Jonathan Grave, covert rescue specialist, always gets results. No names. No feds. No trace evidence.When an Indiana college student is abducted, Jonathan and his team of ace operatives unravel a deadly scheme the government wants ignored. Someone wants to control a devastating secret. Someone rich, powerful, and willing to kill anyone to get it. Even the people Jonathan loves most.

    Jonathan Ransom, a surgeon for Doctors Without Borders, is climbing in the Swiss Alps with his wife, Emma, when she falls into a hidden crevasse and dies. Twenty-four hours later, Jonathan receives an envelope addressed to his wife containing two baggage-claim tickets. Puzzled, he journeys to a railway station only to find himself inexplicably attacked by the Swiss police. Suddenly forced on the run, Jonathan's only chance at survival lies in uncovering the devastating truth behind his wife's secret life.

    An oil tanker runs aground in Japan when its navigational system suddenly stops dead. Hospitals everywhere have to abandon their computer databases when patients die after being administered incorrect dosages of their medicine. In the Midwest, a nuclear power plant nearly becomes the next Chernobyl when its cooling systems malfunction.At first, these random computer failures seem like unrelated events. But Jeff Aiken, a former government analyst who quit in disgust after witnessing the gross errors that led to 9/11, thinks otherwise. Jeff fears a more serious attack targeting the U.S. computer infrastructure is already under way. And as other menacing computer malfunctions pop up around the world, some with deadly results, he realizes that there isn't much time if he hopes to prevent an international catastrophe.Written by a global authority on cyber security, Zero Day presents a chilling "what if" scenario that, in a world completely reliant on technology, is more than possible today -- it's a cataclysmic disaster just waiting to happen.

    But they're about to get far worse. Because he's being hunted by a team of relentless assassins. Soon Hall discovers that advanced electronics have been implanted in his brain, and he now has two astonishing abilities. He can surf the web using thoughts alone. And he can read minds. But who inserted the implants? And why? And why is someone so desperate to kill him?As Hall races to find answers, he comes to learn that far more is at stake than just his life. Because his actions can either catapult civilization to new heights--or bring about its total collapse.Extrapolated from actual research on thought-controlled web surfing, Mind's Eye is a smart, roller-coaster ride of a thriller. One that raises a number of intriguing, and sometimes chilling, possibilities about a future that is just around the corner.

    The war of words between Right and Left has collapsed into a shooting war, though most people just want to be left alone. The battle rages between the high-technology weapons on one side, and militia foot-soldiers on the other, devastating the cities, and overrunning the countryside. But the vast majority, who only want the killing to stop and the nation to return to more peaceful days, have technology, weapons and strategic geniuses of their own. When the American dream shatters into violence, who can hold the people and the government together? And which side will you be on?Orson Scott Card is a master storyteller, who has earned millions of fans and reams of praise for his previous science fiction and fantasy novels. Now he steps a little closer to the present day with this chilling look at a near future scenario of a new American Civil War.

    The Old Man is his latest whip-smart standalone novel.To all appearances, Dan Chase is a harmless retiree in Vermont with two big mutts and a grown daughter he keeps in touch with by phone. But most sixty-year-old widowers don’t have multiple driver’s licenses, savings stockpiled in banks across the country, and a bugout kit with two Beretta Nanos stashed in the spare bedroom closet. Most have not spent decades on the run. Thirty-five years ago, as a young hotshot in army intelligence, Chase was sent to Libya to covertly assist a rebel army. When the plan turned sour, Chase reacted according to his own ideas of right and wrong, triggering consequences he could never have anticipated. And someone still wants him dead because of them. Just as he had begun to think himself finally safe, Chase must reawaken his survival instincts to contend with the history he has spent his adult life trying to escape. Armed mercenaries, spectacularly crashed cars, a precarious love interest, and an unforgettable chase scene through the snow—this is lethal plotting from one of the best in crime fiction.

