"The City Is a Rising Tide" unfolds against a stunning backdrop of history, culture, and landscape -- from the Three Gorges Dam on the Yangtze to the refined vistas of Central Park, from the Cultural Revolution to the surreal world of moviemaking. In New York City, Justine Laxness works as a money manager at a nonprofit, the Aquinas Foundation. Justine's love for her boss, Peter, is unrequited, despite their deep friendship and extensive history: they first met in the early 1970s, when Justine was a child living in Beijing with her Christian family. Peter, then twenty-eight and stationed in China while working for Richard Nixon, had fallen in love with Justine's nanny, Su Chen -- a Communist revolutionary under Mao -- and still feels guilt for his part in her disappearance and death.Justine's obsession with Peter spurs her to embezzle funds from Aquinas and lend the money to James Nutter, a screenwriter and old college flame who has resurfaced in Justine's life after ten years. But every action she takes will have unforeseen ramifications, creating a tidal wave of betrayal and destruction. Lyrical and suspenseful by turns, "The City Is a Rising Tide" is an enchanting work of luminous prose and uncommon imagination.

    Failing out of school, picking up shifts at Margo’s diner, she’s left fending for herself in a town where she’s never quite felt at home. When she “borrows” her neighbor’s car to perform at an open mic night, she realizes her life could be much bigger than where she came from. After a fight with her dad, April packs her stuff and leaves for good, setting off on a journey to find a life that’s all hers.As April moves through the world, meeting people who feel like home, she chronicles her life in the songs she writes and discovers that where she came from doesn’t dictate who she has to be. This lyrical, unflinching tale is for anyone who has ever yearned for the fierce power of found family or to grasp the profound beauty of choosing to belong.

    In this case, however, it is the small town of Jerusalem, Georgia, to which the women journey, each expecting to find happiness at last. But to find their utopia, they must overcome the social and racial estrangements that isolate them from each other. Mamie Johnson, an African-American woman who is fleeing from an abusive relationship, desires an existence in which she will be free not only from abuse but also from centuries-old racial stereotypes. Maybelline, in exquisitely polite Southern terms, "has not had advantages, " but despite her lack of "good blood, " formal education, or fine manners, she determinedly pursues a course of service to the others. Miss Amelia, a small-town dowager who finds herself suddenly bereft of the social and economic security she has enjoyed all her life, makes a dual journey - one in the company of Mamie and Maybelline, and another, more reluctant journey back in memory to a summer of her childhood.

    Nelson and Angela Armstrong are wealthy, successful, determined, and stubborn. The freshness of their love has gradually turned to the staleness of noncommunicating separateness. And Angela wants the separateness to be permanent. Nelson acquiesces, for he knows no way to recapture the glow which Angela seems so determined to snuff out entirely. But there is someone else who is concerned - one who died in 1848, yet his presence is uncannily real. And because of his own mistakes, he is determined to teach the Armstrongs what he learned about life, love, and survival.

    With both Sarah and her cartoon heroine undergoing fertility treatments, her fiction often reflects her reality. However, she hadn't scripted her husband's infidelity. In the wake of her shattered marriage, Sarah flees to the coastal town in Northern California where she grew up. There, she revisits her troubling past: an emotionally distant father, the loss of her mother and an unexpected connection with Will Bonner, the high school heartthrob skewered mercilessly in her comics. But he's been through some changes himself. And just as her heart is about to reawaken, Sarah makes a most startling discovery. She's pregnant. The winds of change have led Sarah to this surprising new beginning. All she can do is just close her eyes...and breathe.

    Jackson, Vivvie’s husband, was shot and killed 30 years ago, and the ramifications have splintered the family into their own isolated remembrances and recriminations.This deeply personal, hauntingly melancholy look at the damages families inflict on each other – and the healing that only they can provide – is filled with flinty, flawed and complex people stumbling towards some kind of peace. Like Elizabeth Strout and Kazuo Isiguro, Deborah Reed understands a story and its inhabitants reveal themselves in the subtleties: the space between the thoughts, the sigh behind the smile, and the unreliable lies people tell themselves that ultimately reveal the deepest truths.

