. They seemed to be searching.

    ...and two robbers hired by a local crime boss manage to heist half a million dollars from an armored car. But getting the money and getting away with it are two different things, especially with a blizzard coming down, the cops in hot pursuit, and a double-crossing gambler and a murderous park ranger threatening to turn this white Christmas blood red.

    Vonnegut’s absolute familiarity with science fiction tropes and his mocking contempt for them are well displayed in a story which shifts between tragic cartoon and straightforward projection. His highly evolved humans in an indeterminate future have become body-transcending spirits and Vonnegut handles this vaporous situation with deadpan comedy suspended over unspeakable loss, a characteristic technique. In its fluidity--the story is parody masked as extrapolation; no, it is a horror story in the form of a parody. This kind of cross-category narrative attack was often used by Vonnegut and makes him difficult to label; he is too serious to be funny, too absurd (as in jailbreak or as in the concept of Billy Pilgrim’s alien Tralmalfadorians) to be taken as realism. Vonnegut when he wrote this story at 30 was still trying to find his voice, identify his material; as a laboratory of his enveloping subject matter and technique UNREADY TO WEAR is particularly interesting and disturbing, demonstrating that Vonnegut could have gone in any number of directions and perhaps by deliberately failing to make a decision, found his voice through indeterminacy. It is as a poet of indeterminacy then that Vonnegut went on to write his most famous novel, SLAUGHTERHOUSE-FIVE.ABOUT THE AUTHORKurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.ABOUT THE SERIESHorace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.

    But when his partner becomes victim number two, it looks like open-and-shut grudge killings. That is, until a third detective buys it.ED MCBAIN'S FIRST 87th PRECINCT NOVEL

    To Camp Rapture’s general consternation, Sunset’s mother-in-law arranges for her to take over from Pete as town constable. As if that weren’t hard enough to swallow in depression era east Texas, Sunset actually takes the job seriously, and her investigation into a brutal double murder pulls her into a maelstrom of greed, corruption, and unspeakable malice. It is a case that will require a well of inner strength she never knew she had. Spirited and electrifying, Sunset and Sawdust is a mystery and a tale like nothing you’ve read before.

    THEY THOUGHT WRONG.It all began with the phone call asking former porn star Angel Dare to do one more movie. Before she knew it, she'd been shot and left for dead in the trunk of a car. But Angel is a survivor. And that means she'll get to the bottom of what's been done to her even if she has to leave a trail of bodies along the way...

    In 'Spiderweb', Eddie Haines is collecting secrets from his wealthy clients in order to blackmail them.

    Containing the black-and-white interiors and full-color covers of Primer #2 and Grendel #1-3 originally published by Comico, this handsome hardcover volume is an essential piece of comics history, presenting the earliest work of Matt Wagner, the legendary creator behind such acclaimed projects as Mage, Sandman Mystery Theatre and Batman: The Monster Men among many others.

    Jackson Healy is the tough guy who put him in a cast. Not the two most likely men to team up to hunt for a missing girl, or look into the suspicious death of a beautiful porn star, or go up against a conspiracy of the rich and powerful that stretches from Detroit to D.C. Hell, they’re not the most likely pair to team up to do anything. But there you go. And if they somehow survive this case, they might just find they like each other.But let’s be honest. They probably won’t survive it. Copyright © 2016 Warner Bros. Entertainment Inc.THE NICE GUYS and all related characters and elements © Silver Pictures Entertainment.WB SHIELD: ™ & © WBEI. (s16)

    It's where crease was beaten, jailed, and kicked clear of the town line ten years earlier.Now Crease is back. He's been undercover for so long that most days he feels more like a mobster than a cop. He doesn't mind much: the corrupt life is easier to stomach than a wife who can't understand him, a son who hates him, and a half-dozen adopted kids he can't even name anymore. He's also just gotten his drug-dealing, knife-wielding psycho boss Tucco's mistress pregnant.A fine time to decide to settle old scores and resolve a decade-old mystery.With Tucco hot on his tail, Crease has to find his answers fast. Who kidnapped little mary? Who really killed her? Was his own father guilty? And what happened to the paltry fifteen grand ransom that seems to spell salvation to half the population of Hangtree? The town still has a taste for his blood and secrets it wants to keep. Crease has a single hope; a raw and raging fever driving him toward the truth that might just burn him up along the way.

    Merciless in its suspense, flawless in its grasp of the ways in which ordinary people hurtle over the edge, The Hot Spot is a superb example of fifties roman noir.

    Frank Bill delivers what is both a wake-up call and a gut punch. Welcome to heartland America circa right about now, when the union jobs and family farms that kept the white on the picket fences have given way to meth labs, backwoods gunrunners, and bare-knuckle brawling.Bill's people are pressed to the brink--and beyond. There is Scoot McCutchen, whose beloved wife falls terminally ill, leaving him with nothing to live for--which doesn't quite explain why he brutally murders her and her doctor and flees, or why, after years of running, he decides to turn himself in. In the title story, a man who has devolved from breeding hounds for hunting to training them for dog-fighting crosses paths with a Salvadoran gangbanger tasked with taking over the rural drug trade, but who mostly wants to grow old in peace. As Crimes in Sourthern Indiana unfolds, we witness the unspeakable, yet are compelled to find sympathy for the depraved.Bill's southern Indiana is haunted with the deep, authentic sense of place that recalls the best of Southern fiction, but the interconnected stories bristle with the urban energy of a Chuck Palahniuk or a latter-day Nelson Algren and rush with the slam-bang plotting of pulp-noir crime writing a la Jim Thompson. Bill's prose is gritty yet literary, shocking, and impossible to put down. A dark evocation of the survivalist spirit of the working class, this is a brilliant debut by an important new voice.