    The storm makes rescue impossible, and for two people—navigator Michael Parson and a woman Army interpreter, Sergeant Gold—a battle for survival begins across some of the most forbidding terrain on earth against not only the hazards of nature, but the treacheries of man: the Taliban stalking them; the villagers, whose loyalty is unknown; and a prisoner who would very much like the three of them to be caught. All Parson and Gold have is each other, to stay alive.“When you write fiction, your best work may come from what scares you the most,” writes airman Thomas W. Young. “When I first flew to Afghanistan, what scared me the most wasn’t the thought of getting shot down and killed. It was the thought of getting shot down and not killed. . . .”

    Drummond Clark was once a spy of legendary proportions.  Now Alzheimer’s disease has taken its toll and he’s just a confused old man who’s wandered away from home, waiting for his son to fetch him.   When Charlie Clark takes a break from his latest losing streak at the track to bring Drummond back to his Brooklyn home, they find it blown sky high—and then bullets start flying in every direction.  At first, Charlie thinks his Russian “creditors” are employing aggressive collection tactics.  But once Drummond effortlessly hot-wires a car as their escape vehicle, Charlie begins to suspect there’s much more to his father than meets the eye.  He soon discovers that Drummond’s unremarkable career as an appliance salesman was actually a clever cover for an elaborate plan to sell would-be terrorists faulty nuclear detonators.  Drummond’s intricate knowledge of the “device” is extremely dangerous information to have rattling around in an Alzheimer’s-addled brain.  The CIA wants to “contain” him--and so do some other shady characters who send Charlie and Drummond on a wild chase that gives  “father and son quality time” a whole new meaning. With Once a Spy, Keith Thomson makes his debut on the thriller stage with energy, wit, and style to spare.From the Hardcover edition.

    Holder of the Medal of Honor. Devoted family man. Servant of his country. But for the past twenty-eight years, Fitzgerald has been leading a double life as the CIA's most deadly assassin. And only days before his retirement from the CIA, he comes across an enemy who, for the first time, even he cannot handle. The enemy is his own boss - Helen Dexter - the director of the CIA. Dexter's stranglehold on the agency is threatened by one decision, and her only hope of survival is to destroy Fitzgerald. Meanwhile, on the other side of the world, a formidable new foe is threatening the United States: a ruthless hard-line Russian president, who is determined to force a new military confrontation between the two superpowers.From emergency meetings in the Oval Office to a Russian mafya boss's luxurious hideaway outside St. Petersburg, The Eleventh Commandment sweeps readers off their feet from the first paragraph. As in Jeffrey Archer's previous bestsellers, The Eleventh Commandment features enough plot-twisting ingenuity, exotic characterization, and narrative surprise to take the art of thriller writing to a new level. In his latest novel, Jeffrey Archer is at the peak of his page-turning powers.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    As the FBI investigates, suspicion surrounding Web deepens. Now, he needs help from an unlikely ally in his desperate search for the killer of his friends, and finds himself up against a force intent on finishing the job that began in the alley.

    A group of American bombers armed with nuclear weapons is streaking past the fail-safe point, beyond recall, and no one knows why. Their destination—Moscow.In a bomb shelter beneath the White House, the calm young president turns to his Russian translator and says, "I think we are ready to talk to Premier Kruschchev." Not far away, in the War Room at the Pentagon, the secretary of defense and his aides watch with growing anxiety as the luminous blips crawl across a huge screen map. High over the Bering Strait in a large Vindicator bomber, a colonel stares in disbelief at the attack code number on his fail-safe box and wonders if it could possibly be a mistake.First published in 1962, when America was still reeling from the Cuban missile crisis, Fail-Safe reflects the apocalyptic attitude that pervaded society during the height of the Cold War, when disaster could have struck at any moment. As more countries develop nuclear capabilities and the potential for new enemies lurks on the horizon, Fail-Safe and its powerful issues continue to respond.

    Salvation appears in Stella—a woman as damaged, and resourceful, as he. But when a coded distress call from his former CO leads him to a shadowy NSA operative, Tom is recruited for a “black op” to bring back the now-rogue man who saved his life.As he searches for Cahill, Tom quickly uncovers a much larger web of treason and betrayal that calls his entire world into question—and forces him into the ultimate no-win scenario.