    Unlocked doors, front porches, pies cooling in the windows---this is country life at its finest. But visitors don't always see what lies at the heart of a community. Or just beyond...June Hudson grew up in Grace Valley, the daughter of the town doctor. Leaving only to get her medical training, she returned home and followed in her father's footsteps. Some might say she chose the easy, comfortable route...but June knows better.For June, her emergency room is wherever she's needed---or wherever a patient finds her. Always on call, her work is her life, these people her extended family. Which is a good thing, since this is a town where you should have picked your husband in the ninth grade. Grace Valley is not exactly the place to meet eligible men---until an undercover DEA agent suddenly starts appearing at all sorts of strange hours.Everybody has secrets down in the valley. Now June has one of her own.

    On death row for murdering her infant son, her last breath will be taken on February 15 at 12:01 a.m. Eleven years, five months, and twenty-seven days separate her from the last time she heard her precious daughter’s voice and the final moment she’d heard anyone call her Mom. Out of appeals, she can focus on only one thing, reconnecting with her daughter and making sure she knows the truth.Secrets lurk behind Sophie Logan’s big house and even bigger bank account. Every day when she kisses her husband good-bye, she worries her fabricated life is about to come crumbling down. No one knows the unforgivable things her mother did to tear her family apart—not her husband, who is a prominent plastic surgeon, or her “synthetic” friends who live in her upscale neighborhood. Grace’s looming execution date forces Sophie to revisit the traumatic events that haunted her childhood. When she returns to her hometown, she discovers new evidence about her baby brother William’s death seventeen years ago, proof that might set her mother free but shatter her marriage forever.Sophie must quickly decide if her mother is the monster the prosecutor made her out to be or the loving mother she remembers—the one who painted her toenails glittery pink and plastered Post-it notes with inspiring quotes (“100 percent failure rate if you don't try”) all over Sophie’s bathroom mirror—before their time runs out.

    Their aim is simple: to elevate the art of listening by doing so in forensic detail. The society enjoys moderate success in the back room of their local pub, The Half Moon, with other enthusiasts drawn to the initial promise of the weekly gathering.However, as the club gains popularity, its founders' uncompromising dogma results in a schism--and soon a counter group forms. Then the arrival of a young woman called Alice further fractures the unity of the vulnerable society. As rifts are forged and gulfs widen, Magnus Mills, the master of comic deadpan, humorously examines the surreal nature of ordinary lives.The best novel yet from award-winning, Booker Prize shortlisted Magnus Mills--a hilarious and surreal exploration of power, fanaticism, and really, really good records.

    They responded to the intensely introspective nature of the books, and to their lively narrative styles and biting humor. In The Hour I First Believed, Lamb travels well beyond his earlier work and embodies in his fiction myth, psychology, family history stretching back many generations, and the questions of faith that lie at the heart of everyday life. The result is an extraordinary tour de force, at once a meditation on the human condition and an unflinching yet compassionate evocation of character.When forty-seven-year-old high school teacher Caelum Quirk and his younger wife, Maureen, a school nurse, move to Littleton, Colorado, they both get jobs at Columbine High School. In April 1999, Caelum returns home to Three Rivers, Connecticut, to be with his aunt who has just had a stroke. But Maureen finds herself in the school library at Columbine, cowering in a cabinet and expecting to be killed, as two vengeful students go on a carefully premeditated, murderous rampage. Miraculously she survives, but at a cost: she is unable to recover from the trauma. Caelum and Maureen flee Colorado and return to an illusion of safety at the Quirk family farm in Three Rivers. But the effects of chaos are not so easily put right, and further tragedy ensues. While Maureen fights to regain her sanity, Caelum discovers a cache of old diaries, letters, and newspaper clippings in an upstairs bedroom of his family's house. The colorful and intriguing story they recount spans five generations of Quirk family ancestors, from the Civil War era to Caelum's own troubled childhood. Piece by piece, Caelum reconstructs the lives of the women and men whose legacy he bears. Unimaginable secrets emerge; long-buried fear, anger, guilt, and grief rise to the surface. As Caelum grapples with unexpected and confounding revelations from the past, he also struggles to fashion a future out of the ashes of tragedy. His personal quest for meaning and faith becomes a mythic journey that is at the same time quintessentially contemporary -- and American.The Hour I First Believed is a profound and heart-rending work of fiction. Wally Lamb proves himself a virtuoso storyteller, assembling a variety of voices and an ensemble of characters rich enough to evoke all of humanity.

