Here you'll meet, among many others, the 20s film idols snorting cocaine from an illuminated glass dance floor on the bank of the Thames, the model who escaped Soho's gangsters to become the queen of the nudie flicks and the genteel Scottish comedienne who, at the age of fifty-five, reinvented herself as a star of exploitation cinema, and fondly remembers 'the one where I drilled in people's heads and ate their brains'. Welcome to the lost worlds of British cinema.

    

    At a screening at Cannes in May 1979, Francis Ford Coppola said simply, "There wasn't a truthful thing written about [the film] in four years." That year at Cannes, Apocalypse Now won the Palme d'Or, going on from there to worldwide acclaim and etching itself in the memories of audiences with unforgettable sequences like the dawn helicopter attack scored to Wagner's "Ride of the Valkyries" or Lt. Colonel Kilgore's chilling "I love the smell of napalm in the morning." Here, generously illustrated with evocative stills from the film and revealing photographs from the set, is the story behind the movie where Vietnam met Joseph Conrad's Heart of Darkness. It is the extraordinary saga of Coppola and his crew and actors-who included Marlon Brando, Robert Duvall, Harvey Keitel, Martin Sheen, Dennis Hopper, and Harrison Ford -- battling hurricanes in the jungles of the Philippines, the calamity of a lead actor's heart attack, and crises both psychological and financial . . . in the end giving rise to a modern film classic.

    In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows, first on premium cable channels like HBO and then basic cable networks like FX and AMC, dramatically stretched television’s narrative inventiveness, emotional resonance, and artistic ambition. No longer necessarily concerned with creating always-likable characters, plots that wrapped up neatly every episode, or subjects that were deemed safe and appropriate, shows such as The Wire, The Sopranos, Mad Men, Deadwood, The Shield, and more tackled issues of life and death, love and sexuality, addiction, race, violence, and existential boredom. Just as the Big Novel had in the 1960s and the subversive films of New Hollywood had in 1970s, television shows became the place to go to see stories of the triumph and betrayals of the American Dream at the beginning of the twenty-first century. This revolution happened at the hands of a new breed of auteur: the all-powerful writer-show runner. These were men nearly as complicated, idiosyncratic, and “difficult” as the conflicted protagonists that defined the genre. Given the chance to make art in a maligned medium, they fell upon the opportunity with unchecked ambition. Combining deep reportage with cultural analysis and historical context, Brett Martin recounts the rise and inner workings of a genre that represents not only a new golden age for TV but also a cultural watershed. Difficult Men features extensive interviews with all the major players, including David Chase (The Sopranos), David Simon and Ed Burns (The Wire), Matthew Weiner and Jon Hamm (Mad Men), David Milch (NYPD Blue, Deadwood), and Alan Ball (Six Feet Under), in addition to dozens of other writers, directors, studio executives, actors, production assistants, makeup artists, script supervisors, and so on. Martin takes us behind the scenes of our favorite shows, delivering never-before-heard story after story and revealing how cable TV has distinguished itself dramatically from the networks, emerging from the shadow of film to become a truly significant and influential part of our culture.

    Kevin Murphy made it his obsession, and he did it for you.Mr. Murphy, known to legions of fans as Tom Servo on the legendary TV series Mystery Science Theater 3000, went to the movies every day for a year. That's every single day, people. For a whole fricken' year. And not only did he endure, he prevailed -- for this is the hilarious, poignant, fascinating journal of his adventures: the first book about the movies from the audience's point of view.Kevin went to the multiplex, sure. But he didn't stop there. He found the world's smallest commercial movie theater. Another one made completely of ice. Checked out flicks in a tin-roofed hut in the South Pacific. Tooled across the desert from drive-in to drive-in in a groovy convertible. Lived for a week solely on theater food. Took six different women to the same date movie. Dressed up as a nun for the Sing-Along Sound of Music in London. Sneaked into the Cannes and Sundance film festivals. Smuggled an entire Thanksgiving dinner into a movie theater. And saw hundreds of films, from the Arctic Circle to the Equator, from the sublime to the unspeakable. Come along on a joyous global celebration of the cinema with a man on a mission -- to spend A Year at the Movies.

    Offering many insights into the wacky world of Brooks and his many collaborators, as well as an intimate look into his successful marriage to the brilliant and beautiful actress Anne Bancroft, It's Good to Be the King might just be the most delightful, engaging, and entertaining biography you'll ever read.