    Gripping, tender and fiercely funny, it has been instantly recognised as a modern classic about the way we live now.

    As for how, when, to where, and even why—she doesn’t know yet. So begins a journey for the twenty-four-year-old narrator of Days of Distraction. As a staff writer at a prestigious tech publication, she reports on the achievements of smug Silicon Valley billionaires and start-up bros while her own request for a raise gets bumped from manager to manager. And when her longtime boyfriend, J, decides to move to a quiet upstate New York town for grad school, she sees an excuse to cut and run.Moving is supposed to be a grand gesture of her commitment to J and a way to reshape her sense of self. But in the process, she finds herself facing misgivings about her role in an interracial relationship. Captivated by the stories of her ancestors and other Asian Americans in history, she must confront a question at the core of her identity: What does it mean to exist in a society that does not notice or understand you?Equal parts tender and humorous, and told in spare but powerful prose, Days of Distraction is an offbeat coming-of-adulthood tale, a touching family story, and a razor-sharp appraisal of our times.

    His trading empire faces pirates, violent storms, and illness as it forges new paths across the Pacific Ocean, opening new markets in Hawaii, Mexico, and China. It is there he meets the beautiful Lady Yee, the Silver Lotus, prized daughter of a wealthy Cantonese merchant family. A great love is born, and their adventures will shape their lives—their love will transcend borders, oceans, cultures, and their marriage will eventually serve as a foundation for the growth and development of the Northern California coast.Steeped in the rich culture of the Orient and set against the burgeoning trading routes of the Pacific Rim, The Silver Lotus presents Steinbeck’s most moving and textured narrative to date. Readers of both Lisa See and Patrick O’Brien will be drawn to this rich historical tapestry that examines how industry, adventure, and love served as the building blocks of the thriving California waterfront.

    But who can tell her the truth? With her father sinking into Alzheimer’s and her brother reluctant to help, it seems Cara will never find the answers to her questions. One thing is clear, though: someone knows more than they’re letting on.Torn between loyalty to her family and dread of what she might find, Cara digs into the early years of her parents’ troubled marriage, hunting down long-lost relatives who might help unravel the mystery. But the picture that begins to emerge is not at all the one she’d expected—because as she soon discovers, lies have a habit of multiplying . . . Revised edition: This edition of Postcards from a Stranger includes editorial revisions.

    The lush and majestic setting of the Pacific Northwest calls to her and offers a place of refuge and perhaps renewal. Her grandmother has passed away, leaving the Madrona Island Bed & Breakfast Inn to Lily. Left with only an old guestbook as her guide–a curious book full of letters, recipes, and glimpses into her family history–Lily is determined to embrace her newfound independence and recreate herself, one page at a time. With the help of the quirky island residents she has befriended, she slowly finds the strength to seek out happiness on her own terms. But as soon as she has sworn off men and is standing on her own two feet, Lily meets Ian, the alluring artist who lives next door, and her new life is suddenly thrown off course. The last thing she wants to do right now is to open her heart to another man. Ultimately, Lily must decide if it’s worth giving up her soul for security or risking everything to follow her heart.