     Curb Your Enthusiasm: The Book is complete with stories about Larry David's childhood, his roots as a stand-up comic, and his various writing jobs before the breakthrough of Seinfeld. Readers will enjoy dating stories from his bachelor years, discover how he met his future wife, Laurie David, and learn why Cheryl Hines was picked to play his TV wife. A highlighted map of Santa Monica shows locations where favorite Curb scenes were filmed, such as the Toyota of Hollywood where Larry works as a car salesman. Ever wonder if there's a story behind the creation of Krazee-Eyez Killa's infamous rap? There is, and it's in this book, along with the tale of the ordinary afternoon lunch where the idea for Curb Your Enthusiasm was first formed. Perhaps best of all, fans can finally see Larry David's original scene outlines-just a few sentences from which the actors improvise-which eventually evolve into the carefully edited comedy that we see on air. After five hilarious seasons, Curb Your Enthusiasm: The Book offers fans an intimate view of the people, experiences, and stories behind one of television's funniest shows. Curb Your Enthusiasm: The Book is filled with hilarious images, insights, and behind-the-scenes moments, including: * Original interviews with and commentary from more than 100 cast and crew members, guest actors, comics, and friends and family, including Cheryl Hines, Jeff Garlin, Susie Essman, and Richard Lewis * An in depth, four-section interview with Larry David, covering everything from his childhood in Brooklyn to his emergence into the world of comedy and television. * Never-before-seen outlines from the show that are the basis for episode storylines. * Detailed episode guides for the show's first five seasons. * More than 100 full-color photographs.

    As an undergraduate at Columbia, he organized the school's first film society. Later, he even tried his own hand at filmmaking. But it was not until his ascent as a major essayist that Lopate found his truest and most lasting contribution to the medium. And, over the past twenty-five years, tackling subjects ranging from Visconti to Jerry Lewis, from the first New York Film Festival to the thirty-second, Phillip Lopate has made film his most cherished subject. Here, in one place, are the very best of these essays, a joy for anyone who loves movies.

    From John Hughes' early films, to the cheerleaders of Bring It On, the films and their characters deal with sex and gender relations, presenting a picture of the hidden life of teenagers. Hit teen films can also promote products, launch bestselling soundtrack albums, and be career-makers for young actors. Kaveney also shows how the teen genre has absorbed classic material in the case of Clueless, has made up gender etiquette manuals like American Pie, and how teen films and TV series deal with the tragic and comic undersides of the American dream.

    It also explores the real Woody Allen, the critically acclaimed filmmaker from the Upper East Side, and his amusing movie persona of a neurotic and lovable loser.Shrewdly and effectively deconstructing Woody, John Baxter's biography illuminates Allen's preoccupation with sex and mortality, his personal quirks and obsessions, his manipulation of celebrity, and his cinematic achievement as chronicler and court jester of Manhattan's intellectual elite."A splendidly written, exhaustive account and a major achievement" - The Observer"Astute and highly entertaining biography" - Daily Telegraph"A bracing corrective to the usual po-faced, sycophantic studies of the cult of Woody" - Mail on Sunday"Full of interesting information for cinema enthusiasts" - The Spectator"The saga [of Woody and Mia] makes compulsive reading" - The Guardian

    Depicting deep-rooted, even archetypal fears, while at the same time exploiting socially and culturally specific anxieties, cinematic horror is at once timeless and utterly of its time and place. This exciting visual history, which includes unique images from the David Del Valle archive, examines the genre in thematic, historical, and aesthetic terms, breaking it down into the following fundamental categories: Slashers & Serial Killers; Cannibals, Freaks & Hillbillys; Revenge of Nature & Environmental Horror; Sci-fi Horror; The Living Dead; Ghosts & Haunted Houses; Possession, Demons & Evil Tricksters; Voodoo, Cults & Satanists; Vampires & Werewolves; and The Monstrous-Feminine. Among the many films featured are classics such as Psycho, Texas Chainsaw Massacre, Alien, The Exorcist, Dracula, and The Wicker Man.

    His uniquely stylish films, with their designer violence, exuberant black humour and rapid-fire, tough-guy dialogue, have won him worldwide critical acclaim and rock star status. Tarantino is walking, talking, Oscar-winning proof that you can break the rules and still triumph over Hollywood. This roller coaster ride through Quentin Tarantino's life and work is based on over 100 in-depth interviews with friends, colleagues and family and was written with the invaluable support of Quentin's mother, Connie. Perceptive and compelling, Quentin Tarantino: Shooting From The Hip penetrates the eccentric world of Hollywood's hottest movie director. It is essential reading for everyone wanting to understand Tarantino the man, and the phenomenon.

    This fascinating collection of essays considers David Lynch's politics, the enigmatic musical score, and the show's cult status, treatment of family violence, obsession with doubling, and silencing of women. Also included are a director and writer list, a cast list, a Twin Peaks calendar, a complete scene breakdown for the entire series, and a comprehensive bibliography.

    Since all journalists and writers were barred from the shooting of the movie Close Encounters of the Third Kind, actor Bob Balaban's diary is a rare on-the-spot account of the making of Steven Spielberg's classic sci-fi film.

    For over forty years he has dominated Hollywood and his success both in front of and behind the camera has assured his place in cinema history alongside such superstars as Marlon Brando, John Wayne and Robert De Niro..."Clint" reveals the man behind the myth. Bestselling author Douglas Thompson draws on exclusive interviews with the star, to provide the definitive portrait of Clint Eastwood. From his early days as a jobbing actor on $75 a week to his directorial triumph with "Million Dollar Baby", "Clint" reveals the personal highlights of one of the most celebrated careers in cinema history.